What kind of calligraphy art world is contained in Mr. He Daqi's calligraphy works? The following are the calligraphy works of He Daqi that I arrange
What kind of calligraphy art world is contained in Mr. He Daqi's calligraphy works? The following are the calligraphy works of He Daqi that I arranged for you. I hope they are useful to you!
Appreciation of He Daqi's Calligraphy Works
Pictures of He Daqi's Calligraphy Works 1
Photo 2 of He Daqi's calligraphy works
He Daqi's Calligraphy Works Figure 3
He Daqi's Calligraphy Works Figure 4
He Daqi's Personal Profile
Calligrapher He Daqi, male, special teacher. 1940 was born in Beijing and belongs to the dragon. My ancestral home is Shaoxing, Zhejiang. Graduated from Chinese Department of Beijing Normal University. Now he is a researcher in the teaching department of Shijingshan branch of Beijing Institute of Education. Director of Beijing Fine Arts Education, member of China Fine Arts Education Society, member of Beijing Calligraphers Association, member of the Textbook Review Committee of Beijing Institute of Education, and deputy editor of Art Education Reference Book of People's Fine Arts Publishing House.
Good at China's meticulous figure painting and calligraphy creation. He has rich experience in figure painting teaching and calligraphy. And compiled more than ten kinds of teaching materials. Main works: Selected Sketches of He Daqi's Screen * * 1996, One Hundred Tang Poems by China People's Publishing House * * * * 1997, Equatorial Wind Publishing House * * * Series of Excellent Teachers' Educational Thoughts and Teaching Arts * * 197. In 2003, Hunan Fine Arts Publishing House * * * and old Beijing folk paintings * * * In 2005, China Water Resources and Hydropower Publishing House * * * won the "Fourth Hu Chun 'an Excellent Teaching Achievement Award" in 2002, 20065438.
Spatial structure of calligraphy
On the premise of following the principles of Chinese font and stroke order, the stippling lines of calligraphy cross-combine and divide the space to form the spatial structure of calligraphy. The spatial structure includes three parts: single word structure, whole line circulation and overall layout.
1, single word structure
The structure of a single word requires neatness, fluency, balance of length and density. In this way, on the basis of caring for the truth, we can pay attention to the decay, intricate changes, natural image, danger in peace and interest in danger.
2, the whole line of qi
In calligraphy works, characters are connected from top to bottom or from front to back, forming a "linking", which requires coherence from top to bottom. Although the static characters such as regular script, official script and seal script are independent, the strokes are broken and connected. Running script, cursive script and other dynamic characters can be word for word, with hairspring traction. In addition, we should also pay attention to the change of size, positive response, contrast between reality and reality, and the resulting sense of rhythm. In this way, the circulation of qi can be natural and coherent, and blood vessels can be unblocked.
3. Overall layout
In calligraphy works, the combination of dots into characters, hyphens into rows and lines into chapters constitutes the cutting of space by dots, thus adding salt to the overall layout of calligraphy works. It is required that the density between words and between lines is appropriate, and the white is black; Flat and balanced, positive to each other; Rugged and full of changes. Among them, the static characters such as regular script, official script and seal script are mainly fair and balanced; The dynamic characters such as running script and cursive script are complicated and ups and downs.