He (1799 ~ 1873), a native of Daozhou, Hunan, was born in Zizhen,No. Dongzhou,No.. Ape arm Weng His calligraphy evolved from Ou Chu to You Jun and Zhi Yong. In his later years, he carved the loyalty hall face-to-face post and wrote the title. He and his brothers Shao Ye, Shao Ye made great achievements in calligraphy, and they were called "the four masters of He family" at that time. In the fifteenth year of Daoguang, He Ji Shao became a scholar in the second year. He has been editor-in-chief of Hanlin Academy, manager of Wenyuan Pavilion, editor-in-chief of National History Museum and editor-in-chief of Wuyingtang. He also took the provincial examinations in Fujian, Guizhou, Guangdong and other places as an examiner, and recruited a group of talents. At the age of 53, he was appointed as the academic chief executive of Sichuan Province. He can boldly get rid of bad rules and seriously violate corrupt officials, thus offending his boss and being removed from office. He's calligraphy has been widely studied by hundreds of scholars. His kung fu is quite profound and he is good at calligraphy. He once said: "Yu Xueshu has studied seal script for more than 40 years, and the method of opening books is based on the idea of seeking seal script in the Northern Dynasties." He has studied books since the Jin and Tang Dynasties since childhood, and devoted himself to Huang Tingjing and Xiao Mazi Gu Shan Xian Tan Ji. When he was in his forties, he wrote jade classics in Tai Huang Shang Ting and Huang Ting Jing, which were elegant and clever, showing profound skill invisibly, and were called masterpieces of the ages. The former is purely based on Yan fa, with a slight gesture of north monument; The latter has the charm of Jin people, but the clue of Yan people's character can still be seen. The former was supposed to engrave, but because the engraver thought that the strokes were too thin to engrave a knife, he wrote the Huang Ting Jing of the latter to help Shiyuan. He Zizhen's "Garden of the West" published by Zhonghua Book Company is his masterpiece in his later years. The brushwork is rich, unpretentious, mellow, simple and quiet, and beautiful. From a big perspective, He Jieshu also belongs to Yan School, and learning Yan can "get its meaning". In terms of pen use, I read more about Fang Bi in my early years, and switched to seal calligraphy in my later years, hiding more front and round pens. His writing is horizontal and vertical, broad and broad, but without broad spirit. This is because he combines the steep brushwork characteristics of Bei Bei and Ouyang Fu Zi, which are very rich in connotation.
Official script "Army Monument Volume"
His cursive scripts include Li Yong's Lushan Temple and Yan Zhenqing's Fighting for Seats and Chasing the Soul of the North Monument. He also worked hard on Wang Xizhi's Preface to the Lanting Pavilion and Huai Renji's Preface to the Holy Teaching, weathered and rhymed, and created a secluded hall. The representative pictures of Su Shi, Xing Shu and Ye Wen Ke Yang Guo Yuan Chi Shi Hua are really dazzling and unpredictable, but when you look closely, your wrists are straight and regular. The pen fluctuates up and down, the lines are Fiona Fang staggered, and the ink is late and dignified. The structure is slightly to the right, and the spacing, density, concession and size between words and lines are extremely elegant, and there is no carving, which has both the grandeur of Yan characters and the elegance of a black woman, as well as the unique appearance of "Yan Qi Wei San".