What are the characteristics of Zhao Mengfu's calligraphy?

Zhao Mengfu's landscape painting mainly studied Dong Yuan, Li Cheng and Guo, broke away from meticulous painting, referred to the quaint tastes of the Tang people and created a new style. He learned from others' strengths and formed an overall style of emphasis, stability, beauty and beauty. Figure painting mostly maintains the Tang style, with strict statutes and simple style. Flower-and-bird painting is a combination of Guo and Huang Quan, accompanied by words, which is clumsy, simple and elegant. In the theory of painting, it advocates retro, advocates that "painting is expensive and has ancient meaning", advocates Tang people, and opposes the graceful painting style of the Southern Song Dynasty. What is particularly valuable is that his paintings changed the style of painting in the Southern Song Dynasty and created the style of painting in the Yuan Dynasty. He boldly tried to apply calligraphy to painting, forming a "painting and calligraphy" that combines painting and calligraphy, integrating poetry, calligraphy and painting in one furnace. His dry brushwork is light ink, light crimson color and elegant style, which mainly shows the literati's interest in seclusion life.