Liu Gongquan
The stone tablet of the mysterious pagoda adopts European style and has a round face, so it can be said that Fiona Fang has both. The font is tall and straight, the pen is sharp and vigorous, the stippling is smooth and regular, the bones are strong, the statutes are strict, there is an open-minded, neat and fresh look, and there is a thin and hard artistic realm. This work is a masterpiece of Tang Kai.
Mysterious pagoda monument
(A) Analysis of the basic techniques of Liu Ti
1, horizontal method
Pick up the pen and fold it against the front, to the right center, take the pen in the middle, fold the end down to the right, and return to the front to collect the pen. Liu Zi's horizontal strokes are neat and square, all the strokes are folded, and the long horizontal strokes are straight and clear.
Transverse method
2. Vertical method
Zang Feng-qi's pen, square and vigorous, strokes in the middle, stretches the front, grabs the pen in the air, and is straight and strong, like a hanging needle. Liuzi used a round pen to hang vertically, a needle to lift a pen as a square, and Fiona Fang used it both hard and soft.
Step 3 skim
Tibetan front pen, the head is round, the pen is centered to the left, the arc head covers the front, and it is gradually lifted to lift the pen away from the front. Liu's calligraphy and painting should be neat and tall.
Skim floating foam
4. si method
At first, point the pen at the front, use a round pen on the head, and draw from the center to the right, gradually becoming thicker, with long strokes and heavy feet. The willow word is tall and strong, and the arc hides the head and puts the tail.
holding method
5. Hooking method
The pen is facing the front, the hook is a round pen, the pen is facing down in the center, the middle is thin and straight, and the front is folded at the end of the vertical painting, ready to hook out. The straight hook of the willow word is on the inner side of the pen's excircle, such as the European body is tall and powerful. Cross-folding hooks should use the force of circular rotation.
Hook method
6. Folding method
The upper right corner of the word is called "folding pen", which means that after writing a horizontal line, you pick up the pen and write it as a fold, showing a rigid square folding brushwork.
7. Selection method
Point the pen at the front, press down hard, fold the front and push it out at a 45-degree angle with the paper, in a triangle, square or circle, and choose to write vigorously.
8. Point method
The characters in Liu style should have both Fiona Fang characters and Chinese characters. The tip of the "hijab" should be round and square. The symmetry point should be rounded off and the lateral potential should be taken. Respond to the point and break the meaning. Different points are written in different ways.
Point method
(2) Structural method
The structural characteristics of Liu-style figures are tall and straight, the middle palace is tightened, the brushwork is open, the stippling is abrupt and neat, the brushwork is neat, the knot is extended, and each has its own characteristics.
1, tall and straight.
In calligraphy, vigorous strokes refer to powerful and elastic strokes. For example, the word "square" is neat, magnificent, unstoppable and has the beauty of being tall and straight.
Tall and straight.
2. tightening of the middle palace
The middle palace is the middle palace of Jiugongge, and the strokes of Chinese characters must be condensed in the center of Chinese characters in an orderly way.
Tightening means that you can only receive it if you release it, and you must release it if you receive it. Similarly, tightness and looseness are inseparable. If the middle of the word "high" is close to the vertical center line, it is called tightening. The lower part is a semi-closed structure, far from the center, called letting go.
Tightening of middle palace
3, pure and strange with bones
The structure of Liu's body can be seen from the word "wind": the word "wind" is like a bow with great tension. The word "mouth" of Liu is big and small, unique and has backbone.
Qingfeng guqi
Liu Gongquan's calligraphy is famous for regular script. It is the most influential calligraphy style in the history of China calligraphy. This is the most precious legacy and an example for us to learn.