Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
2. Describe the well-written sentences in calligraphy, such as the horizontal posture of pen and ink, strong brushwork, risky brushwork, full brushwork, spring insects and autumn snakes, meticulous brushwork by Mo Miao, writing by a long snake, writing by spring breeze, sweeping away a thousand troops with one stroke, showing the old ink with one stroke, seeing the heart with one word, penetrating the back of the paper with three points, writing thunder and thunder, and thundering. Vivid and fluent, with beautiful style and changeable charm, it floats in the phoenix, dances in the phoenix and flies in the dragonfly, belongs to the phoenix, is peaceful and fluent, learns from foreign teachers and is superior to nature, dances with dragons and flies in the phoenix, flies with dragons and snakes, shakes with Rowen tigers and bends with dragons. Stupid, clumsy, simple, natural, natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, modest and concise, ingenious, gorgeous and natural, superb skills, ingenious, Wang Yang wanton, Wang Yang Honghu, Wang Yang wanton, vigorous and powerful, began to write Huang Ting, began to learn graffiti, did not learn sword, painting.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
3. What are the words to describe good calligraphy?
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing.
4. Good words describe writing. Good words describe writing full of pen and ink: pen and ink are used freely and incisively.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers.
5. Describe well-written idioms and poorly written idioms. A well-written idiom is full of pen and ink: pen and ink are used freely and incisively.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. The sword was drawn from its sheath and the bow was opened.
Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style. Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
A bad idiom: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually.
Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing. Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually.
Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
6. Idioms to describe writing a book with a chisel.
Tibetan calligraphy is dying.
Grammar reading
Don't stick to books or superstitious books
burning books and burying Confucian scholars alive
Have a good education and good judgment.
People will find it difficult to record all the facts.
a scholarly family
Write down the truth
Ambitious people disdain trifles.
Reading many books and reading them a hundred times is self-evident. Reading is difficult. It is better to believe what it has than to learn what it has. I might as well learn a piano, chess, calligraphy and painting. The sound of books is loud and clear. Five cars are reading on the same track, and the scholarly family, Shu said that knowing books is a gift, Yin Hao's book is empty, and the white-faced scholar can't put it down. Reading is difficult, but reading is difficult. Reading from generation to generation, the scholarly family is empty, and the scholarly family is a scholar. Sleep on the classics, know the book and know the ceremony, the book bag of the scholarly portal is bottomless, and the calligraphy and painting are abandoned. Donate swords, drift, send swords, send geese, pass books,
7. What are the good words and sentences that describe calligraphy works?
1, pen full of ink b ǐ h ā n mò b m: o
Pen and ink are used freely and incisively. It describes calligraphy and poetry.
2, the pen to the dragon snake bǐ zǒu lóng shé
The dragon and snake pranced in the fence. Describe the vigorous and free brushwork of calligraphy.
3, dragon and phoenix dance w incarnation
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
4. Dragons and snakes are flying.
Describe the vigorous and vivid strokes of calligraphy. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
5. Luan Piao Feng Bo LUN piāo fèng bó
Luan: the legendary phoenix. Originally, calligraphy was described as unrestrained and uninhibited, and it was also compared to the separation of husband and wife in high flyers.
6. Luan Simao von Zhou Luan xiá von zh.
Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty and diversity of calligraphy or poetry style.
7. Get to the heart of the problem.
Calligraphy used to be descriptive, but now its analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Good sentences:
1, take a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
2. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
3. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.
4. Wang Xizhi has a deep understanding of real calligraphy, calligraphy and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".
5, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
6, publicity, not tied at all, even the whole line is put down, like a fairy to escape, come and go without a trace.
7. I borrowed a wisp of flying smoke from a meandering stream, polished an inkstone lightly with my hand, and laid a blank sheet of paper for my mood.
8. In one stroke, if the field of vision is out of control, the horse will fly and leave; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
9. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
10, although paternal, is not a new coincidence. Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry.
8. What sentences can describe good calligraphy? 1. The brushwork is magnificent and the posture is changeable. Out of carelessness, he forgot his palm, which is the most vivid and perfusion feature.
2. The pen, Yan Gu.
3. One move, one look, and then dumped the horse and flew away.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.
7. This group of people are playing in the sea, dancing and swimming in the sky.
8. floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern.
9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
10. flowing, flowing.
1 1. For example, the dragon flies in the sky, coming from the air and returning to the air, almost crazy, and the original vitality impulse contains the aura of heaven and earth.
12. Make public, not tied at all, even the whole line goes down, escaping like a fairy, coming and going without a trace.
13. The dragon and snake race through the iron inkstone.
14. Its color, its shape, its shade and dryness, its discontinuity and twists and turns, its thickness and concealment are infinite, and its weather is countless.
15. Like petals, the fragrance spreads far and becomes more and more fragrant.
9. Describe the well-written sentences in calligraphy, such as the horizontal posture of pen and ink, strong brushwork, risky brushwork, full brushwork, spring insects and autumn snakes, Mo Miao meticulous brushwork, long snake writing, spring breeze writing, sweeping away a thousand troops with one stroke, old ink with one stroke, seeing the heart, Ding Zhen, Cao Kai, Ding, penetrating the paper, writing thunder and thunder, thunderous. Vivid and fluent, with beautiful style and changeable charm, it floats in the phoenix, dances in the phoenix and flies in the dragonfly, belongs to the phoenix, is peaceful and fluent, learns from foreign teachers and is superior to nature, dances with dragons and flies in the phoenix, flies with dragons and snakes, shakes with Rowen tigers and bends with dragons. Dull and clumsy, thick and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, modest and concise, skillful and skilled, gorgeous and natural, superb skills, ingenious, Wang Yang wanton, Wang Yang Honghu, Wang Yang wanton, vigorous and powerful, began to write Huang Ting, began to learn graffiti, did not learn sword, painted sand.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy.