He should be a model of traditional Chinese culture, and we don’t want to see negative news about him.
Mr. Fan Zeng’s paintings are calligraphy, the beauty of the rendering of lines, and the beauty of rigorous proportions; his calligraphy is the rhyme of painting, the dignified beauty of regular script, the beauty of the combination of Yanliu, and the fine turns. A more intense transformation of beauty.
Mr. Fan Zeng’s lines in Ding Maonian have become wavy and closer to nature, like flowing water and flying clouds, which can stop at the end, like watching a flying giant pass away quietly in the sky. It can stop being invisible, like a falling stone sinking into the river, and then resting on the water with a roar.