Poems about bamboo are beautiful, and the bamboo drawn is lifelike. In his words, it is "painting bamboo to comfort the world." So this poem is written on the surface of bamboo, but in fact it is written on people, and it is written on the author's own upright and stubborn character. He will never bow to any evil forces. At the same time, this poem can also touch our lives, overcome difficulties in a tortuous and harsh environment, face reality, be as strong and brave as Yanzhu, and reflect the feelings of patriots.
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This is a poem with profound implications. The first two sentences say that bamboo is rooted in broken rocks and has a solid foundation. The second sentence says that no matter how the wind blows from all directions, the bamboo stone is still strong. While praising Zhu Shi's firm and tenacious spirit, the author also expresses his indomitable spirit that he is not afraid of any blow. This poem is often used to describe the revolutionary's firm stance in the struggle and unshakable character when the enemy attacks.
Author background
Zheng Xie was born in 1693 and died in 1765. He was a scholar in Kangxi, a juren in Yongzheng and a scholar in Qianlong. He lives in Yangzhou and sells paintings for a living. As one of the "Eight Eccentrics of Yangzhou", his poems, books and paintings are praised as "three wonders" and he is good at painting Zhu Lan. Zheng Banqiao's ancestors, three generations are literati, great-grandfather, Xiang was born; Grandfather Qing, a high-ranking Confucian official, father, Ang Lee, and Lin Zexu were born. Gui You, 1693, Kangxi was born in Gubanqiao, Dongmen, Xinghua on October 25th. The 4-year-old mother, Mrs. Wang, died; My 5-year-old father followed Mrs. Juhao. 14 years old, my stepmother, Mrs. Hao, passed away. About 2000 years ago, when I was young, I studied in Maojiaqiao, Zhou Zhen. At the age of 20, I wrote a poem by Mr. Lu Zhongyuan, a predecessor of Xinghua. At the age of 23, he married Xu, a Zhouyi native. At the age of 24, he was a scholar and began to teach at the age of 26. Li Zhengan, a 30-year-old father, died. 365,438+0 years old, selling paintings in Yangzhou this year, about ten years. His son also died in this year or so. 39 years old, 173 1 year old, 9 years old, his wife Xu died. 40 years old, 1732, Ren Zi was in Yongzheng for ten years. In autumn, he went to Nanjing to take part in the provincial examination and won the award of "Winning the Sound in the South". At the age of 43, he entered into an engagement with Raowu in the northern suburb of Yangzhou, and was named "Xijiangyue". 44-year-old, 1736 Chen Bing, from February to March of the first year of Qianlong, went to Beijing to take the exam, and was the 88th Jinshi of China Erjia. Forty-five-year-old, a pawn of nursing fee, recovered from Cheng's support, Nora's. 50-year-old, 1742, Ren Xuren, worked for seven years, was appointed as the county magistrate of Fan County in the spring, and also served as the county magistrate in the summer. My 52-year-old concubine has a baby. At the age of 54, he changed from Fan County to Wei County and was re-elected for seven years. At the end of 60, he was dismissed as a county magistrate. At the age of 63, he and Li He made Three Friends. 73-year-old, wrote "Bamboo Stone Map" in April, and "Xiuzhu Niigata Map" on May 3. 1765 (thirty years of Qianlong) died of illness in Qingyuan, xinghua city, on December 12, 1998, leaving no children. Adopted by his son Zheng Tian, he was buried in Ruanzhuang (now Ruancun, Daduo Town) in the east of the city. Banqiao's "Living in Idleness" says: "Jing's wife rubs the inkstone and grinds new ink, while weak women learn regular script with stationery". Legend has it that Banqiao studied books, mistakenly referring to respectful practice on Xu at night. Xu said, "Everyone has his own body." This sentence touched Banqiao, so he learned half from ancient books and left half, and founded "Six Books and a Half". According to Seven Songs, at the age of 30, Xu gave birth to two girls and one son, and another girl. As one of the "Eight Eccentrics of Yangzhou", Zheng Banqiao was a seven-product official for 12 years. He is honest and upright. When he was in office, he drew a picture of ink and bamboo with the inscription: "I listened to the sound of raining bamboo in the yamen, which is suspected to be the voice of the people's suffering." Some small collectors in Caozhou County always pay attention to one branch and one leaf. " He has deep feelings for the lower classes and a keen interest in people's feelings and customs. In his poems, paintings and calligraphy, he always reveals this fresh content and unique style from time to time. Tea is an important part of it. Tea is Zheng Banqiao's creative companion. "There is a hut, some poles in a new place, snow-white paper windows, slightly soaked in green. At this time, I was sitting alone, with a cup of tea before the rain, an inkstone, a piece of Xuanzhou paper and a few broken branches. When friends come, the wind and bamboo ring, and the louder and quieter. " Zheng Banqiao's artistic achievement is the most brilliant part of his life. His works are full of thought, creativity and militancy, which well unifies profound ideological content and perfect artistic form and forms his own unique artistic style-Banqiao style. His works have become the outstanding literary and artistic heritage of the Chinese nation, which is not only loved by the people of China, but also valued by writers and artists from many countries in the world. Zheng Banqiao is an artist with personality and is deeply loved by people. He left many touching stories in his life, which were widely circulated among the people. His great achievements in literature and art established his prominent position in the cultural history of China. In recent years, the introduction of Zheng Banqiao has become more and more popular in the cultural and academic circles, although the research on him is still very in-depth. Television stations have inserted TV dramas reflecting his life and interesting stories, and the publishing industry has produced a large number of valuable works such as The Complete Works of Zheng Banqiao and The Review of Zheng Banqiao. Zheng Banqiao is the pride of Yangzhou people. As a world cultural celebrity, this artist who grew up and became famous in Yangzhou has attracted more and more attention. [opinion] Zheng Banqiao (1693— 1765), a native of Xinghua, Jiangsu. 1736 (the first year of Qianlong) was admitted to Jinshi. He was a famous painter, calligrapher and writer in Qing Dynasty. He is known as the "three wonders" of poetry and calligraphy, and is one of the famous "Eight Eccentrics of Yangzhou". "Eight Eccentrics in Yangzhou" refers to a painting school in Yangzhou during the Qianlong period of Qing Dynasty. The main figures of this school are Wang, Huang Shen, Jin Nong, Li Wei, Zheng Xie, Li and Luo. Zheng Xie, as a representative figure of the Eight Eccentrics, showed dissatisfaction with reality and defiant personality in his political attitude. Zheng Banqiao especially likes painting bamboo. The bamboo he painted is tall and straight, vigorous and unique, with high artistic expression and appeal. Since the Song Dynasty, bamboo has been called one of the "four gentlemen" of plum, orchid, bamboo and chrysanthemum. It, open-minded, upright and evergreen, has always been regarded as a symbol of nobility, integrity, tenacity and tenacity. Zheng Banqiao likes to draw bamboo, because bamboo can best reflect his own personality. Zheng Banqiao is called "Three Wonders": Poetry, Books and Painting. He has great attainments in these three aspects, forming a complete artistic whole. Form the so-called "three truths": the characteristics of true qi, true meaning and true interest. Good at painting orchid bamboo, using cursive script to make orchid leaves vertically, which is more chaotic and less sparse, and the beauty is unparalleled. Painting bamboo is vigorous and cool, dense and dense. Now he has his own rules about painting and calligraphy: "When painting bamboo, buy more bamboo money. The paper is six feet high and costs 3,000 yuan. Let's talk about the past, only when the autumn wind passes. " Behind this elegant and ridiculous writing is the cruel exposure and ridicule of the secular. However, Zheng Xie attaches great importance to friendship and kindness. He lost his mother when he was a child and was brought up by a wet nurse. When he was a child, he played in the street with Zheng Xie on his back every day and bought him cakes with his own money. Zheng Xie and the wet nurse are as deep as children, living together. In a poem commemorating Fei's wet nurse, he said, "There are thousands of kinds of food, so it is better to have bread in your hand. You are the only wet nurse in your life." It is sincere and touching to read. When he was young, Zheng Banqiao's family was poor, but he was bold and unrestrained, and he often "talked big, couldn't hide his words, and couldn't sit still". (Zheng Chuan Zheng Xie). Forty-three years old, after being a scholar in high school, he worked as a magistrate in Fanxian and wei county. During his time as an official, he did a lot of good things for the benefit of the people and won the people's love. But he asked for relief to the people in the famine year, but he offended the magistrate and local gentry. He is upright and upright, caring for the people, and has the lofty character of "emerging from the mud without being stained". Ashamed of hunching over, he despised the powerful, untied the seal, resolutely resigned and returned to Yangzhou to sell paintings for a living. Just like his immortal inscription, "It is better to go home and plant sweet potatoes than to be an official for the people." Zheng Banqiao's painting Bamboo Stone in his later years is a portrayal of his proud and upright personality. Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks. After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight. Zheng Banqiao is not only a master of Danqing, but also accomplished in writing lyrics and poems. The short four poems also show a vivid picture in front of readers: under the chaotic cliff, several green bamboos stand proudly in the wind, growing and expanding tenaciously, and their tenacious and straight state is vividly on the paper. This poem is purely about scenery, but it is by no means a sketch and copy of natural scenery. This painting has obvious symbolic significance. The bad wind on the cliff destroyed the growth of bamboo branches, which was linked to the cruel rule of the feudal dynasty. Isn't this the symbol and portrayal of the social environment at that time? Bamboo sticks "bite" in the green hills, take root in the cliffs and stand upright in the wind. Although they have been tempered, whether in summer or winter, they are still rising and standing proudly. Isn't this the embodiment of the author's indomitable noble personality? The evil wind on the cliff is ferocious, but under the urging of evil forces, the bamboo branches not only did not yield, but became stronger and more upright. From this strong contrast, we can clearly feel the author's strong hatred of evil forces, and we can better appreciate the author's lofty praise for the strong personality symbolized by bamboo. The poet's superb artistic skills and skillful artistic language make the bamboo described have personalized characteristics, which are not only reflected in the concrete application of anthropomorphic techniques such as "persistence" and "perseverance", but also in the description of bamboo branches. "Thousands of blows are still strong, and the wind is east, west, north and south." The bamboo here is obviously a tenacious warrior! The personification technique makes readers feel cordial and true, intoxicated not only by the natural beauty in poetry, but also by the sexual beauty in poetry. The poet's language is particularly accurate, vivid and vivid. He wrote about evil forces with "thousands of blows" and ubiquitous evil forces with "east, west, north and south", which accurately summarized the characteristics of that dark age. The use of verbs is more unusual. The word "bite" shows a stubborn and tenacious character, as well as infinite charm and wonderful artistic conception. It starts with the word "bite", which is abrupt and extraordinary. It's really amazing. The words "Ren Er, East, West, South and North" vividly and accurately describe the heroic spirit of standing proudly in the wind and fighting evil! The author portrays a tough, straight and unyielding image of bamboo branches, and through this vivid picture, expresses the author's fortitude, perseverance and integrity.
The Imperial Army Recovered the Banks of the Yellow River is the work of Du Fu, a great poet in the Tang Dynasty. This poem was written in the spring of 763 (the first year of Dade). In the first month of that year, Shi Chaoyi hanged himself and beheaded Li Huaixian, ending the Anshi Rebellion. Du Fu is a poet who loves his motherland and suffers from troubled times. Hearing the news, he couldn't help but be pleasantly surprised, dancing and singing this seventh tune. The whole poem is eight sentences. The first couplet is a surprise of the first good news; Third, the four poets danced and prepared to return home, highlighting the joy of longing to return home. The whole poem is full of unrestrained emotions and the word "hi" is everywhere, which vividly expresses the author's infinite joy and excitement. Therefore, it is called Du Fu's "the first quick poem in life". The last six sentences of the poem are dual, but understanding nature, like speaking, comes naturally.
Ji Hai Miscellaneous Poems is a collection of poems created by Gong Zizhen, a poet in Qing Dynasty. Jihai was the 19th year of Qing Daoguang (1839). This year, the author was 48 years old. He resigned from Beijing and returned to Hangzhou because he hated his official career. Later, he came back to see his family. On the way back and forth between Beijing and Hangzhou, * * * wrote 3 15 poems, with the overall title of "Ji Hai Za Poems", which is a group of self-narrative poems, including sources of life, writings, friends and so on. , with a wide range of subjects, of which the fifth poem and 65,438+025 poems were included in Chinese textbooks for primary and secondary schools in China. Only such great power as storm can make the earth full of vitality, but social politics is dead after all, which is a kind of sorrow. I advise Tiandi to rally, don't stick to certain specifications, and send more talents. Appreciate this is an excellent political poem. The whole poem has distinct levels and is divided into three levels: the first level describes the lifeless real society in which thousands of troops and horses are silent and the ruling and opposition parties are silent. On the second level, the author points out that to change this dull and decadent view, we must rely on the great power like a storm. For example, China must undergo magnificent social changes in order to be full of vitality. Thirdly, the author believes that such strength comes from talents, and what the court should do is to recommend talents in an exceptional way. Only in this way can there be hope for China. Subjective images such as "Kyushu", "Lei Feng", "Wanma" and "Heavenly Palace" are chosen in the poem, which are profound and magnificent. The first two sentences of this poem use two metaphors to express the poet's views on the situation in China at that time. Under the decadent and cruel reactionary rule, the metaphorical thought of "ten thousand horses together" was imprisoned, talent was stifled, and drowsiness, vulgarity, ignorance, silence and suffocation were everywhere. "Wind and thunder" is a metaphor for emerging social forces and sharp and violent reforms. Looking at the overall situation and the overall artistic realm is magnificent and profound. The last two sentences of the poem, "I urge God to be energetic again and drop talents in an unconventional way", are well-known sentences. The poet expressed his ardent hope with his peculiar imagination. He looked forward to the emergence of outstanding figures, forming a new "storm" and new vitality in the general trend of reform, sweeping away the dullness and depression that enveloped Kyushu, exposing contradictions, criticizing reality, looking forward to the future and full of ideals. It is unique, unique, calling for change and the future.
Huanxisha, the name of the teaching workshop in the Tang Dynasty, is also called Huanxisha, because Shi wears gauze in Ruoyu Creek. Up and down three seven words. Forty-two characters are divided into two parts. Yunping style has been passed down to this day. The earliest is the Han Wo Ci in the Tang Dynasty, which is formal. All three sentences in the first part use rhyme, and the last two sentences in the second part use rhyme. Most of them use antithetical sentences. Rhyme began in Li Yu in the Southern Tang Dynasty. In addition, there are three words added to the upper and lower parts of Tanpo Huanxisha, which are also famous for their flowers and have the same rhyme. This tone has bright syllables, neat sentence patterns and easy catchiness. Graceful and unconstrained poets often use it. There are more than twenty synonyms, such as "yard flower" and "reduced word Huanxisha".
This word was written in the fifth spring of Yuanfeng (1082). At that time, Su Shi was demoted as an assistant minister of Yong ying in Huangzhou (now Huanggang, Hubei) because of Wutai poetry case. This is a great blow to Su Shi's political career, but the word shows an optimistic spirit in adversity. The first two sentences are about natural scenery. In early spring, bluegrass sprouts by the stream, and the path by the stream is clean and muddy, full of vitality. But it ended with the cuckoo's whine in the drizzle. The sound of sub-rules reminds pedestrians that it is better to go home, which adds a bit of sadness to the scenery. However, at the turn of the pen, the altar no longer fell into the depression caused by Zigui crying, but cheered up. As the saying goes, "Flowers will bloom again, and people will never be young again." The passage of time, like running water flowing eastward, can't stay. But there are always accidents in the world. "The flowing water in front of the door can still flow westward" is not only a real scene, but also a hidden Buddhist allusion. Dongshui can still go back to the west, so why mourn for the boss in vain? It seems simple, but it is worth remembering. First of all, the volume of Ci Jie says: "Pogong has a high rhyme, so shallow language is also extraordinary." The whole poem is permeated with an upward attitude towards life. However, the last sub-regulation's pleading vaguely reflects the poet's situation and also shows the commendable attitude in the poem. Therefore, Chen Tingzhuo's Baiyuzhai thorn said, "The more melancholy, the more bold, the more sincere."
translate
At the foot of the mountain, bluegrass shoots into the stream, the path between pine forests is clear and muddy, and cuckoos crow in the drizzle in the evening. Who says you can't be young when you are old? The running water in front of the door can still rush to the west persistently! Don't worry about sighing old age and feeling the passage of time.
It is a word written by Wang Yin, a poet in the Northern Song Dynasty, that Bao Haoran was sent to the east of Zhejiang. The first part is about a friend's trip to the mountains and rivers, which implicitly expresses his deep affection for parting. The next movie is very straightforward, and it also writes farewell and deep blessings to friends.
This is a farewell letter. The sentences of "water is" and "mountain is" are rich in meaning and imaginative. The poet compared the water flow in Ming Che to the eyes of a beauty, and compared the mountain of indigo naturalis to the brow peak of a beauty, and highly praised the beauty and loveliness of the mountains and rivers in eastern Zhejiang. At the same time, it can also be understood as the poet's thoughts on Bao Haoran's heart: running water is the eye of his sweetheart, which conveys feelings with affection; Mount Qingdai is the eyebrows of my sweetheart. I am full of sadness and frown because I miss myself. Through this idea, the poet wrote Bao Haoran's longing for "East Zhejiang". Accordingly, the last sentence "Ying Ying with eyebrow eyes" has only one understanding: Bao Haoran is going to a place where the scenery is like a beauty "Ying Ying with eyebrow eyes", and the next sentence expresses the poet's feelings. "I just sent spring home", pointing out that spring has just passed away here, indicating that the poet's heart is full of worries about hurting spring; "Send you home again" plus no hate, the mood is even more painful. The last two sentences are the poet's wishes to Bao Haoran: May he live in "spring". This "spring" reflects the spring when flowers are in full bloom. This word is clever in meaning, beautiful in words and expressive. And witty, fresh and lovely, quite popular with people. Compared with those perfunctory entertainment works, there is obviously a difference between life and death, which is unique in farewell works with novel and ingenious ideas and light style. The words "water like a horizontal eye" are original at the beginning: predecessors used to describe the beauty of women's faces with metaphors such as "eyebrows like spring mountains" and "eyes like autumn water", such as "Wen Jun is beautiful and eyebrows like distant mountains" in Liu Xin's Miscellanies of Xijing. Li Bai's "Sauvignon Blanc": "It used to be an eye, but now it is a spring of tears"; Bai Juyi's "Zheng Shi": "Eyes cut autumn waters, which means peeling shallots". (Case: Some people also use "autumn water" to describe men's eyes, such as Li He's Song of the Second Tang Dynasty: "A pair of pupils cut autumn water". Here, however, the author uses the opposite meaning, saying that water is the cross flow of eyebrows on the mountain. Its beauty lies not only in bringing forth the old and bringing forth the new, but also in turning ruthlessness into affection with empathy, so that the unexpected scenery is also involved in the farewell scene and moved by the departure of friends. The sentence "I want to ask a pedestrian" still gives birth to "eyebrow eye", and also shows that the pen is clever and the words are novel. "The place where people smile" refers not only to the beautiful scenery of their friends' hometown, but also to the beautiful eyes that spread hatred and show their eyebrows when their wives and concubines lean on the fence and look forward to their return. Pun intended, casting is not easy. After the film, the words "just waiting for the spring return" express a good mood and feeling: I was disappointed to "bring the spring back" just now; Today, "sending the king" is even more disappointing. In an instant, what's the difference between the two? However, the author deliberately uses light language, which contains but does not reveal. The sentence "If you go to the south of the Yangtze River" is whimsical, telling friends that if they can catch up with the spring scenery in the south of the Yangtze River, they must cherish the spring with the spring scenery, which is beyond words. The meaning of blessing to friends is also reflected in the translation of the sentence.