Zhang Feng's paintings advocate freehand brushwork and pursue deep, simple, unrestrained and broad masculinity. Starting from "learning from nature, learning from horses", he dabbled in China and foreign countries, and created many rough gods in his works, which are the true catharsis of the painter's thoughts and feelings.
Zhang Feng's calligraphy pays attention to making the past serve the present and draws on the strengths of many schools, which makes his oracle calligraphy make a successful attempt in using tradition and breaking through limitations, which is really commendable. After seeing Zhang Feng's works in China Art Museum, Mr. Yu Lu praised the poem "embrace the sun and the moon with open arms, and the peaks turn around".
Zhang Feng's paintings and calligraphy works have been interviewed and commented by national newspapers such as China Pictorial and Xizhi Pictorial. His works have been collected and exhibited by the General Office of the Central Committee, China Art Museum, Yinchuan Art Museum, French, Swiss, Algerian, Korean Culture and Art Research Association, Singapore Xishan Cultural Center, Canadian People's Gallery, Philippine Art Music Silent Art Museum, Taiwan Province Province, the United States and other countries and regions and friends.
At the beginning of 1997, he was invited to France, Paris, Switzerland, Zurich, Geneva, Algeria, Algiers and other countries and regions for artistic exchange. Zhang Feng's artistic pursuit is to carry forward national culture, absorb world artistic nutrition and achieve international cultural harmony.