1, Cao Zhang: Cao Zhang is basically a font rarely used in Lian Bi, but its strokes form an echo state, which makes writing fast and smooth. At this time, the cursive script is rich in meaning, not rigid in composition, and some of it also has the original meaning of seal script. It pays attention to simplicity and lightness in the use of pens, without too many decorative strokes, so the rhythm of writing has not yet entered the requirements of stylization.
2. Cao Jin: Cao Jin refers to the cursive script of the Eastern Jin Dynasty, represented by Erwang. It is a writing method developed on the basis of China, Cao Zhang and bamboo slips. The strokes of seal script have been basically eliminated, and the writing is completed with new smooth and natural strokes that echo each other. Pay attention to the decoration of the pen, make the words more rhythmic, gradually form a stylized brushwork, and become a model for future generations.
From then on, China's calligraphy reached its peak, and later generations all lived in the shadow of the two kings, and there were some branches and divisions. The analysis of the writing method of modern grass brush has also become a means of secularization in later generations. Because China's rich calligraphy has been defined, it has lost its youthful flavor, become more aristocratic and symbolic, and been endowed with more aristocratic humanistic feelings.
3. Crazy Grass: It is a stylized modern grass body that gradually entered people's field of vision in the Tang Dynasty under the impetus of Zhang Xu and Huai Su. It was originally written by Zhang Zhi in Han Dynasty, but Zhang Zhi's original works may all be forgeries.
However, the cursive scripts of the two kings absorbed a lot of nutrition from Zhang Zhi, especially Wang Xianzhi got more information from Zhang Zhi. He broke his father's modern cursive style, changed the independent readability of each word into more word combinations, made the whole text inseparable, enhanced the fluency and relevance of composition, and made cursive script move towards a book.
Later, in the Tang Dynasty, Xu Su exaggerated and basically turned the strokes into the center. Later, Huang Tingjian, Wang Duo and Fu Shan extended it.
Expand the appreciation standard of material cursive art;
1, line beauty
Calligraphy is the art of lines. Calligraphy lines, especially cursive lines, are more obvious. Not only the shape and direction are different, but also the astringency, dryness, flatness, quality and strength are different. The strange and unpredictable lines of cursive art can best express the subtle inner feelings of a cursive writer.
Calligraphers in past dynasties paid special attention to the comparison of primary and secondary lines, and often took the strokes that best expressed the calligrapher's personality as the "main pen" to show their unique aesthetic feeling. For example, Yan Zhenqing is full of needles, the Yellow Valley is full of twists and turns, and the vertical hooks in Mi Fei are unique. In addition, there are many contrast techniques, such as size, vertical and horizontal, back to back, tilt, density, thickness, shadow and Fiona Fang.
2. Beautiful structure
The general understanding of the appreciation of the structure is often whether the structure is neat or not, which is not completely correct. Although balance symmetry is the basic requirement, structural beauty pays more attention to the change of balance symmetry, whether its change is innovative or not.
The successful cursive art structure is balanced and symmetrical, and all parts are in contrast and care; There are also various innovations in length, size, width, density and verticality, thus forming a diverse and unified harmony.
3. Beautiful composition
Composition is whether the spacing between words and lines is appropriate and the size is appropriate. A well-organized cursive work can show the artistic effect of caring for feelings, flying spirit and running through the whole chapter.
4. Mo Yun is very beautiful.
The cursive art mainly uses ink lines to express its beauty. Whether a work looks like it depends on whether the pen and ink are elastic: that is, the whole line and the whole article should not be exactly the same in shade, weight, dryness, brightness, thickness and turbidity.
5. Beautiful artistic conception
After appreciating the brush and ink structure, we need to further grasp the unique artistic beauty of the whole work. The artistic conception beauty of cursive script refers to the artistic realm that works show the author's spirit, aesthetics, style and appeal to the audience.
Baidu encyclopedia-cursive script