The source of long water is here, and there is nothing in the world. Waves gushed from the flat ground, just like a white jade pot. The empty valley has been spewing for a long time, worrying about exhaustion. Even in the year of drought, I am not afraid that the East China Sea will dry up.
Clouds vanished, nourishing China, and the sound of waves shook Daming Lake. Once in a while, I come to spring to wash my whole body with dust, which seems to be full of ice and snow, making people refined.
Original poem:
Baotu Spring
Yuan Dynasty: Zhao Mengfu
There is no long water source in the world, and white jade pots gush out from the ground. The valley grows weak, and the drought does not worry about the dry East China Sea.
Clouds are wet and steaming, and waves shake Daming Lake. It's time, the spring is dusty, and the ice and snow are full of loneliness.
Extended data:
Creative background:
Baotu Spring is outside the west gate of the old city of Jinan, Shandong. When Zhao Mengfu was an official in Jinan, he often killed time here. Zhao Mengfu's poems, books, paintings and calligraphy are all excellent, but calligraphy is all cursive.
He studied Song Gaozong in his early years, followed by Wang Xizhi and Wang Xianzhi, and finally returned to Li Yong. He was a great calligrapher after the Tang Dynasty and had a great influence on that time and later generations.
Zhao Zi is famous for his completely aesthetic style. Shu Baotuquan's poem was written in December of Zongyuan Zhenyuan (1295), which is the autumn color of a magpie. No later than eight years of Dade (1304).
That is, works between the ages of 42 and 5 1 year. The poem of Baotu Spring written by Zhao Mengfu in Yuan Dynasty is graceful and elegant, which is the characteristic of Zhao's calligraphy style and a rare Chinese character in Zhao's regular calligraphy. There are "two questions on the right" in the file, and only one question is left today, which means that it has been lost before the volume.
The author introduces:
Zhao Mengfu (f incarnation) (125410120 July-1322 July 30), born in Song Xue Road, Han nationality, also known as Taoist Jing Gong and Goulpeau, worked in Mengfu in middle age. Xing Wu, Zhejiang (now Huzhou, Zhejiang) people.
A famous calligrapher, painter and poet at the end of Southern Song Dynasty and the beginning of Yuan Dynasty, his grandson, a descendant of Qin Wang Zhao. In the 23rd year of Zhiyuan (1286), Zhao Mengfu was recommended by Cheng Jufu.
Respected by Kublai Khan of Yuan Shizu, he has served as a bachelor in Jixian County, general manager of Jinan Road, a Confucian scholar in Jiangsu and Zhejiang Province, and a bachelor in Hanlin. Cheng Zhi, Bachelor of Hanlin, Doctor Rong Lu. In his later years, he gradually retired and then asked for help from his illness.
In the second year of Zhi Zhi (1322), Zhao Mengfu died at the age of 69. He was named "Wen Min" by Pingzhang, Zhongshu Province, Jiangsu Province, posthumous title and Wei Guogong, hence the name "Zhao". He is the author of Song Xuezhai's Anthology and so on.
Zhao Mengfu is well-read, good at poetry and prose, familiar with economy, industrial calligraphy, fine painting, good at epigraphy, fluent in temperament and appreciation. Especially in calligraphy and painting. In painting, he created a new painting style in Yuan Dynasty, which was called "the crown of Yuan people".
Zhao Mengfu is also good at seal script, official script, original works, calligraphy and cursive script, especially regular script and running script. His elegant style of calligraphy, neat structure and skillful brushwork created Zhao Ti Shu, which is called "four masters of regular script" with Ou Yangxun, Yan Zhenqing and Liu Gongquan.