(1) Xuanhezhuang
Also known as Song-style mounting. A kind of framed calligraphy and painting collected by Huizong Neifu in the Northern Song Dynasty. Named after the year number announced by Huizong. This style is the most complicated one of the mounting strips. For example, Ivy Leung's "Lu Xue Tu Juan" in the Palace Museum uses silk, yellow silk on the back of petals, and white Song stationery at last. The painting itself takes five paragraphs. Also stamped with the seal of the inner government collection according to a certain format.
(2) Wuzhuang
After hundreds of years of Ming and Qing dynasties, the mounting of Su Yang and Yangzhou is a link between the past and the future, and it is famous throughout the country, known as Wuzhuang in history. Its mounting pieces are flat and soft, the mosaic color is quiet, and it is assembled and cut, and the old ones are adjusted.
(3) Red Gang
A kind of mounting. Before liberation, there was a red and white vertical axis couplet in Suzhou, Yangzhou and Shanghai, which was specially used for weddings, funerals and celebrations.
(4) Help
Before liberation, Shanghai, Suzhou, and Yangzhou all had special mounts for ordinary paintings and calligraphy.
(5) Monochrome installation
In other words, the installation material is one color. It depends on the ratio of the length of the painting core to the length of the painting.
Generally, if the length of inlay is less than the length of painting core, it can be inlaid in one color. For example, if a one-meter-long painting core is installed in a two-meter-long vertical shaft, only one color can be used. In the use of mosaic colors, the purpose is to highlight the painting significance of the painting core, and strong contrast colors cannot be used. It should be beautiful and generous.
(6) Two-color installation
Two-color mosaic is to use appropriate colors around, and the remaining length is to use dark and heavy mosaic, and then inlay on the top of the world to form the required length.
(7) Three-color mounting
Three-color mounting is a boundary between circle and heaven and earth. The width of its sides may depend on the size of the frame. The color of the circle should be lighter, the sky and the ground should be deeper, and the boundary should not be too deep or too shallow. The colors of this picture are in harmony. And it has a gentle, gentle and solemn taste. But the colors of circle, boundary and heaven and earth should not be too similar, and they should have a sense of rhythm.