What are the characteristics of Zhao Mengfu's calligraphy?
Zhao Mengfu was originally the son of Zhao family in Song Dynasty, and also a descendant. There are not many real geniuses in governing the country, but there are many famous calligraphers, such as the famous calligrapher Song Gaozong Zhao Gou. Zhao Mengfu studied Zhao Gou's Si Ling Shu in his early years, and Zhong You, the famous master of official script in the Western Jin Dynasty and the inventor of lower case, in his middle age. In his later years, Zhao Mengfu was also making progress. He gradually improved his calligraphy level by copying famous calligraphers and some classic calligraphy inscriptions in the Tang Dynasty.
Zhao Mengfu studied many schools, but he didn't lose himself. On the contrary, he supplemented himself with the essence of each family and gradually formed his own characteristics. Zhao Mengfu's calligraphy has three characteristics:
First, there are many bookmakers. In Zhao Mengfu's calligraphy, we can see the characteristics of many famous calligraphers, and these characteristics can well appear in Zhao's works. This is not a simple combination, but an organic combination of these calligraphy features, just like cooking. Only by making full use of ingredients can we make the most delicious dishes.
Second, a solid foundation. Zhao Mengfu's calligraphy is suitable for calligraphy lovers to copy when laying a good foundation. Zhao Mengfu was born in the Song Dynasty. In the Song Dynasty, calligraphy and painting became a little grandiose and skillful, but they lost those basic things. On the basis of learning from the characteristics of calligraphy in Tang Dynasty, Zhao Mengfu reformed it and became more retro, paying attention to basic application.
The third is the combination of form and meaning. The greatest feature of Zhao Mengfu's calligraphy is the combination of form and meaning, and his calligraphy is very good at the combination of form and meaning. Zhao Mengfu's calligraphy combines the advantages of predecessors' calligraphy and pays attention to the combination of form and meaning, which makes calligraphy have its own meaning and rhyme.
Zhao Mengfu's Masterpiece of Calligraphy
Zhao Mengfu, known as regular script? Four people? One of them, self-creation? Zhao Ti? , commonly known as regular script? Four big bodies? One. Zhao Mengfu's masterpiece in regular script is Three Things of Rebuilding the Xuandian. Because Zhao Mengfu believed in Taoism, he admired Taoist culture very much and wrote inscriptions for some Taoist temples many times.
The representative work of Zhao Mengfu's regular script "Rebuilding the Third Floor of the Xuanmiao Temple" is engraved on the stone tablet in front of the main entrance of the Xuanmiao Temple, which is the pinnacle of Zhao Mengfu's regular script. The paper version of The Story of Rebuilding the Three Gates of the Xuanmiao Temple is 35.8 cm in vertical width and 283.8 cm in horizontal length. This stone carving still exists in front of the mysterious temple, but it is not the original of Zhao Mengfu. The original stone carving disappeared as early as the Cultural Revolution, and now it may be in an unknown corner. 1990, Suzhou Stone Carving Museum, entrusted by Suzhou Taoist Association, invited famous artists to copy, and * * * was engraved with two stone tablets.
Xuanmiao Temple is a famous Taoist temple in the ancient city of Suzhou. Founded in 276 AD in Xianning, Western Jin Dynasty, it has a history of 1000 years. Later, Jin Mingdi dreamed that the ancestors of Sanqing Daoism fell to the mysterious temple, so he ordered the restoration of the mysterious temple and renamed it Shangzhen Daoyuan. Later, it was further developed in the Tang Dynasty and changed back to its original name in the Yuan Dynasty. At that time, after hundreds of years of erosion, the mysterious view rose and fell, declined and flourished, and it was only in the Yuan Dynasty that it was renovated.
Zhao Mengfu likes Taoist culture since childhood, and many of his calligraphy works are related to Taoism. For example, the calligraphy masterpiece Tao Te Ching is Zhao Mengfu's handwritten copy of Lao Zi's Tao Te Ching. Rebuilding the three halls of Xuandian is a masterpiece of Zhao Mengfu's regular script, which is understandable. It is the pinnacle of Zhao Mengfu's works, which embodies Zhao Mengfu's understanding of regular script calligraphy all his life.
Appreciation of Zhao Mengfu's Calligraphy
Zhao Mengfu is knowledgeable and versatile. He has high attainments in the study of poetry, calligraphy and stone, especially in calligraphy and painting, which created a new situation of painting style in Yuan Dynasty. King of painting and calligraphy in Yuan Dynasty? The title of. Zhao Mengfu's appreciation of calligraphy is based on his regular script.
Zhao Mengfu is good at writing all kinds of calligraphy fonts, but he is famous for his regular script and running script. His calligraphy style is unique and his brushwork is mature. Zhao Ti? Books, together with Ou Yangxun, Yan Zhenqing and Liu Gongquan? Four in regular script? .
Zhao Mengfu's calligraphy became popular because of familiarity, which is the evaluation of Dong Qichang, a calligrapher in the Ming Dynasty. As a famous calligrapher in Ming Dynasty, Dong Qichang competed before Zhao Mengfu, who was an ancient man, all his life, but never surpassed Zhao Mengfu. Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty and was highly praised. According to legend, Zhao learned calligraphy from an early age? Eight wonderful methods, paying attention to elegance? Song Gaozong Zhao Gou's calligraphy, middle-aged study? Zhong You and Xi Xian? In his later years, he studied from Li Beihai.
In addition, he copied famous stone tablets and some famous calligraphy works in the Tang Dynasty. Yu Ji called him:? Kaifa won the "Luo Shenfu" and won the bid. Running script view "the preface to the holy teachings", into its room. As for cursive script, I'm satisfied with seventeen posts, and measure their shapes. ? He is an accomplished calligrapher who combines Jin and Tang calligraphy. Contemporary calligraphers hold him in high esteem, and some later generations have listed him as one of the four masters of regular script: Yan, Liu, Ou, Zhao? .
Appreciating Zhao Mengfu's calligraphy is something that many people enjoy very much, because even if your appreciation of calligraphy is blank, you can still appreciate the beauty of Zhao Mengfu's calligraphy. His calligraphy is a combination of form and meaning. Whether you like the beauty of form or rhythm, you can find what you want in Zhao Mengfu's calligraphy.
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