65438-0965, graduated from the Department of Art History of the Central Academy of Fine Arts, and entered the Palace Museum to engage in cultural work. Mainly based on the history of ancient calligraphy and painting and the identification of calligraphy and painting. From June 65438 to March 0985, he served as director of the office of the Palace Museum, director of the exhibition department from June 65438 to June 0988, and director of the Palace Museum from April 65438 to March 2002.
He has written and published more than 600,000 articles on the history and appraisal of calligraphy and painting 100, with about 600,000 words; Write monograph 10, about 800,000 words; Co-authored 2 monographs, with 6.5438+0.5 million words; Atlas 10 edited by Yu Ben, writing a 200,000-word plate preface and illustrations; Deputy editor-in-chief of 6 albums, 80,000 words preface and illustrations. * * * wrote 1.8 million words.
He used to be a tutor in the master's class of calligraphy and painting appraisal of the Central Academy of Fine Arts, and was hired as a visiting professor by the Central University for Nationalities, the School of Applied Humanities of Beijing Union University and Haidian University.
Character experience
He was invited to participate in international seminars at home and abroad, such as American painting in Ming and Qing Dynasties, Dong Qichang art, modern Shanghai style art, ancient Japanese figure painting, Hongkong Paintings of Ming Dynasty, and read papers.
He was invited to participate in international seminars such as the paintings of four monks and four kings in the early Qing Dynasty organized by Shanghai Museum, the art of Zhao Mengfu in Yuan Dynasty organized by Shanghai Calligraphy and Painting Society, the life and art of Ni Zan organized by Wuxi Cultural Bureau, the painting of Wumen in Ming Dynasty organized by the Palace Museum, the analysis of paintings in Ming and Qing Dynasties organized by China Academy of Fine Arts, and the third international calligraphy seminar organized by Cultural Relics Publishing House, and published papers.
He is currently a member of China Artists Association, deputy director of Appraisal Committee of Beijing Oriental Collectors Association and consultant of Beijing Arts and Crafts Masters Association. Now he is a research librarian of the Palace Museum, a member of the academic committee of the Palace Museum, and enjoys special government allowance.