Takeishi
Author: Zheng Xie
Original text:
Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.
After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.
Precautions:
1, bite: bite tight
2. Rooting: Rooting. Broken rock: cracked mountain rock, that is, cracks in the rock.
3, tempered: refers to countless hardships and blows. Resilience: strong and powerful.
4. Ren: Whatever, whatever, whatever. Joel: You.
Poetic:
Unswervingly, the castle peak does not relax,
Originally deeply rooted in the cracks in the stone.
After many trials and tribulations, the bones are still strong.
Let you blow the east, west, north and south winds.
Appreciate:
This poem is an inscription, inscribed on the author Zheng Banqiao's own bamboo and stone drawings. In praising the tenacity and tenacity of Yanzhu, this poem implies that the author despises the tenacity of the secular world.
The first sentence of the poem: I insist on green hills and never relax. First of all, I show the image of a towering bamboo firmly grasping the cracks in the green hills to readers. A pronounced word personifies bamboo. Biting is a positive and powerful action. It not only depicts the scene of bamboo climbing to the green hills, but also shows the spirit of bamboo not afraid of difficulties, fighting against nature and tenacious survival. Following the previous sentence, the second sentence in Broken Rock shows that the reason why bamboo can stand proudly on the green hills is that it is deeply rooted in broken rocks. In Zheng Banqiao's poems and paintings, bamboo is often inseparable from stones. Sometimes, stones form the opposite of bamboo, such as drawing a bamboo branch and inserting a stone. The stone is one foot higher than the bamboo branch. Although one foot makes it higher, I have been able to lift the momentum all these years. Sometimes the stone becomes the background of bamboo, for example, the autumn wind passed Xiaoxiang last night, and it is always crazy to touch the stone through the forest; Only bamboo branches are not afraid, but they have fought for 1000 games. In this poem, the bamboo and stone form a seamless whole. Without this whole, the bamboo will be stiff and the mountain will be green. These two poems also illustrate a simple and profound philosophy: deep foundation and strong power.
With the foreshadowing of the first two sentences, it naturally leads to the following two sentences: tempered, let the east, west, north and south winds prevail. The bamboo in this poem has one characteristic. Not solitary bamboo, not static bamboo, but rock bamboo, wind bamboo. In Zheng Banqiao's poems and paintings, bamboo is often a symbol of noble conduct and tenacious will, while the wind is often a representative of evil forces, such as the autumn wind that crossed Xiaoxiang last night mentioned above, and another example: a gust of wind rolled back and bamboo branches rose into the sky. It's really my business to sweep the clouds and fog. I can't just sweep the floor. In this poem, the same bamboo is subjected to thousands of blows from the east, west, north and south winds all year round. However, because it is deeply rooted in the rock, it is still firm and tenacious. What kind of wind can do nothing. The poet wrote the indomitable, fearless, calm and confident expression of bamboo with the words "thousand" and "ten thousand", which can be said that the artistic conception of the whole poem suddenly emerged. At this time, what stands in front of us is no longer a few ordinary bamboos. What we feel is an indomitable vitality and perseverance, and all this is contained in the rustling bamboo.
In fact, the bamboo in the poem is also the embodiment of the noble personality of the author Zheng Banqiao. In life, the poet is such a kind of rock bamboo that has close ties with the lower class, hates evil and is not afraid of powerful people. Zheng Banqiao's poems on paintings, like his paintings, have a strong three-dimensional sense and can be appreciated as paintings. This poem is like this. Both bamboo and stone are vivid in the poet's pen. There is no real wind, which is also described as passing by. However, the poet's pursuit is not only in the external shape, but also in every thin and hard rock and bamboo, which injects his own ideals and melts into his own personality, thus making this bamboo stone reveal a profound meaning outside animals and an internal charm.
This is a poem expressing ambition with things, and it is also a poem about things. This poem focuses on the tenacity and persistence of bamboo, the tenacity of rock bamboo, the integrity of iron, indomitable integrity and indomitable character. The language of the poem is simple, lively and persistent.
Ancient Poetry of Bamboo and Stone _ Zheng Xie of Bamboo and Stone
Ancient Poetry of Bamboo and Stone _ Zheng Xie of Bamboo and Stone
Takeishi
Author: Zheng Xie
Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks.
After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight.
About the author:
Zheng Xie (1693 1765) was a painter and poet in the Qing dynasty. The word Kerou,no. Banqiao, was born in Xinghua (now Xinghua, Jiangsu). He is good at drawing bamboo, orchids and stones. His calligraphy is famous for his six-and-a-half books, and his poems are also well written, so he is called the Three Wonders. His paintings are unique in the painting world. And, Li, Li Yi, Jin Nong, Huang Shen, Gao Xiang and Wang are also called Yangzhou Eight Eccentrics.
Precautions:
1, Bamboo Stone: Bamboo rooted in crevices. Mann is a famous painter, and his bamboo paintings are particularly famous. This is a poem he inscribed on a bamboo stone painting.
2. Bite: In this poem, it means firmly rooted in the soil.
3. Assertion: metaphor is firmly rooted, just like sticking to a green hill.
4. Rooting: Rooting, rooting.
5. Original: Original, original.
6. Broken rock: Broken rock.
7, grinding: torture, frustration.
8. Strike: Strike.
9. Perseverance: tenacity and persistence.
10, any: whatever.
1 1, er: you.
Translation:
Bamboo clings to the green hills, and its roots are firmly rooted in the cracks in the rocks. After thousands of tortures and blows, it can withstand both the southeast wind in hot summer and the northwest wind in cold winter, and it is still tenacious.
Appreciate:
This poem embodies the tenacity and persistence of bamboo. It is a poem dedicated to Yanzhu, a poem dedicated to objects, and a poem that personifies Yanzhu at the beginning, conveying its charm; The last two sentences further describe the character of Yanzhu. After numerous hardships, Yanzhu has grown into a particularly tall and straight figure, and has never been afraid of the strong winds in the east, west, north and south. Zheng Xie not only
Poems about bamboo are beautiful, and the bamboo drawn is lifelike. In his words, painting bamboo is to comfort the world. So this poem is written on the surface of bamboo, but in fact it is written on people, and it is written on the author's own upright and stubborn character. He will never bow to any evil forces. At the same time, this poem can also touch our lives, overcome difficulties in a tortuous and harsh environment, face reality, be as strong and brave as Yanzhu, and reflect the feelings of patriots.
Zhuliguan poetics
Zhuliguan poetics
Zhuliguan
Author: Wang Wei
Original text:
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
Precautions:
1, Julie Hall: one of the scenic spots in Wangchuan Villa, surrounded by bamboo forests in front of the house, hence the name.
2. Hong: A deep bamboo forest.
3. Xiao (xio): The mouth makes a long and brittle sound, similar to whistling.
4. Deep forest: refers to a secluded place.
5, taking pictures: corresponding to a person sitting, meaning that there is no one around, only the bright moon seems to understand, taking pictures is off.
6, whistling: screaming in the mouth, here refers to chanting and singing. In ancient times, some detached people used it to express their feelings. Celebrities in Wei and Jin Dynasties called whistling.
Poetic:
Sitting alone in the depths of the bamboo forest,
Singing to the sky while playing the piano.
I have no one to accompany me in the depths of the forest.
Except for my comrade, the bright moon in the sky.
Appreciate:
This poem is included in Notes on Wang Youcheng's Collection, and it is the seventeenth of the twenty poems in Wang Chuan's Collection. This is a poem that describes the leisure life and interest of a hermit, and depicts the leisure life of a poet sitting alone under the moon playing the piano.
This little poem has four sentences. Looking at it separately, there is neither touching scenery nor touching love; I can't find out which word is poetic eye, and it's hard to say which sentence is warning. Moreover, the words used in poetry are used to create language and scenery (secluded, deep forest, bright moon), and people (sitting alone, playing the piano, whistling) are extremely inconspicuous. But its beauty lies in its natural and simple style, which depicts the fresh and attractive artistic conception of the secluded forest on a moonlit night. The night is quiet and beautiful, which contains the special artistic charm of beauty and has become a masterpiece through the ages. Playing the piano and whistling reflects the silence of the bamboo forest on a moonlit night, and the darkness of the deep forest is reflected by the light and shadow of the bright moon. The surface seems dull and seemingly casual, but in fact it is ingenious.
This poem shows a state of tranquility. In the first two sentences, the poet sat alone in the deep and dense bamboo forest, playing the strings and blowing a long whistle. In fact, whether playing the piano or whistling, it embodies the poet's elegant and free-spirited temperament, which is not easy to cause others to sing. So the last two sentences say: it's too light for anyone to hear except my comrade-in-arms Mingyue. I live in a secluded forest, and I don't feel lonely because the bright moon still shines on me all the time. The personification technique is used here, and the bright moon sprinkled with Yin Hui is regarded as a bosom friend, which shows the poet's novel and unique imagination. The style of the whole poem is quiet and leisurely, as if the poet's mood and natural scenery are integrated.
The poem is about scenery, and only six words are used to form three words, namely, seclusion, deep forest and bright moon. For the moon that shines on the earth, everyone uses a clear word to describe it as bright. This is a cliche, and there is nothing new and ingenious. As for the forest in the first sentence and the forest in the third sentence, it is actually the same thing. It is a repetition of the bamboo forest where the poet lives. The words "secluded" and "deep" are added in front of the bamboo forest, but it shows that it is neither a bamboo with three poles and two poles as mentioned in Yu Xin's Xiao Yuan Fu, nor a sparse bamboo with twelve stems under the eaves as mentioned in Liu Zongyuan's poem "Green Water Station Zhu Cong", but a dense bamboo forest with both seclusion and depth. Here, it seems that the scene in front of us is written at will, and there is no effort to describe and describe it.
When writing about people's activities in poetry, only six words are used to form three words, namely, sitting alone, playing the piano and whistling. For the characters, they didn't describe how they played Xiao Shu, and they didn't express their emotions. For the piano sound and whistle, I didn't spend any ink to write its timbre and sound. On the surface, the words used in the four poems are unremarkable. But when the four poems are combined together, they have their own advantages and disadvantages, and they contain a special artistic charm. As a masterpiece in Wang Wei's Wang Chuan Bie Ji, its beauty lies in its naturally attractive artistic conception. It does not win with words, but regards beauty as a whole. Its beauty lies in its absence. To appreciate and appreciate its beauty, we should take its appearance as its spirit, and its spirit is contained in the artistic conception. As far as artistic conception is concerned, it not only gives people a quiet and unique feeling (my servant's poem), but also makes people feel that the scenery of the secluded forest on this moonlit night is so ethereal and clear, during which the people who play the piano and shout are so carefree, the dust is empty, and the appearance is the same, one integrated mass. On the other hand, in language, we can see the flavor from nature, from plain high rhyme. Its natural and simple style beauty and artistic conception beauty complement each other.
It is conceivable that the formation of a poem's artistic conception depends entirely on the consistency between the character's mind and the internal quality of the scenery written, without the help of external hue. Therefore, when I am integrated with things, feelings and scenery, the poet can look down on everything, follow the right path, start spring and enter the artistic world of thin words and fickle feelings, as Si Kongtu said in Poetic Nature. Of course, when we say "rich" here, we don't mean that poets have no choice but to get it at their fingertips. When we say "starting from scratch" here, we don't mean that when the poet is in charge, he has no plans and is convinced. The poem describes the surrounding scenery, choosing bamboo forests and bright moons, which is consistent with the quiet environment to be expressed; Express your feelings in poetry, one chooses to play the piano and whistle, and then the other expresses it with the tranquility and clarity of mind. This is the immediate matter, and the reason why he wrote this scene and this matter has his own mature poetic thought. Judging from the combination of the whole poem, the poet wrote a piano and whistle while writing a secluded forest on a moonlit night, expressing tranquility with his voice. As for the last sentence of the poem, it was written in the moonlight, which not only had a wonderful contrast with the people in the previous sentence, but also played a role in breaking the dark night. The contrast between these sounds and silence, as well as light and shadow, is ingenious and ingenious in arrangement.
Plain poetry and strange mountain poetry
Plain poetry and strange mountain poetry
In the mountains of Sushi
Author: Han Yi
Original text:
Clouds don't * * this mountain is neat, and the mountain is pale and lost.
At dawn, the crescent moon flies to the tall trees, and the Milky Way in autumn night is far to the west of several peaks.
Precautions:
1, Shan Lan: Clouds in the mountains.
2. Autumn River: refers to the Milky Way in the sky.
3. Fans: I don't know.
4. Temporary: short and sudden.
Appreciate:
This four-line poem depicts the charming scenery of Shiyi Mountain with extremely concise brushwork. Shiyi, the name of ancient county, is the old city in the southeast of Huolu County, Hebei Province. The eleventh district is the remnant vein of Taihang Mountain, with winding mountains and staggered peaks. From the beginning, clouds were different from mountains. Use the method of baking clouds to support the moon to describe this momentum: Bai Yunfei floating in the sky can't be compared with it until it reaches the top of the mountain. If the first sentence is looking up and seeing, then the second sentence is looking into the distance: the mountains with high sky are continuous, and the fluttering sunset clouds are flickering, adding charming colors to the mountains. The word "Wang Xuanji" vividly describes the poet's feeling of being there, and vividly depicts the mysterious atmosphere in which the mountains are immersed in the twilight. This sentence skillfully takes care of the previous sentence, because the mountains are high and the clouds are around, which makes the tourists who enter the mountains fascinated. At the same time, this mystery implies that the poet will stay in the mountains at dusk. The word perilla is the title of this poem. If you don't stay here, the scenery at dawn will be rootless.
Three or four sentences: Xiao Yue flies high up the tree temporarily, and the autumn river is separated by several peaks, which is a subtle and vivid pen of this seven-line poem. In Chen Ziang, there is a poem "Farewell to Friends on a Spring Night". The bright moon hides high trees, while the long river is still. Thus, Han Yi's two poems add rich levels and a distinct sense of movement to the quiet atmosphere. The word Mid-Autumn Festival refers to the Mountain Festival, and the word Xiao refers to the time of sunset. Embark on the journey and see the long moon hanging high in the sky through the cracks in the towering trees; When a traveler walks on a mountain path, with the change of perspective, the bright moon that can be seen just now suddenly hides in the dense trees. Flying in a tall tree for a while seems to be casually involved in writing, but it is unique and subtle: readers can understand from the improvisation that with the twists and turns of the mountain road, the bright moon will leap out of the bushes; You can feel from the word "fly" that everything is silent at dawn, and the sky seems to suddenly add a touch of movement. This is a moving picture with fresh meaning, level and rhythm. The artistic conception is beautiful and the scenery is patchy, which makes people have infinite reverie. As the dawn gradually opened, the Milky Way gradually sank to the west and was hidden from view by the peaks. The last sentence of the autumn river, separated by several peaks in the west, came to an abrupt end. These two sentences are meticulous, practical and imaginative, which arrange the close-range foreground, light and dark levels, time and space in an orderly way, and integrate the described scenery into the beautiful and smooth dialogue, adding distinct artistic charm and harmonious and pleasant musical effect to the whole poem. At the same time, through these two sentences of scenery description, people deeply understand the hardships of travelers staying overnight and traveling around.
This seven-line poem is well written. The poet uses the method of silhouette writing to capture the deepest feelings at dusk and dawn to express the scenery in Shiyi Mountain, and the implied word perilla plays the role of linking irrelevant scenery: because he stayed in the mountain, he witnessed the towering mountains and misty clouds; Because of the short trip, you can see the autumn river of abortion in Dengcheng. Perilla makes the arrangement of the track available before and after, and the pulse is broken and the peak is connected, which is seamless. This kind of writing avoids the dullness of straightforward description and appears to be both turbulent and verve. On the surface, this poem seems to be purely about scenery, but in fact it contains feelings in the scenery. One or two sentences enter the mountain first, revealing the author's surprise and admiration for the majestic Shiyi Mountain; The quiet and cold pictures of the three or four lines show the artistic conception of thatched grass and a deserted bridge and a bright moon (the article "Walking in the morning"), expressing the hardships, loneliness and sadness of the poet's journey.
The non-ball river is separated by several peaks in the west.
This sentence actually means unique and ingenious.
First, with regard to the description of the subject Chou He, the poet wrote that it originally appeared before and after the peak, even though it was covered by the peak partition at the moment, it was still in the West, highlighting its changing modality at any time, even with its own steps. At the same time, I also expressed my feelings that the autumn river is far and near, and far and near: the west of several peaks can be far airspace or very close in different reference systems. So this poem conveys the meaning of scenery, which is really a combination of reality and reality, and the song is wonderful.
Secondly, in this sentence, the number of peaks is the object or foil. When the poet writes about the situation that the autumn river is separated from each other in the air, he also uses a number to represent the mountain situation. The author kills two birds with one stone with simple words. If the first sentence of "Clouds" does not focus on the height of steep peaks in Shiqian area, it is vertical, then the number of peaks in this sentence tells the width of staggered peaks, which is horizontal. This is not only complementary in angle, but also rich in content.