Zhou Dunyi's "Ailian Shuo" is. 1 19;
Han Yu's Miscellaneous Notes IV (Ma Shuo). 15 1 word;
Tao Yuanming's Biography of Mr. Wuliu. 17 1 word.
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Choose an article to practice calligraphy according to the number of words in the article. From less to more, from simple to difficult, step by step, don't be impatient.
What should I practice when practicing calligraphy?
First of all, practice your eyesight, that is, read the posts carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read it for three days. The more posts you read, the higher your horizon, and you will know how to write. There is an idiom called "eyes are superior but eyes are inferior".
Secondly, we should practice our brains or our hearts. On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook. Do it with confidence and words in your heart.
Third, we should practice our hands. Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your mind, but it may not be written in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen. Hand training is to achieve the consistency of heart and hand and handwriting, so hand training is also very important. Hand training mainly refers to strength, wrist strength and hand feeling. If you write for a long time, you will feel sore fingers, sore wrists, hands that don't work, and exercise more. This phenomenon will disappear. Also pay attention to practice the sense of touch, let the brain command the hand, and feel that the pen has become a part of the hand and an extension of the hand. Hands can easily command the pen, think fast, think slow, think light, think heavy, and write whatever effect you want.
Fourth, we should practice structure, because the key to practicing Chinese characters is to master the structure of Chinese characters. "Square and square" summarizes the structural characteristics of Chinese characters. I have mastered the structure of Chinese characters, and I have written square and beautiful bold characters. With a little change of strokes, I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu. If you can't master the structure of Chinese characters, no matter how the strokes of Chinese characters are decorated and beautified, they are ugly. Therefore, mastering the structure of characters and writing bold characters is the key and foundation for practicing all fonts.
Fifth, we should practice strokes. Many calligraphers have practiced calligraphy. Since they practiced regular script, they have forgotten many writing rules and only remembered strokes. As a result, the words written are very cumbersome, like ghost symbols.