Long Lianhang's personal profile

Real cursive script is omnipotent, especially good at cursive script and cursive script. Its cursive script absorbed the calligraphy art of Zhang Xu, Huai Su, Erwang and Sun, and its poetry and calligraphy were harmonious, elegant and unique. Zuilong is good at pure ink painting of China's landscape paintings, and pays attention to the application of "Jiao Mo" and "clear ink" in "strong focus but light clarity". Drunken dragons paint, telling the story of large, medium and small pens going into battle. A bowl of ink, four or five pots of clear water, a dozen large and small brushes, and half a bottle of white wine are the paintings. His paintings are rich, elegant and exquisite. Drunken dragons often take clouds as a special feature when making landscape paintings. He said: Yun Sheng is a painter, while Yun Die is a painter. Drunken dragons traveled all over the famous mountains and rivers, paying attention to learning from nature and writing lyrical scenes. No matter big works or small fragments, they all showed extraordinary tolerance.

In 1980s, Taishan Poetry School was founded, which was dominated by drunken dragons and advocated expressing new artistic conception in the subconscious.

In the appreciation and collection of poetry, calligraphy and painting, Mr. Zuilong pays more attention to "seeing" than "listening". He made an analogy: mules or horses come out to see, but he can't say: mules or horses come out to listen. "Famous people in painting and calligraphy" and "celebrity painting and calligraphy" have their own merits, but the weight of history is quite different.

Regarding the difficulty of painting and calligraphy, Zuilong thinks that painting is difficult, books are more difficult, and poetry is especially difficult. From the aspect of modeling, it can be said that painting is three-dimensional, book is two-dimensional, and poem is one-dimensional. Poetry on paper is a single point line, calligraphy on paper is an ever-changing plane, and painting on paper is a three-dimensional composed of points, lines and surfaces. The simpler, the more complicated. Poetry has been compared to: the jewel in the crown, in fact, it should be said: the window of the soul.

General textbooks think that the writing speed is: regular script is like sitting, running script is like walking, cursive script is like running. Zuilong thinks that "sitting, walking and running" should be changed to "three walks": that is, regular script is like walking slowly, running script is like walking at a medium speed, and cursive script is like walking quickly. Zuilong, who is nearly 60 years old, said that it took him half a century of calligraphy experience to slow down the cursive writing. Drunk dragon's skillful use of twisting technique makes him use his pen freely in painting and calligraphy creation. He said: the twisting method can use the center of the big and small brush, the belly of the pen and the root of the pen.

Zuilong emphasized that poetry, painting and calligraphy cannot be separated: poetry is the true meaning of painting and calligraphy; Calligraphy brushwork is the line basis of Chinese painting; Chinese painting can advance by leaps and bounds if it has a solid foundation in poetry and calligraphy. Only by paying attention to the integration and complementarity of the three can the author give full play to his artistic personality.