Yan Zhenqing has opened up a brand-new realm of calligraphy: in terms of characteristics, Yan has a brand-new figure, strict statutes and great momentum. From the aesthetic point of view, beauty of face and beauty of body are dignified, masculine and artificial, and beauty of number is simultaneous, which sets a rule for later generations. From the perspective of the times, the early Tang dynasty inherited the rest of the Jin and Song dynasties, but failed to stand on its own feet. As soon as Yan style appeared, the new style of Tang Doutan casting became one of the distinctive features of the prosperous Tang Dynasty.
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Yan Zhenqing, a calligrapher in the Tang Dynasty, was a beginner of Chu Suiliang and later learned Zhang Xu's brushwork. His block letters are dignified and dignified, and the momentum is open. Running script is vigorous, Yu Bo. The ancient law is one of the changes, and it is called "Yan Di" internationally. ?
Baisha Kang Youwei and his "If the word' Ti' before Wei and Jin Dynasties refers to calligraphy, after Wei and Jin Dynasties, it turned to personal styles, such as' Ti',' Liu Ti' and' Zhao Ti', not three fonts, but only three different styles of calligraphy."
The eighth lecture in Lu's A Brief History of China Calligraphy (III): "Yan Zhenqing's calligraphy is mainly guided by Zhang Xu, inheriting the tradition of Wang Xizhi, learning the characteristics of the four schools in the early Tang Dynasty and absorbing the fresh nutrition of calligraphy in the Southern and Northern Dynasties. When studying, there are choices and choices. It is the creator of the new book style in the Tang Dynasty, called' Yan Ti'. "