When interviewed by cultural media, Mr. Wu Weibo answered some sharp questions about the development direction of China's calligraphy and painting. Wu Weibo replied to the cultural media: "China is a unique socialist country and a country with very concentrated culture. Our culture has a history of 5,000 years, and there are too many historical sites in the long river of 5,000 years. Future generations can't cross it, let alone dare to cross it. Crossing it is very risky. Take China Book Association as an example. Belonging to the National Federation of Literary and Art Circles, the person in charge is a national cadre. He just wants to make no mistakes in the second session, and there will be no trouble in tradition. It is too risky to engage in innovation, and you may even lose your job and be dismissed. How does China's calligraphy innovate under this pressure? How to develop a new culture in China? Art can only be unique and cannot be copied. Copying is a craft. Copying is a process for beginners, and copying is a threshold. If you cross this threshold, you can't climb. It is not enough to walk with the support of others. You should learn to walk by yourself. If' Handan Toddler' learns to be old, it will eventually climb back. China Book Association should work hard on how to develop and innovate China's calligraphy, and guide its members to innovate constantly, instead of holding some copying exhibitions. As a national book association, it should at least engage in some activities above the level of middle school students. At present, China Book Association must first understand the relationship between inheritance and development. Inheritance is for development, and inheritance does not require modern people to move back to the "cave" life. The historical descendants of "Neanderthals" just need to figure it out. Brush calligraphy has no practical significance today. Chinese characters are Chinese characters, calligraphy is calligraphy, and' characters' and' books' cannot be confused. When China's calligraphy entered the century, it was only ornamental and not practical. Practical Chinese characters are mechanically installed in the computer. Calligraphy art is the publicity of individuality. Only by injecting new ornamental elements into the development of calligraphy can we inject philosophical thoughts of the times. Only in this way can we be young and not become an ancient' mummy'. No matter how thick and deep the culture left by ancestors is, future generations will rust if they don't carry it forward. If calligraphy dies in the hands of our generation! Then we will be sinners of history.