Cha Shibiao specializes in calligraphy and painting and has a rich collection at home. Ding Yi, the original works of the Song and Yuan Dynasties are readily available, so he appreciates them carefully.
2. Features
His brushwork of landscape painting is simple, his spirit is tender, his charm is cold, and his painting style is abrupt in his later years, giving a direct glimpse of the elegance of Yuan people.
3. Masterpiece
There are handed down "Yunshan Map", "Empty Mountain House Map", "Lin Qiu Cave Map" and "Yunshan Smoke Tree Map". His calligraphy is good at running script and cursive script. His calligraphy is very refined, including Mi and Dong, which catch up with Yan Zhenqing. It is said that Mi and Dong are reborn and famous all over the world. The brushwork is elegant and bold, with far-reaching charm. He is the author of "The Heritage of Planting a Bookstore".
4. Introduction
Looking at two words, the top scholar Mei Gu is scattered and lazy. Xiuning, Anhui, was a scholar in the late Ming Dynasty and a famous painter, calligrapher and poet in the early Qing Dynasty. He's a high flyers, and he's obsessed with painting and calligraphy. There is a rich collection of books at home, including Ding Yi and the original works of Song and Yuan Dynasties, which he carefully appreciates. His landscape paintings are concise, soft and Leng Yan, and his painting style changed suddenly in his later years. It is one of the "Four Schools of Ocean" of Xin 'an School (Jiang Tao, Cha Shibiao, Sun Yi and Wang Zhirui) in the late Ming and early Qing Dynasties.
The character is a scholar in the late Ming Dynasty who died in the Ming Dynasty (1 * * * 4), giving up his official career and specializing in painting and calligraphy. His works are excellent in poetry, calligraphy and painting. The calligrapher is from Dong Qichang and has an elegant and elegant style. He is good at landscape painting. He studied with Ni Zan at first, and then with Mi Fei, Mi Youren, Huang, Zhenwu, Shen Zhou, Dong Qichang and other painting techniques. His brushwork is vertical and horizontal, rough and bold, or poor in brushwork, dry and wet in ink, beautiful and elegant, or vigorous in brushwork, with an extraordinary style of painting.
After entering the Qing dynasty, it is not appropriate to lift it, but to learn calligraphy and painting. Exquisite appreciation, home collection of many pieces of Ding Yi and the original works of Song and Yuan Dynasties. Calligraphy is in Dong Qichang, near Mi Fei, Zong Yi. His idleness determines that his painting temperament is also lazy and elegant. In his early years, he obeyed Jian Jiang, and like Jian Jiang, he began to learn from Ni Yunlin. Later, when he lived in Yangzhou, he still paid attention to Jianjiang's paintings and learned from Jianjiang modestly. Landscape is a beginner of Ni Zan, and later he used the methods of Zhenwu and Dong Qichang. His pen and ink are simple, empty and cold. Cha Shibiao often writes his own paintings, such as "imitating Yunlin's brushwork" and "imitating Ni Yunlin's method", and his name of "lazy mark" also comes from Ni Yunlin's name of "lazy praise", which can be described as a distant echo of Fengshen and God. Because of his wisdom in searching the world's landmarks, he often made friends with Wang, Yun Nantian, (1623- 1692), Kong (1648- 1765438), Shi Tao and other celebrities in the painting and literary circles at that time and learned from each other.
He is especially respectful to Dong Qichang. He is also good at poetry, and he is the author of "The Book of God Poetry". His paintings are good at landscapes, with a wide range of materials, including dead wood and bamboo stones, and there are two main artistic styles. A cloud-mountain smoky tree is characterized by extensive brushwork, extensive style and luxury. It mostly takes the ink painting Yunshan as the theme, imitates Mi's father and son, and lacks brushwork. It is rendered with dry ink color and combined with Dong Qichang's elegant brushwork, showing a clear effect in rough and generous. Another kind of pen and ink is sharp and dry, mainly imitating the landscape of Ni Zan. There are also some works that have different faces because they imitate different ancients. Previous people commented that his paintings lacked boldness of vision and innovative spirit.
Cha Shibiao is a rambling poet with a celebrity temperament. He drew a few strokes and drew two banks of a river. The scholar came back with a piano. Nearshore bamboo shed, distant mountains and rivers, misty and hazy. "Qin Gui" is just like the painting style of the world standard, with scattered pen and ink and scattered composition, but feelings are like running water, full of ink and wash, attached to it and disappeared inside. Singing a sigh and finally "disappearing like water" (in Borges), this is the realm of the chessman. The structure of the painting follows the style of Yunlin, but it is incisive, and the brushwork is still from Mifei. Ni Yunlin's paintings are dry, quiet and soft, while Zha Shibiao uses pens to disperse them.
Cha Shibiao often sleeps during the day and paints at night. He calls himself "lazy" and "scattered". "What I want is not Wenda, but a room apart, just mountains and rivers." He spent the rest of his life wandering in Xin 'an Mountain, where he took refuge after the demise of the Ming Dynasty. Mi Fei often visited Jinshan, Jiao Shan and Gubei in Zhenjiang, and Cha Shibiao stayed here with Wang Shigu, Da Zhongguang and Yunnan Tian for three or four years. Cha later lived in Daihelou, Yangzhou, which was recorded in Guangling Poetry Talk at that time.
Landscape: "Every household has a thousand miles of cups and plates, and every family draws an axis to see it." At the age of 73, Cha Shibiao joined the Chunjiang Poetry Society with Kong, Gong Xian and Shi Tao. Painting in his later years was extremely beneficial, and he got a direct glimpse of the Olympics of Yuan people. Song Mantang (Yi) is not big, and he is just about to get his album Lion Forest. In places of entertainment, Lin Chi is at ease, it must be in the middle of the night, not hard work. He is over 80 years old and still a child. He died at the age of eighty-four, and he wrote "The Legacy of Planting a Book Hall" and so on. Artistic features specialize in calligraphy and painting, and many experts are Ding Yi and Song Yuan people's original works. Ni, beginner painting, plum blossom Taoist in late spring, and Dong brushwork. There are not many pens, the ink is as expensive as gold, the wind is floating, the charm is cold, and the taste is also good. With Sun Yi, Wang Zhirui and Hong Ren in Tongli, they are called the four great masters. Painting in his later years was extremely beneficial, and he got a direct glimpse of the Olympics of Yuan people. Zhu Mantang is not a licensor, he just wants to get his album Lion Forest soon. The speaker said that he got up at the latest, and whenever he entertained himself, he would stay overnight, not feeling bitter, and he was over 80 years old. Song Mantang, a native of Shangqiu, made a biography for him and ordered him to write poems. Xiangyang calligraphy is very similar to Dong. Yizhou praised his running script best.
The book "Ren Zi's Works in Early Winter" is a long scroll, and the paper mirror of the book "Jiang Nanyu" is collected in Tiandulou, Jinling, and collected in Tiandulou, Jinling.
The masterpiece Jiangnan Spring Breeze is a paper book with a longitudinal axis of 132 cm and a horizontal axis of 64 cm.
The composition is dense and distinct. The pen is mainly straight and square, while the trees and stones are rough and subtle, like Ni Yunlin, but with different connotations. Later generations commented that the paintings of Cha Shibing were "leisurely and desolate". Form a clear and refreshing style with simple brushwork. If Ni Zan's paintings are elegant and smart, then He Mei's prose style does reveal the charm of elegance, idleness and coldness, and it is a typical representative work of the World Expo.
"Water Cloud Tower" is a clear paper ink pen with a length of 25.2 cm and a width of 26.3 cm.
Collected in the Palace Museum
At the invitation of Wang, a friend from Tongli, the author painted the scenery around Shuiyunju, the former residence of Wang. With concise brushwork and clear composition, it is the representative work of the author's landscape painting. At the end of the volume, the last paragraph of line 19 was added [Kang Xiding was marked and recognized by friends in the library after three days]. Two seals: Zhong [Second Exhibition] and Shi Mi. In addition, Zhong [Ponzi Collection] and other collectors, collectors and printers. According to Ding Wei, it was the sixth year of Kangxi, AD 1667, when the author was 53 years old.
The vertical axis of ink-and-wash paper in the cold river
Creation year: 1673.
Tip: The cold Jiang Mu falls into the water without waves, and there are many clouds and mountains around. The waves laugh at Ni Jia's autumn interest and want to dilute ink painting and maintain Mo. In October, the scholar was marked as the Goose House.
Seal: World Standard private seal (white), Cha Erzhan (Zhu) and Drunken Man's intention is not wine (white).
Inscription: Cha Erzhan was born in Mao Yi in the 43rd year of Wanli in Ming Dynasty, and this axis was written in the 10th year of Kangxi in Qing Dynasty. 84 years old, rich and far-reaching. Jia Shenchun and Xu Bangda.
The fan painting of "Autumn Mountain Red Leaf Map" was painted in "1638 (the eleventh year of Chongzhen)" three days before the Mid-Autumn Festival (the paper is colored, but it has lost its color because it has been painted for too long. )
Collection information of "Duguan Pavilion":
Vertical shaft, paper book, vertical 13 1 cm, horizontal 37 cm, collected in Tianjin Museum.
Appreciation of works:
There are several trees near the hillside, with water surface and stone beach in the middle and distant mountains above the picture. The typical composition in Ni Yunlin's works is adopted to complete the picture. The landscape is desolate, the brushwork is simple, and the calligraphy is Dong Qichang. On the screen, the title is "The Pavilion is Lonely." Shi Mao-yi's ghost month was written in "Chashibiao Dai Yan Building". "In the 14th year of Qing Emperor Kangxi (1675), the author was 6 1 year old. Fang Seal "Scholar Seal", Zhu Seal "Second Exhibition" and Zhu Wenchang greet "He Mei".