Turning over the chronology of Wu Weibo's creation, we can find that creativity almost runs through his whole creative process: he and his wife created a 23-mile "A Dream of Red Mansions Painting and Calligraphy", and he dipped his brush in oil painting pigments, which pioneered the use of calligraphy lines in China's elemental oil painting; However, it has been more than 20 years since the first draft of his totem painting "China People" was created in 1985, during which it has undergone five major revisions, and it was not really completed until the early 1990s. Totem calligraphy and painting "China Man" is based on totem hieroglyphics, and uses brand-new philosophical thinking to break the boundaries between calligraphy and painting. Unique, the combination of Chinese and western, calligraphy and painting, simple and profound, full of artistic charm.
Wu Weibo is full of love for nature and optimistic about the great passion of life. He interprets naturalistic aesthetics according to philosophical principles such as "great beauty is intangible" and "art is not fixed", and creates idealism through thinking in images. Therefore, his paintings and calligraphy are full of self-expression and subjective lyricism, and the expression of feelings has an overwhelming momentum, which is extremely infectious, exaggerated and amazing. What people feel is a highly real and illusory existence, which sublimates human tangible space and natural intangible space to the height of thought, and unifies emotion and profound philosophy in a square inch, which is "a square inch canvas that shows the whole world".