Don't leave what?

Question 1: Idioms leave nothing behind. 1. Kun

keep intact

depart from convention

4 unwilling to lag behind, 5 can neither rise nor fall.

Question 2: What do you mean by "inedible"?

Question 3: What do you mean by indefinite words?

Pronunciation bùLuòküJi

Meaning interpretation: the nest of birds and beasts. Mortar: A rice milling device with a concave center. Stereotype: a metaphor for cliche, cliche.

Metaphor article or art has an original style and will not be out of date.

Not in the office? Hu Yinglin's poems? The fourth part: "Beginners must get started from now on and will not fall into a small family."

Song? Wu Ke's poem "Learning Poetry": "Jumping out of Shaolin Temple, my husband is ambitious."

The design style of the Summer Palace is really original, not sticking to the old pattern.

Example 1. This "convex" and "concave" has always been used by the least number of people, and now it feels fresher directly as the name of the exhibition hall. (Qing? Cao Xueqin's Dream of Red Mansions (Back to 76)

The young painter's paintings are unique in creative techniques.

Note: it cannot be used to describe a person's character.

Synonyms are unique, unique, ingenious and unconventional.

The antonym is the same as the gourd, the same, the same.

Use the method to move the object; As subject, predicate and attribute; Used in articles and art.

Question 4: What do you mean by not falling into the secular world? Being unconventional, individualistic and flexible is generally a compliment.

Question 5: What do you mean, being left behind is better than being left behind? You would rather have a large number of people not invited than a unique person not invited to you, which will make him feel that you have a problem with him and easily lead to disaster.

Question 6: What do you mean when the flowers come back in spring? The flowers have not withered, and the moon will not be covered by clouds when there is no wind.

Combination couplets of Hanlu Army Monument;

Flowers will not fall in spring.

Calm, bright moon in the sky.

Things go to spring, things go to spring.

Take the moon home in a hurry.

Hanlu junbei

Abstract: The Monument is located in Jining City, Shandong Province. This monument was broken in the Ming Dynasty, but it was Song Tuo who didn't break it, but it has never been handed down. This version is an early extension. The word "Wu" in the fifteenth line of moire still exists.

3/kloc-0 /×17.5cm

The full name of this monument is "Han Captain Zhong lujun Monument", also known as "Han Captain lujun Monument" and "Monument". Xiping was established in April in the third year of the Eastern Han Dynasty (173). 17 lines with 32 words. In Jining City, Shandong Province. The owner of the monument, lujun, is from Changyi, Yangshan (therefore, he lives 40 miles northwest of Jinxiang County, Shandong Province). The officer to the company is the captain, and the chariot rides the captain. Xiping died in his residence in the first year at the age of 62. In April of the following year, 320 people, including Shang and Ma Yin, erected a monument to praise their virtues. The monument was originally in the army tomb in Shannan, Shi Jiao, Jinxiang. According to Zhu? There is a stone temple in front of the tomb. "All the walls are covered with bluestone. Since bookmarking, the images of seventy-two loyal ministers, dutiful sons, virgins, Confucius and disciples have been carved on stones, with clear pronunciation and mellow voice ... "This is a stone carving art similar to the Han Dynasty stone relief in Shandong Jiaxiang Infinite Temple. The tablet in front of the tomb was later moved to the Confucius Temple in Rencheng (now Jining). This tablet is quite scattered, and many words can't be distinguished. His calligraphy is rich and full, with both small three and ancient meaning. Its characters are large and small, harmonious with each other and lively and lovely in layout. The words of Beiyang and Beiyin are not unique, but the words of Beiyin are simple and natural, which is particularly interesting. Guo Ming Zongchang's "Stone Story" said that his "calligraphy is steep and quaint, and the smallest room belongs to Ren Wei, but it is the Han Pavilion." Wan Qing Jing Yun said: "The fonts are neat and even, and the pens, pens, super pens and provocations are extremely rich. The Kaiyuan schools seem to have an effect." Yang Shoujing's "Pingbei Ji" said: "Rich and magnificent, Tang and Xu Jihai also came out from now on, but they were too fat and did not have this charm." The insights of the above scholars illustrate the influence of Lu Junbei on the calligraphy style of later generations. In the Song Dynasty, Zheng Qiao's "Jin Shi Lue" took this as a monument to exquisite calligraphy, and it was presumed that it was written by Cai Yong, but it was actually unfounded. Some people questioned Zhao Mingcheng's Jin Shi Lu, and later many calligraphers and scholars relied on Zhao.