First, Du Xiaoli.
1, Li Shangyin
Li Shangyin (about 8 13-858), a native of western Henan (xi), Fan Nansheng, a native of Xingyang, Zhengzhou (now Xingyang, Zhengzhou, Henan), was a famous poet in the late Tang Dynasty.
Together with Du Mu and Li Shangyin, they are called "Little Du Li", Li He and Li Bai are called "Three Li", and Wen is also called "Wen Li". Because the style of poetry and prose is similar to that of paragraphs and essays in the same period, and all three of them rank sixteenth in the family, it is also called "Thirty-six Style".
Li Shangyin was one of the few poets who deliberately pursued the beauty of poetry in the late Tang Dynasty and even the whole Tang Dynasty. He is good at poetry writing, and parallel prose also has high literary value.
His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read.
However, some poems (represented by Jinse) are obscure and inseparable, and there is a saying that "poets always love Quincy and hate that no one writes about Jian Zheng".
2. Du Mu
Du Mu (803- 852) was born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You.
Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu.
Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan".
Du Mu's poems are famous for their seven-character quatrains, and the main content is to chant history and express emotion. His poems are handsome and natural, and cut into secular things. He achieved great success in the late Tang Dynasty. Du Mu is called "Xiao Du" to distinguish it from Du Fu and "Da Du". Also known as "Little Du Li" with Li Shangyin.
Second, big Du Li.
1, Li Bai
Li Bai (70 1-762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again.
According to the Book of the New Tang Dynasty, Li Bai is the ninth grandson of Gui Li, the king of Liang, and he is a descendant of all kings. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, The First Building of Baidicheng, etc.
2. Du Fu
Du Fu (7 12-770), with beautiful words, is a great realistic poet in the Tang Dynasty, and is also called "Du Li" with Li Bai. Originally from Xiangyang, Hubei Province, he moved to Gongxian County, Henan Province.
In order to distinguish Li Shangyin, Du Mu and Xiao Du Li, Du Fu and Li Bai are also called Da Du Li, and Du Fu is often called Lao Du.
The core of Du Fu's thought is the Confucian thought of benevolent government, and he has the great wish of "making the monarch Yao and Shun superior, and then making the customs pure".
Although Du Fu was not famous during his lifetime, his fame spread far and wide, which had a far-reaching impact on China literature and Japanese literature. About 65,438+0,500 poems of Du Fu have been preserved, most of which are collected by Du Gongbu.
In the winter of the fifth year of Dali (770), Du Fu died at the age of 59. Du Fu's influence on China's classical poetry is far-reaching, and he is called "the sage of poetry" by later generations, and his poems are called "the history of poetry". Later generations called him Du Shiyi and Du Gongbu, and also called him Du Shaoling and Du Caotang.