Founder of wuti calligraphy; Dean of China Wuti Calligraphy Research Institute. Born in Shandong, a descendant of Wang Xizhi, a calligrapher in the Eastern Jin Dynasty, was influenced by family studies since childhood and was addicted to painting and calligraphy. He became famous as a teenager. Graduated from Central Academy of Fine Arts and Shi Qi Tutor Studio, and studied under Mr. Shi Qi. At present, he is a national first-class artist, a member of China Painters Association, a member of China Painting and Calligraphy Association, a member of China Painting and Calligraphy Research Association, a director of East and West Artists Association, a director of Xi Zhi Research Association in China, and a first-class painter specially invited by China Hanmo Institute.
Mr. Wang Mengzhi, a famous contemporary calligrapher, shoulders the heavy responsibility of history and times, and absorbs the advantages and essence of "Preface to the Holy Church", "Monument" and "Zhao Tie". He studies hard and tries to innovate. After dozens of spring and autumn, he was hungry and lacked sleep. The five-shape ups and downs are integrated into the rigid and flexible changes of calligraphy, which organically combines the abstract beauty of China's calligraphy with the beauty of images, showing the basic application of calligraphy art in the thoughts of Yi, Confucianism, Taoism and Zen. Wang Mengzhi's five-style calligraphy, based on regular script, official script strokes and cursive script strokes, is elegant and changeable, but in the seemingly sui-shaped form, it contains profound thoughts and layout, combined with the laws of all things in nature, with the vicissitudes of soil mining, the richness of wood mining, the change of water mining with the shape and the unrestrained fire mining.
Wang Mengzhi's five-style calligraphy, based on regular script, official script strokes and cursive script strokes, is elegant and changeable, but in the seemingly sui-shaped form, it contains profound thoughts and layout, combined with the laws of all things in nature, with the vicissitudes of soil mining, the richness of wood mining, the change of water mining with the shape and the unrestrained fire mining.