Since the Southern Dynasties, the thousand-character script has been an important chapter for calligraphers to learn and create books. Zhu is not only a master of Neo-Confucianism, but also a master of calligraphy. His calligraphy style is steady and vigorous, vigorous and dignified, with a steep structure, simple and elegant, and a vertical and horizontal attitude.
The book Qian Zi Wen is an ancient masterpiece. Casting two seals is simple and elegant, and the Han tablet is elegant and elegant. One furnace shows the late Jin and Tang dynasties, which is shocking and amazing.
Zhu's calligraphy characteristics
Zhu's calligraphy is mainly influenced by Zhong You, Yan Zhenqing. Zhan Jingfeng in the Ming Dynasty commented: "I have seen several calligraphy slips of Zhu, and Gai Falu argued for books. Even if you add notes while walking, you will recover. It means lush, deep and quaint, with bones, tendons and rhyme. " Dong Qichang said, "Hui Wengshu is close to the method of Zhong Taifu, and it also means separation."
Zhu's calligraphy can go beyond the threshold of Zhong You and Yan Zhenqing and become a family style. The fundamental reason is that he learned the theory of Qi, which led to his calligraphy entering the classroom. Wang Yun of Yuan Dynasty said, "The book of Kao Ting is the spirit of virtue and essence, turbid and flowing outside the cave." Another cloud says, "The spirit of morality is lush and scattered among words."