Picturesque Jiangshan is the latest masterpiece painted by Master Wang at the autumn auction of 20 13. Splashing ink on a large area and using heavy-colored ink dots are also the essence of master Wei Zixi's landscape painting, which is called "Wei Jiahong" in the painting and calligraphy circles. In the traditional concept of the Chinese nation, red represents happiness and has the function of exorcism. In the traditional culture of China, the color of fire in the five elements is red, and gossip also symbolizes red. This is also the auspicious meaning given by Master Wang in the creative process. Since ancient times, the elegant demeanor and the people of China have always used red to show their festivals and decorative happy events, and their inner joy has also emanated from the red celebrations. The whole maple leaf on the top of the mountain is dyed, which has the meaning of auspiciousness, symbolizes auspicious red, and also conveys a lasting festive atmosphere.
The Pine Greeting Guests
Master Wang Yongliang's Welcome Pine has an extraordinary momentum. It is the master's use of imagery in Huangshan Yingkesong, a famous scenic spot in China, with concise brushwork, meticulous description and rich and steady colors. Welcome pine is vigorous and beautiful, covered with green leaves, resolute and tall, elegant and beautiful. Master Wang Yongliang vividly portrayed this image on paper with passionate pen and ink, and also described the beautiful and straight Huangshan Mountain, even the famous Huangshan Sea of Clouds, to set off the grandeur of the welcoming pine. The author combines the landscape styles of the north and south of China, which not only highlights the grandeur, precipitousness and boldness of the mountains, but also makes the mountains and rivers inseparable, connected and refreshing. The application of ink and wash techniques is perfect. The thick ink shows "bone" before painting, and the ink color in painting gradually fades and layers. Draw the third picture, then splash ink, the shade is appropriate, and there is reality in the virtual. The peaks in the distant mountains express a long-standing and continuous artistic conception, which means that financial resources are rolling. The eastern red sun rises, the sky is full of sunshine, and the red sun is in the sky, which is also a blessing.
In addition, Wang Yongliang's calligraphy works are also a must. The acme of calligraphy is connected with human spirit, and the aesthetic feeling of contemporary calligraphy can be multi-layered. Although the appearance and structure of characters are beautiful in form, the highest requirement of calligraphy art still lies in its spiritual connotation, that is, the meaning and interest expressed by calligraphy. Reading Wang Yongliang's calligraphy works conforms to the structure of statutes and the orderly opening and closing style, which fully expresses the unpretentious harmony and divine union between him and calligraphy. This kind of works advocating artistic conception and natural harmony gives people a kind of spiritual pleasure and warmth.
The first impression of Wang Yongliang's works is verve. He writes naturally, freely, neatly and creatively. The second is innovation. He is good at dealing with the positive and negative relations in writing, and reasonably combines rigidity and softness in the process of using a pen, showing his natural quality. The third is fun. Every word in the work pursues perfection, and try to avoid redundant pen and ink in the strokes. Calligraphy is the change of lines and ink colors, and it is the natural expression of works, and this natural interest is a very high realm in calligraphy. So Su Dongpo said, "Yoga Yu is good at the beginning of the book." "Poetry does not seek truth, words do not seek novelty, and innocence is my teacher."