calligrapher
Cycle after cycle is not only famous for novels, but also the calligrapher of the older generation. During his tenure as Vice Minister of Culture, he also participated in leading the establishment of China.
Book Association and the establishment of provincial and municipal book associations, and successively served as vice chairman of China Book Association and consultant of China Book Association. Since childhood, he has been studying calligraphy under the strict guidance of his father and teacher Zhu Hua. He has studied a large number of inscriptions by Yan, Liu, Europe, Zhao and Wang, and has traveled to Europe and Wang for a long time. When I was a child, my family was poor and I had no money to buy paper and inkstones. He often soaks in clean water and practices calligraphy on a wide brick. He loves literature and likes reading the works of Qu Yuan, Sima Qian, Li Bai, Du Fu, Liu Zongyuan, Ouyang Xiu and Su Shi, thus laying a solid foundation for his future literary creation and calligraphy art. In the early 1930s, he entered Shanghai Guanghua University to study English literature, and at the same time began to write, met Lu Xun and Mao Dun, and participated in left-wing literary activities. After the outbreak of War of Resistance against Japanese Aggression, he went to Yan 'an, the holy land of revolution, and never stopped learning calligraphy until the founding of New China. After the founding of the People's Republic of China, he was too busy to write often, so he used his rest time to read posts. "Looking at a thousand swords and then knowing the weapon" is precisely by reading the inscriptions of past dynasties that the beneficial essence is transformed into one's own pen and ink language, and "it will be connected with the mood" (bright eyes), so as to achieve the purpose of reading widely, learning from others and being proficient in application. His calligraphy was not very good for people to see in the past, and little was known. It was after he served as the vice chairman of China Book Association that he often participated in and presided over some calligraphy activities, and at the same time he always cared about the work of China Book Association and took time to attend some meetings. Everyone saw his books from pen clubs, TV, calligraphy magazines and newspapers, and they were quickly attracted by his interest in calligraphy, so that for a long time, there were an endless stream of book seekers at home and abroad, which made him unable to answer. The cycle of calligraphy can range from seal script, regular script, Cao Zhang, running script to cursive script, especially regular script and running script. His calligraphy is rigorous in structure and graceful in posture; Folding brushwork, delicate and delicate; Knots are big or small, or simple or complex; The brush strokes are oblique or oblique, light or heavy, which forms the artistic characteristics of bright rhythm, strong bones and strong tendons, and has a strong scroll atmosphere. Many famous calligraphers in China spoke highly of replica calligraphy. Guo Moruo said in his letter to Zhou Erfu: "Your handwriting is very good, close to the' two kings'." At the same time, he wrote modestly: "In front of an excellent writer, presenting a child's body is particularly soft, which really makes people laugh." Mao Dun wrote back to Yun after receiving repeated calligraphy works: "My brother's calligraphy is really better than mine, and I have high hopes for it." Zhao Puchu wrote in his book Pipa Xing: "European books are strict but able to go south, with clear air and heavy bones." Long song became a white male, handed down from generation to generation for thousands of years, and the pipa won the eternal life hall. handsome and refined
The European book is a white poem. When you open it, it looks like a boat is moving. My heart is listening to the words, the flowing spring, but it seems as light as slow. I can't get tired of reading poems, books and news today and tomorrow. Qi Gong also said in "The Chronicle of Weng Yunfeng": "When Zhou Shu started writing, it was not Jiang Dongxi and dedication. The spirit is clear and the bones are beautiful, and the wind is surging. It's really much thunder and little rain around the temple. All these vividly reveal the artistic characteristics of calligraphy. Throughout the ages, some accomplished calligraphers are often literati and scholars who are well versed in calligraphy, and Zhou Fu is also such a calligrapher. His achievements in calligraphy are largely due to his travels around the world and field trips to famous mountains and rivers. For a long time, this multi-faceted knowledge and one's own artistic accomplishment have been consciously or unconsciously integrated into calligraphy creation, thus forming a unique calligraphy pattern. At the same time, this is also the main reason why his works are full of books, rich in connotation and meaningful. Zhou also attached great importance to the literariness of his works in his calligraphy creation. He integrated his profound literary accomplishment and love for life into his calligraphy creation, pursued and created the artistic beauty of his works, and unified it with the form of calligraphy, thus making calligraphy more connotative and contemporary. Most of his calligraphy works are self-created poems with high style, bold passion and strong appeal. The contents of these calligraphy works are also an important part of his literary creation, which complement each other with calligraphy and are dazzling. During his tenure as Vice Minister of Culture and Vice President of the Chinese People's Association for Friendship with Foreign Countries, Zhou Fu has spared no effort to advocate calligraphy, a traditional art of the Chinese nation, and has led many Japanese calligraphy delegations to visit China to exchange calligraphy skills in order to strengthen the friendship between the two peoples. Over the years, he has been to Asia, Africa, Europe, America and Oceania, and has traveled to dozens of countries and regions. Wherever he went, he always deeply understood the history of Chinese and foreign calligraphy exchanges, actively promoted the exchange of calligraphy art, and made outstanding contributions to promoting the excellent national culture.