Wang Yuanjian has been devoted to novel creation. 1974, he wrote his first play "The Sparkling Red Star", which created the image of a red teenager, such as Pan Dongzi, who was eager to take part in the revolution in the 1930s when China's * * * production party fought fiercely with the Kuomintang. Deeply portray the children's hearts, several children have distinct personalities, each with its own characteristics, and the characters' language is vivid and lovely. The image is true, cordial and unforgettable. The play is well-structured, well-structured, dramatic and cleverly arranged. The film became the best film during the "Cultural Revolution" and grew up with a generation.
Another of his important plays, Sidu Chishui, was written in 1983, which shaped the moving image of Mao Zedong, a talented and amiable military commander in the Red Army era. It puts the character's activities in a typical environment to shape the hero's character, truly shows his command art of saving the Red Army from danger, and makes the character's character more profound and distinct through ups and downs. The film won the Excellent Film Award of the Ministry of Culture 1983. 1984 won the special prize of the 4th China Golden Rooster Award.
Wang Yuanjian is good at describing the path chosen by individuals through choices and beliefs under the background of historical environment, and the historical value of this choice. His four plays (the other two are Rainbow Mountain and Grass) all deeply reflect this theme.
199 1 year 65438+1October 25th, Wang Yuanjian died in Beijing at the age of 62.
Wang Yuanjian (born in 1929) is a contemporary writer. People from Zhucheng, Shandong. I studied in my hometown when I was young. 1July, 944, participated in the revolutionary work in the anti-Japanese base area. 1945 1 Join the Eighth Route Army and work as a propagandist in the army.
During the War of Liberation, he first served as a detachment leader in the army art troupe, and then as a newspaper editor and reporter. During the period, I wrote some essays, singing materials and newsletters. 1947, joined the China * * * production party. 65438-0952, literary editor of PLA. The following year, when I visited Dongshan Island in Fujian, I visited the old revolutionary base areas, met some Red Army veterans, old guerrillas and underground workers who persisted in the struggle under the white terror, and heard many magnificent and touching stories, which inspired my creative enthusiasm.
1in March, 954, he published reportage Dongshan Island, and soon wrote his first novel "Party Fee". This novel describes party member Sun Wong, a woman who was born in * * * *. After her husband followed the Red Army's Long March, she organized the masses to persist in the struggle under extremely difficult conditions, tried every means to pickle pickles as party dues to support the guerrillas on the mountain, and finally gave her life to protect comrades and organizations. Since then, he has successively written works such as Precious Souvenir and Story of Grain, and published short stories such as Precious Souvenir and Party Fee on 1956. 1956 to 1966, participated in editing the revolutionary memoir "A single spark can start a prairie fire" in the 30-year essays of the People's Liberation Army. During this period, he wrote more than ten short stories, such as Descendants and Relatives, Seven Matches and Ordinary Laborers, and later published a collection of short stories of Descendants and Relatives.
1959 Published Selected Works of Ordinary Workers in Ten Years. 1972, I went to the Long March for interviews many times.
1974 cooperated with Lu to adapt Li Xintian's novel "Sparkling Red Star" into a movie literary script of the same name, which won the second prize of the National Children's Literature Creation after being made into a movie. After smashing the "Jiang Qing Counter-revolutionary Group", he wrote more than ten short stories such as Road Signs, Footprints and Standards, describing some touching stories of the older generation of proletarian revolutionaries such as Mao Zedong, Zhu De and Zhou Enlai in the Long March, among which Footprints won the National Excellent Short Story Award 1978. He is an excellent short story writer who grew up after liberation. Most of his works are based on the struggle between the Red Army and the people in the old revolutionary areas during the Second Revolutionary Civil War. They have ingenious ideas, distinctive themes and rich stories, and are good at grasping typical details and the shining things on the characters to show the lofty spirit of heroes. They are really touching. Director of Chinese Writers Association and Film Association, and now he is a screenwriter of Bayi Film Studio.
Wang Yuanjian is a writer who grew up after liberation. Although he did not experience the struggle life during the Second Revolutionary Civil War, he came into contact with the older generation of revolutionaries in his work as a reporter and editor. 1953 also visited the old revolutionary base areas in Jiangxi, covering the Long March of the Red Army. This made it possible for him to express his epic life during the Second Revolutionary Civil War. Published works from 1954, including collections of short stories such as party dues, descendants, relatives and precious souvenirs. On the 10th anniversary of the founding of the People's Republic of China, an anthology of Ordinary Laborers was published.
Most of Wang Yuanjian's works are based on the struggle life of the Red Army and the people in the old revolutionary areas during the Second Revolutionary Civil War. They have ingenious ideas, distinctive themes and rich stories, and are good at grasping typical details and the shining things on the characters to show the lofty spirit of heroes. They are really touching.
Shadow script; In the new period, he constantly created short stories such as Footprints, Road Signs and Standards.
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& ltbr & gt Wang Yuanjian's novels pay close attention to the revolutionary's unique view of human feelings and humanity. The general in Home tried his best to convince a revolutionary old man who lost his son that he was his own son. Here is full of the general's earnest concern for the revolutionary old man, and the deep affection between father and son excites the readers' hearts. In the story of Grains, Hao Jibiao asked his son to distract the enemy and was killed by the enemy in order to protect Grains. The author wrote his extremely painful heart and performance with deep affection and delicacy. Although this description of human feelings and humanity is based on class theory, it still deeply touched us, thus enhancing the artistic power of the works.
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& ltbr & gt Wang Yuanjian's novels focus on exploring the inner world of the characters, thus reflecting the beautiful hearts of revolutionaries. The simple dialogue between Lu Jinyong and the unknown soldiers in seven competitions and the simple expression of their inner world in their works reflect the indomitable will and infinite loyalty of revolutionary soldiers to the party. The general in "Relatives" was careful and expressionless, and recalled the sacrifice of his comrades-in-arms. The words and deeds of the old man caused his emotional ups and downs. It is this in-depth description of the general's inner world that "in a short text, the author shows us what a huge heart, a heart full of class affection!" " This narrative way of expressing the author's subjective feelings through the delicate description of the characters' hearts makes the theme of the works more subtle and natural.
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& ltbr & gt Wang Yuanjian's novels are good at expressing characters' personalities through real and touching details. There is such a detail in "Party dues". Sun Wong's daughter, because she couldn't see the oil and salt for a long time, saw a few piles of pickles, "two big eyes stared at each other", "I couldn't help licking my mouth ... climbed to the mouth of the empty broken jar, put her thin little hand into the jar, dipped her finger in some salt water and sucked it into her mouth. Finally, she could not help it. Sun Wong glanced at the child and then at the pickle. Finally, he took the pickles back from the child's hand and the child began to cry. A "look" and a "look" depict Sun Wong's delicate psychology of weighing between emotion and party spirit. Other scenes, such as "Three Sides", end with three wounded soldiers crawling on the grass, depicting a flock of geese flying lightly to the south in the shape of "people" in the sky; The portrait of the unknown soldier "raising his hand with all his might and pointing due north" in Seven Games is a wonderful brushwork, which shows the hero's firm character full of confidence in the revolution with vivid details.
Wang Yuanjian (1929 ~ 199 1) was born in a etiquette family of poetry, calligraphy and painting in Xiangzhou village, Xiangzhou town, Zhucheng city, Shandong province. His uncle Xiangqian Wang was one of the early leaders of Shandong local organizations. His father Wang Zhenqian was also an early party member and a well-educated intellectual. He loved literature, Chinese painting and calligraphy, and had a great influence on young Wang Yuanjian.
1937 after the outbreak of War of Resistance against Japanese Aggression, under the influence of the national anti-Japanese war upsurge, Wang Yuanjian's hometown Xiangzhou launched the anti-Japanese national salvation movement. Wang Yuanjian and her third-grade sister took an active part in sports and once performed a short play together, such as "Put Down Your Whip". Soon, according to the arrangement of the higher party organization, cousin Wang Bianhe returned to Zhucheng to carry out the anti-Japanese national salvation movement, and led the establishment of Zhucheng Teke and Zhucheng Temporary County Committee. Wang Yuanjian often stood guard and delivered letters for them and learned to sing anti-Japanese songs from them.
At the beginning of 1938, when the Japanese invaders occupied Zhucheng, Wang Zhenqian could not bear to let Wang Yuanjian be a student in conquered people. In order to "save the country by culture" and ensure children's education, he decided to open his own "family study" with Xiangqian Wang and give lessons to children in person. Six months later, Wang Zhenqian's "home study" was banned, and Wang Yuanjian was forced to study in a school supervised by the Japanese aggressors. The Japanese invaders stipulated that students must salute the sun flag when they enter the school gate. However, Wang Yuanjian, who was only 1 1 years old, refused to endure this humiliation, preferring to be slapped by Japanese instructors rather than bow to the Sun Flag. Cruel national oppression created his national consciousness, and national humiliation inspired his strong national self-esteem.
During the War of Resistance against Japanese Aggression period, Wang Yuanjian's home once became the focus of our party's work behind enemy lines, and party organizations often held secret meetings at his home. Wang Yuanjian began to consciously read and study anti-Japanese books and some documents brought by underground workers, which laid a solid ideological foundation for his later revolutionary history works.
1in mid-July, 1944, his cousin Wang, who was only 15 years old when he was in middle school, was "stamped" by the comrades of the enemy's armament department of Shandong Military Region (at that time, he sent troops to the Armed Postal Department and crossed the blockade to join the anti-Japanese team) and sent them to Shandong Military Region. Because of his young age, "Kangda" could not be admitted, so he had to study at the seaside cadre school (then called Binhai Middle School). In September of the same year, the Japanese invaders carried out a big "sweeping" on the coastal areas. According to the instructions of the superior, the young comrades in the school were dispersed to their hometown as adopted sons and to a mountain village in Junan, Zhang's family.
At the end of 1944, Wang Yuanjian graduated from Binhai Middle School and joined the newly established propaganda team of the Political Department of the Third Army Division of Binhai Military Region as a propagandist. In June, 1945, the propaganda team fought Wang Xin's stronghold with Juxian Independent Group, and Wang Yuanjian and other young comrades were responsible for nursing the wounded. During this period, Wang Yuanjian began his literary and artistic creation, and in the same year, he created the little opera Looking Back. During this period, Wang Yuanjian followed the troops to the north and south, and the experience of the war made him mature politically and ideologically. 1March 947 gloriously joined the China * * * production party. In June of the same year, 5438+065438+ 10 was transferred to Lushui Daily, the party newspaper of the 22nd Army of the Seventh Corps of the Third Field Army in East China, and Wang Yuanjian served as editor, war correspondent and deputy director of the editorial department. During this period, he heard and saw more touching stories and images, created reportage "The Warrior of Tugulongting", "Wang Huanxi", newsletter "A Bundle of Wheat Seedlings" and many poems and rap materials reflecting military themes such as marching, fighting, propaganda and victory, many of which were broadcast by Xinhua Head Office in Jiefangquan area, which played an important role in inspiring the revolutionary enthusiasm of the officers and men of the army and the masses.
/kloc-in the summer of 0/950, Wang Yuanjian was transferred to the Military History Compilation Group of the 22nd Army. The compilation of military history not only made him familiar with and master a lot of materials, but also improved his language expression ability and political and ideological level. 195 1 At the end of the year, Wang Yuanjian was transferred to the Cultural Department of the Political Department of the Seventh Corps. During this period, the party newspaper East China Front of the Seventh Corps published a large number of newsletters and reportages, which were collected and published and sent to demobilized soldiers. 1July, 952 transferred to the editorial department of PLA Literature and Art (the only comprehensive publication of the whole army) of Beijing General Political Department.
/kloc-0 In the autumn of 953, Wang Yuanjian visited Dongshan Island in Fujian. The following year, he wrote his first novel "Party Fee", which was well received by readers inside and outside the army after the publication of "Literature and Art of the People's Liberation Army". He went on to write short stories, such as Descendants, Mom and The Story of the Grain. From 65438 to 0956, Fujian People's Publishing House and Workers' Publishing House published his collection of novels "Precious Souvenirs" and his collection of short stories "Party Fees" respectively. In the same year, Wang Yuanjian joined the Chinese Writers Association and was transferred to the editorial department of "A single spark can start a prairie fire". At the beginning of 1958, he created seven races and a threesome to catch up with the team and celebrate the heroic deeds of the 25,000-mile long March. 1June, 958, Wang Yuanjian went to the site of the Ming Tombs Reservoir to participate in labor. He used borrowed pencil tips and some old notes to write the first draft of the novel "Ordinary Workers" under a neem tree during his lunch break. /kloc-in the autumn of 0/963, Wang Yuanjian was sent to Qingdao at the invitation of Lieutenant General Ding Qiusheng, political commissar of the North Sea Fleet. It took only nine months to create the novel The Source with 300,000 words. "Source" reflects the process that a soldier captured from the Kuomintang army received the party's education in the People's Liberation Army, and changed from a soldier rascal to a people's soldier, praising the power of our party's political work.
Under the influence of the ultra-left ideological trend, Wang Yuanjian's novel Home was wrongly criticized on 1963, and later, novels such as Financial Management and Source were also criticized one after another. After the "Cultural Revolution" began, he was designated as a counter-revolutionary and was publicly criticized. At the beginning of 1969, he was sent to the independent division of Anhui Military Region to experience life. 1972 was transferred back to Beijing to rewrite the screenplay "Wan Shui Qian Shan" reflecting the Long March of the Red Army. Later, he cooperated with Lu to adapt the film literary script "Sparkling Red Star" and created the film script "Sidu Chishui". During this period, his new works include short stories such as Footprints, Standards, Road Signs, Grass and Songs, among which Footprints won the National Excellent Short Story Award 1978 held by People's Literature magazine. His representative novels, such as Party Fee, Seven Matches and Ordinary Laborers, have been selected into Chinese textbooks for universities, middle schools and primary schools for a long time, and have been translated into English, French, Japanese, Russian, German, Korean and other foreign languages, which have exerted great influence at home and abroad. Since the Fourth Literary Congress, Wang Yuanjian has been elected as the director of the Chinese Writers Association and the Chinese Film Association. His name has been included in History of Chinese and Foreign Literature, Dictionary of Writers in China, Dictionary of Celebrities in China and Who's Who in the World published in Britain and America.
1In June, 987, Wang Yuanjian was transferred to the Art College of the People's Liberation Army as the Minister of Literature and Art, engaged in the education of cultivating military writers. He devoted a lot of effort to this, and even during his serious illness, he insisted on giving lectures and counseling to students of "military art" and graduate students of Lu Xun College of Literature. During this period, he wrote many weighty commentary articles. 1On October 25th, Wang Yuanjian died of lung cancer. At the age of 62.