Chapter is a method of overall management, an important artistic factor in calligraphy art, and its position in calligraphy art creation is irreplaceable by any means. The so-called "layout planning" is its meaning. This composition is very expressive. The expression of any individual thing is a composition except dotted strokes and knots. Although the composition is personalized, it also has the law of * * *. Calligraphers can use rules to publicize his personality and express his interests. The Preface to Lanting is simple in composition and complicated in words, which shows the simplicity of entering the scholar-bureaucrat and the elegance of Rhonda after drinking a little, forgetting myself and being content. However, the beginning of Lu Gong's "Sacrificing My Nephew" is sparse and solemn. It can be seen that the author was rational at the beginning, but he was careless in the middle and late period, regardless of pen and ink, and the words were hand-painted. Every time I look at it, I feel sad and angry, which is also the realm of forgetting things. And both of them seem to be nothing to writers. But this is the result of the calligrapher's long-term familiarity with many aesthetic factors of calligraphy art. The calligrapher's mastery and even transformation of composition has reached the highest level of his will, but whatever the highest level is, it is the most beautiful. But for beginners, we should think about the rules and regulations carefully.
The first is the aesthetic composition of the composition. Composition is like the "quotient" in painting. Successful calligraphy works are composed of many aesthetic factors such as stippling, ink color, size, opening and closing, avoidance, reality and seal cutting. But simple classification is nothing more than timbre composition and proportion composition. There is a strong conflict between tonal factors and aesthetics. Juesi has a masterpiece "To Gong Gong Shu". In this work, the author successfully played the role of water, and the five colors of ink appeared incisively and vividly under the action of water. Even if the viewer doesn't understand calligraphy, he will be moved by its rich changes and spiritual brushstrokes. And the right seal in a successful book is also an important factor for the success of the work. The paper is white, the ink is colorful, and the printed ink is Zhu. The contrast of the three colors is strong, which constitutes a strong visual conflict. Seal is an auxiliary factor in calligraphy creation, which plays a certain regulatory role in the work, and the position of seal will have a certain impact on the artistry of the work. Gan Long is an adult who failed to make stamps. No matter how good the work is, he will not hesitate to put on the "treasure of the royal reward of Ganlong", thus greatly reducing the quality of the work. Proportional composition refers to the arrangement of writing content and fonts by the creator. Successful works are full of changes in the proportion of characters, changes in the opening and ending, and avoidance of truth and falsehood, thus enhancing the artistic interest of the works. From the perspective of human visual physiological function, human visual nerve is very sensitive to the singularity and richness of imaging content. Single and repeated visual stimulation will make the optic nerve feel tired, and this kind of nerve conflict will be transmitted to the brain, resulting in boredom near the cerebral cortex; On the contrary, rich and changeable fonts, steep momentum and rich ink color changes will excite the brain, produce recognition of works from consciousness, and even change people's aesthetic taste. In fact, in calligraphy creation, we are breaking this single rigid pattern, emphasizing fresh and rich art forms and enhancing the visual impact of calligraphy lines. In the composition of proportion, the relationship between line and point can not be ignored, with line as the main part and point as the auxiliary part. In ancient times, Zhong Jue used more lines to grasp the lines, so his works were suspected of being coiled, while there were many points on the bamboo hill, so he felt messy. The grasp of points and lines should vary from person to person and should not be demanding, but it must not be ignored in the composition of the rules.
Secondly, the management of rules and regulations. The management of rules and regulations is quite laborious in calligraphy creation. Its success or failure determines the quality of the work. If you like a woman, you must first have a good figure, even if other parts are normal, you can be recognized. However, if she is out of proportion, even if she plays well in part, it is difficult to recover her failure. Therefore, it is necessary and necessary to be disciplined. The first operation of rules and regulations is to create the potential of words, that is, to emphasize the potential of words. By tilting left and right, the strokes in the word are dense and scattered, highlighting the stippling to be expressed, and tilting up and down to complete the momentum of the word. However, the momentum of words is overall, and it cannot be simply created as mentioned above, which is suspected of being one-sided and intentional. The second is to create momentum, that is, through the white cloth between the lines and the eyes between the lines. The so-called white is black, that is, pay attention to the cloth and white between lines in creation, in which the lines (referring to the white part of the lines) should form curves, which are as beautiful as the curves of women's bodies. The characters in the line should be natural, and they should not deliberately deviate from the track, which does not conform to the aesthetic theory of calligraphy. Third, color block crossing, in fact, is mainly ink crossing, which has made great achievements in this respect. The main purpose of this practice is to break the repetition. Repetition is not only a metaphysical similarity, but also a deeper repetition of creative consciousness. In the layout of color blocks, we should consider being as natural as possible, neither egalitarianism nor disorder. People who have no natural experience here are incompetent. Fourthly, reasonable dotted line, the ability of creators to use dotted line reasonably and their understanding of dotted line directly affect their creative consciousness and the quality of their works, which varies from person to person. Fifthly, the exquisite seal and reasonable seal can make the work make the finishing point, and can also save the failure of the work to a certain extent, but this is not absolute. The position of seal should be carefully considered by the author, and the principle of balance and breaking balance must be followed. Among them, seal is support, dense is far away, sparse is supplement, full is broken, and finally the adjustment of the work is completed with vermilion.
In a word, composition directly shows the calligrapher's ability to control calligraphy itself, and embodies the calligrapher's comprehensive aesthetic taste and cultivation. The hammer practice of composition requires calligraphers to fight for it all their lives.