The laws of the universe, the laws of the universe, the spirit of the universe, and the matter of the universe are diverse and unified, and they are constantly developing in motion and change. The performance of natural science is that the laws of the universe (Einstein's unified field, theory of relativity, etc. ) are the laws of the unity of opposites between the spirits of the universe (Newton's gravity theory, Maxwell's electromagnetic field, Planck's quantum theory, etc. ) and cosmic matter (Newton's laws of motion, mechanical principles, Heisenberg's quantum mechanics, etc. ). The interaction between them is through the continuous quantum field, electromagnetic field and gravitational field as the medium, constantly moving and transforming in four-dimensional and multi-dimensional space-time. From nanometer, millimeter and light year to J elementary particles, electrons and celestial bodies; From quantum theory, gravity theory to relativity theory, they are branded with the imprint of the laws of the universe. The performance of social science is-the laws of the universe (Sakyamuni's nirvana, truth, Buddha, Prajna, reality; Kant's things themselves, Jesus' God and so on. ) is the law of unity of opposites among the universal spirits (Laozi's Tao, Hegel's absolute spirit, Schopenhauer's will, etc.). ) and universal material (Confucius' benevolence and righteousness, Nietzsche's will to power, Dewey's pragmatism, etc. The interaction between them is transformed into human thinking and thoughts through the media of philosophy, literature, logic and psychology. From military science, economics, politics to ethics, law, sociology: from philosophy, literature to sex science, all are branded with the imprint of the laws of the universe. The expression in art and science is the laws of the universe (Sheikh's vivid charm, Bell's ultimate reality, Cezanne's natural matrix, etc. ) is the law of unity of opposites between the spirits of the universe (Qi Baishi's similarity and dissimilarity, Wang Xizhi's conception, Picasso's eternal object, etc. ) and cosmic matter (Leonardo da Vinci's sensory experience, Cai Yong's vertical and horizontal images, the meticulous brushwork of the dead and so on. The interaction between them is to explore the true meaning and origin of cosmic life through techniques, artistic conception and verve on the basis of the unity of heaven and man (heterogeneous isomorphism). From realism, freehand brushwork, writing to meticulous brushwork, reproduction and expression: from books to painting for the heart, from wonderful communication to images and thoughts, all are branded with the imprint of the laws of the universe. The laws of the universe are both * * * and individual (both contradictory and unified; This is determined by the universality and particularity, induction and deduction of the laws of the universe. There is both relativity and absoluteness between the laws of the universe and the spirit and matter of the universe. They move and develop in the process of mutual exclusion, difference and attraction. The law of the universe is the law of the conservation of the universe, which does not grow or die, does not increase or decrease, and mass and energy transfer each other; It is in unity with the birth and death, increase and decrease, contradiction and unity of opposites of the cosmic spirit and cosmic matter, thus deriving everything in the world. Human society is the product of the laws of the universe, so all philosophical fields, modes of thinking and social relations of human society are branded and restricted by the laws of the universe. Otherwise, human society will be mercilessly punished by objective truth and law. The law of the universe is the law of the unity of opposites between the cosmic spirit of human society-social science (metaphysics, ideology, superstructure) and the cosmic material of human society-natural science (metaphysics, economic foundation, science and technology); The artistic science of human society (formalism, calligraphy and painting, art and drama) is the link and bridge connecting the unity of opposites between social science and natural science. The law of the universe is the law of unity of opposites among academic thoughts, science and technology, calligraphy and painting in human society. The law of the universe is the law of the unity of opposites between the universal spirit (the spirit and matter perceived or not perceived by the mind) and the universal matter (the spirit and matter visible or invisible to the eyes). They all use the sixth sense and telepathy as communication media, so as to achieve a state of forgetting themselves and being integrated with everything in the universe. In a word, the sum of the relative universal spirit and the unity of opposites of universal matter is the absolute universal law. They move and develop in the process of unity of opposites, mutual qualitative change and negation of negation. This is not an objective law based on people's subjective will. In all fields of human society, only by first following the objective laws of the universe can we dominate and transform the subjective world and the objective world, thus achieving the goal of achieving a highly harmonious world. Otherwise, you will suffer the consequences. Chapter 1 The relationship between the laws of the universe and human science, culture and art The laws of the universe are the product of the unity of opposites between the spirit of the universe and the matter of the universe. Without the unity of opposites between the spirit of the universe and the matter of the universe, there would be no laws of the universe, and vice versa. The universal law of human society-social science is Sakyamuni's "nirvana"; Cosmic spirit is Laozi's "morality", and cosmic matter is Confucius' "benevolence and righteousness"; The Eight Diagrams in Zhou Wenwang's Book of Changes is the link between the universal spirit and the universal matter. The universal law in natural science is Einstein's "gauge field"; Cosmic spirit is Maxwell's "electromagnetic field" and cosmic matter is Heisenberg's "quantum mechanics"; Mendeleev's "periodic rate of elements" is the link between cosmic spirit and cosmic matter. The universal law in art and science is Cezanne's "natural matrix"; Cosmic spirit is Kandinsky's "spiritual entity" and cosmic matter is Van Gogh's "color harmony"; Matisse's "emotional expression" is the link between the universal spirit and the universal matter. Social science, natural science and artistic science of human society are all products of the laws of the universe. I don't know how many great people with lofty ideals have made great and outstanding contributions to the high development of material civilization and spiritual civilization in human society in order to explore and adhere to the truth and laws of cosmic life, regardless of personal gains and losses, and at the expense of blood and tears. The first section is the relationship between the laws of the universe and social science. Let's talk about social science (academic thought)-philosophy at all times and in all countries. Sakyamuni, the founder of Buddhism, was the first Indian philosopher of oriental philosophy. He said that the concepts (nouns) of the laws of the universe are: "Buddha, Prajna, Reality, Tathagata, Aryan Knowledge" and so on; He said that the concept (noun) of cosmic spirit is "emptiness", and he said that the concept (noun) of cosmic matter is "color". "Heart Sutra" says: "Color is not different from emptiness, and emptiness is not different from color; Color is empty, and empty is color. " The "color" mentioned here is cosmic matter, and "emptiness" is the spirit of the universe; And "immortality, impurity, increase or decrease" is the law of the universe. The Diamond Sutra says: "Everything is false; If you see a difference, you will see the Tathagata. " The "phase" here is the cosmic matter, and the "non-phase" is the universal spirit; And "Tathagata" is the universal law. Secondly, Laozi (Li Er), the founder of Taoism, was a great philosopher in the Spring and Autumn Period. He said that the concepts (nouns) of the laws of the universe are: "Tao, Valley God, Image, Inaction" and so on; He said that the concept (noun) of cosmic spirit is "nothing, heaven" and so on, and that the concept (noun) of cosmic matter is "being, earth" and so on. The 40th chapter of Tao Te Ching says: "Everything in the world is born of something, and everything is born of nothing." Here "nothing" is the spirit of the universe, and "being" is the matter of the universe; And "Heaven teaches Taoism and Taoism is natural" is the law of the universe. The sixth chapter of the Tao Te Ching says: "The Valley Immortal is called Xuanzang; The gate of Xuanzang is the root of heaven and earth. " The "heavenly root" mentioned here is the spirit of the universe, and the "earthy root" is the substance of the universe; And "Valley God" is the law of the universe. "Followed by China's Western Zhou Dynasty Confucian philosopher-Zhou Wenwang. He said that the concept (noun) of the laws of the universe is "gossip" and so on; He said that the concept (noun) of cosmic spirit is "dryness and yang" and so on. He said that the concept (noun) of cosmic matter is "Kun, Yin" and so on. The Book of Changes has five chapters: "One yin and one yang is the Tao. "The' Yang' mentioned here is the cosmic spirit, and the' Yin' is the cosmic substance; And Tao is the law of the universe. Chapter 12 of the Book of Changes says: "Sages stand up and do their best to inspire their spirits". The "image" here is the cosmic matter, and the "meaning" is the universal spirit; And "God" is the law of the universe. The laws of the universe recognized by eastern philosophers when they study the spirit can be divided into macro and micro, broad and narrow; There are also differences between ontology and interoperability, and there are also differences between birth theory and WTO entry theory. Macroscopically, Confucius' "benevolence and righteousness" is a universal law; Microscopically, Mencius' "theory of good nature" is a universal spirit, while Xunzi's "theory of evil nature" is a universal substance. Broadly speaking, Zhuangzi's "uniformity of things" and "uselessness" are the laws of the universe; In a narrow sense, Sun Tzu's "power technique" is the spirit of the universe, while Han Feizi's "power technique" is the matter of the universe. Lu Xiangshan's "mind is reason" emphasizes the universal law of ontology and generation; Zhu's "nature is reason" and Cheng's "mind" are the universal substance and spirit of China's entry into WTO, while Wang Bi's "conflict and communication" is between macro and micro, broad and narrow sense, ontology and interoperability, birth and China's entry into WTO, and plays a connecting role. Everything in heaven and earth is the product and concrete reaction of the laws of the universe, and they are branded with the eternal brand of the laws of the universe. Philosophy, the oriental social science (academic thought) of human society, is no exception. Kant, the first German philosopher in western philosophy. He said that the concept (noun) of the law of the universe is: "the thing itself, the thing itself" and so on; He said that the concept (noun) of cosmic spirit is an "innate proposition" (transcendentalism) and so on, and the concept (noun) of cosmic matter is an "empirical proposition" (pragmatism) and so on. His representative works include Critique of Pure Reason and so on. Followed by the German philosopher-Hegel. He said that the concepts (nouns) of the laws of the universe are: "absolute spirit, world spirit, absolute knowledge, idealist dialectics" and so on; He said that the concept (noun) of cosmic spirit is "subjective spirit", and he said that the concept (noun) of cosmic matter is "objective spirit". His masterpiece is Logic and so on. Followed by the German philosopher Schopenhauer. He said that the concept (noun) of the law of the universe is: "universal will" (general will) and so on; He said that the concept (noun) of cosmic spirit is "essence and reality", and he said that the concept (noun) of cosmic matter is "representation and phenomenon". His masterpiece is The World of Will and Representation. The laws of the universe known by the spirit studied by western philosophers are divided into macro and micro, broad and narrow; There are also differences between ontology and interoperability, and there are also differences between birth theory and WTO entry theory. Macroscopically, Spinoza's "God" is the law of the universe; Microscopically, Bacon's "induction" is the spirit of the universe, while Descartes' "deduction" is the matter of the universe. Broadly speaking, Aristotle's "essence" is the law of the universe; In a narrow sense, Nietzsche's "will to power" is the spirit of the universe, and James's "pragmatism" is the substance of the universe. Jesus' "God" is the universal law of noumenon and birth; Marx's "materialist dialectics" and Rousseau's "general will" are universal spirits and universal substances that are compatible with each other and enter the WTO, while Leibniz's "entity" (windowless list) is between macro and micro, broad and narrow, ontology and compatibility, birth and entry into the WTO, and plays a connecting role. Everything in heaven and earth is the product and concrete reaction of the laws of the universe, and they are branded with the eternal brand of the laws of the universe; Philosophy, the western social science (academic thought) of human society, is no exception. Disclaimer: Copyright belongs to the author and may not be used in any form without the author's consent. Otherwise, you will bear legal and criminal responsibilities. Unless otherwise specified, this blog post is the author's original work. Please ask the netizen who reposts the author's post to get his consent or indicate the post website, otherwise it is an infringement and violates the Copyright Protection Law of People's Republic of China (PRC). Thank you for your cooperation. Original name: Gu Chuanju, stage name: Shi Xuanfo, pen name: Dao, April 8, 2007. Japanese is the first part of the preface of the 400,000-word manuscript "The relationship between the laws of the universe and human social science, culture and art" written by the author 2001.5. Although a part of it was published some time ago, it is incomplete. From now on, it will be published systematically one after another, hoping to bring some enlightenment to friends. This is also my greatest wish. ............ also hopes that interested generous families can give some advice. (To be continued) The founder of the philosophical system of the laws of the universe-A brief introduction of Tao (the stage name is Shi Xuanfo, formerly known as Gu Chuanju), formerly known as Gu Chuanju. He is not only a pioneer in China's Zen calligraphy system, but also a pioneer in the philosophy system of the laws of the universe. Since 1998, the International Association of Zen Calligraphy Artists, the International Association of List Calligraphy Artists and the International Association of Philosophers of the Laws of the Universe have been established successively. At present, he is an academician of Shandong Shengdi Painting and Calligraphy Institute in China, chairman of Shandong Caiying National School, member of citizens' association, member of city writers' association, member of city calligraphy association, member of city news society, editor of city news forum magazine, director of China Humanities Calligraphers Association, member of international artists association, and president of China Yuanjuezhai Painting and Calligraphy Society. His calligraphy works and calligraphy theory have been published many times. His main works are academic papers such as On the Relationship between the Laws of the Universe and Human Social Science, Culture and Art (more than 400,000 words), On the Relationship between the Laws of the Universe and China Zen Calligraphy Art (more than 300,000 words), On the Relationship between the Laws of the Universe and Papers, and On the Relationship between the Laws of the Universe and Humanistic Quality Education. Tao loved China's calligraphy art since childhood, and realized the mystery of brushwork on the basis of observing and studying the inscriptions of past dynasties. He is especially good at the art of cursive calligraphy and cursive calligraphy, and has made a systematic study of traditional philosophy at all times and at home and abroad and China and calligraphy theory. Mainly based on the traditional cultural thoughts of Confucianism, Buddhism and Taoism, especially Zen (without words, pointing to people's hearts) as the basis and theory of developing China's calligraphy. Finally, he wrote an epoch-making book on the relationship between the laws of the universe and the art of Zen calligraphy. Although it is an introduction, it is systematic. Zen calligraphy should not only conform to the self-discipline of calligraphy art, but also learn from the heteronomy principle of science, culture and art. For more than ten years, Daolong has devoted himself to the reform of calligraphy techniques and calligraphy theory's innovation, combining the techniques and theories in Chinese and western painting art, thus establishing Zen calligraphy art. The calligraphy art of Zen calligraphy school is an avant-garde calligraphy art integrating calligraphy techniques (traditional school), calligraphy meaning (modern school) and calligraphy meaning (modern school). Zen calligraphy often liberates strong expressive factors from the bondage of form with exaggerated and deformed modeling and overall movement effect; Fully express anxiety, warmth, loneliness and sadness. Extremely ecstatic excitement is the source of the great momentum of Zen calligraphy. Finally, we can communicate with people who pursue truth, goodness and beauty. Zen calligraphy is not only the adjustment of human spirit, but also a work of art to soothe and purify people's hearts; This is also the reason why Zen calligraphy can show the true meaning and value of cosmic life. Zen calligraphy school pursues the realm of unity of mind and matter in calligraphy techniques, book meaning and book way. Tao knows that only by cultivating one's body and mind, magnetoelectricity interacts with all things in the universe, and reaches the realm of harmony between man and nature, can the calligraphy works be endowed with eternal artistic vitality and social value. This is because he has a good understanding of the traditional culture of Confucianism, Buddhism and Taoism, so he can devote himself to pursuing a high realm-a realm without realm in calligraphy. He not only wants to reach the generation of "grass god" in China's weeds field after Cao Sheng Zhangdian and Cao Xian Huai Su, but also wants to reach the realm of "list saint" in the art field of list books. As the founder of Zen calligraphy school and the pioneer in the field of book list, his calligraphy skills of splashing ink on book list and cursive script are incomparable to ordinary people. Tao not only advocates an indifferent and quiet life, but also watches everything quietly, listens to and accepts the silent information fed back by the cosmic image, from which he gets wonderful inspiration for creating calligraphy works. The calligraphy art of Zen Calligraphy School not only initiated a new era of calligraphy art in China, but also had a milestone significance. And will have a significant and far-reaching impact on various fields in the future.
Excerpt from Baidu Encyclopedia