I. Introduction to Qian
Money is a classic article in the history of China. Many calligraphers have written about Qian Wen Zi. It can be said that writing money Wen Zi is also a test for calligraphers. In history, some calligraphers spent their whole lives creating a thousand-word book that can be passed down through the ages.
Therefore, the spread of beautiful calligraphy through classic articles is a unique phenomenon in the cultural history of China. This time, the author was determined in strict accordance with the publishing requirements, and some comrades who wrote posts were also winners of calligraphy exhibitions over the years. They have solid basic skills and personal writing style, but also follow the law of writing and the law of writing.
Second, the characteristics of Yan Zhenqing's calligraphy
Yan Zhenqing's original calligraphy is magnificent and dignified, and its handwriting has changed from slender in the early Tang Dynasty to square and has a centripetal force. The pen is vigorous and powerful, and the central brushwork is good. Full of bones and muscles, but also sharp. Generally, horizontal painting is slightly thinner, vertical painting, point, skimming and pressing are slightly thicker. This book is magnificent in style and momentum, and has the spirit of flourishing Tang Dynasty.
Yan Zhenqing s Calligraphy Achievements and Characteristics of His Works;
1, Yan Zhenqing's calligraphy achievements
Yan Zhenqing's calligraphy was a beginner of Chu Suiliang, then he learned to write in Zhang Xu and discussed calligraphy with Huai Su. He deeply studied the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty and created a new era of calligraphy style. Yan Zhenqing's calligraphy style is called "Yan Ti", and it is also called "Yan Liu" with Liu Gongquan, and has the reputation of "Yan Liu Jin Gu".
2. The characteristics of the work
Most of Yan Zhenqing's works handed down from ancient times are carved steles, and the regular script includes Multi-Tower Induction Monument, Magu Fairy Altar, Dong Fangshuo Portrait Monument, Yan Monument, Yanshi Family Temple Monument and so on. , as well as running script such as "the seat", and book traces such as "my own confession" and "the manuscript in memory of my nephew Ji Ming". Among them, the tablet is dignified and vigorous, but the brushwork is thin, which is different from other tablets.
Yan's Temple Monument is rich in calligraphy, which is one of his masterpieces in his later years. Compared with his early works, it is more vigorous and atmospheric, which is his masterpiece in his later years. In addition, there are also some epitaphs in Yan Zhenqing's calligraphy works, such as Guo's epitaph, Wang Lin's epitaph and Luo Wanshun's epitaph, most of which belong to Yan Zhenqing's early works.