Li Ling has been invited to exchange calligraphy with other countries for many times. Calligraphy works have been exhibited in Japan, the United States, Britain, France, Canada, Australia, Thailand, Singapore and other places for many times, and have been collected by art galleries in Japan and other countries. Mr. Li Ling and Mr. Huang Qi have held joint exhibitions of calligraphy between teachers and students in Sendai and Hegang, China, Haikou, Guilin, Nanchang and Anqing. Li Ling has studied calligraphy for more than forty years, and is famous for his unique style of "flying flowers in Cang Shi". The main feature of Cang Shi's flying flower style is to integrate all the opposing elements in calligraphy art, so that it can produce harmonious and peculiar beauty in confrontation and contradiction. Li Ling's calligraphy art overcomes mediocrity, rigidity, monotony and repetition that are easy to appear in calligraphy creation. He strives to create the beauty of contradiction and change in his works, thus giving the audience a sense of freshness, mobility and richness. Experts praised Mr. Li Ling's calligraphy style as "dignified as Cang Shi lying on the ground, natural and unrestrained as falling flowers flying empty", and called the calligraphy styles of Li Ling, Huang Tingjian (a calligrapher of the Song Dynasty) and Huang Qi (a famous contemporary calligrapher, the grandson of Huang Tingjian) "Yellow School Calligraphy".
Mr. Li Ling's original painting art is a historic breakthrough in the new era. Facing every Chinese character of China, he created a purely artistic work, which is multi-type, deformed and expressive. In Li Ling's works, the change of lines and the diversity and richness of structural modeling are the soul manifestations of Li Ling's integration and development of China's cultural traditions. He created mountains and rivers with a pen, involving mountains and rivers, and blended non-verbal images and sky images into the pen, splashing ink and enlivening the sky. Therefore, Li Ling is a leading figure in pushing Chinese characters to pure artistry and performance, and letting people around the world see the greatness of the Chinese nation, the greatness of China art and the profoundness of China culture.
Li Ling loved China's calligraphy art and devoted himself to the development of Buddhism in China. Mr. Li believes that traditional calligraphy in China is closely related to Buddhist culture. Therefore, he regards "carrying forward the traditional calligraphy art" and "promoting the development of Buddhist culture" as his artistic pursuit goals, and is determined to work hard for this and make unremitting contributions.