Appreciation of Dong Qichang's Calligraphy Works

Dong Qichang was a master of calligraphy and painting in Ming Dynasty, with high artistic attainments, and his calligraphy became a school of his own, which was handed down from generation to generation. In the past, the academic research on his artistic theory greatly exceeded the research on his life and family background. What I want to bring to you is the appreciation of Dong Qichang's calligraphy works. I hope you like it.

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Enlightenment of Dong Qichang's Painting

Dong Qichang's "Essays on Painting Zen Rooms" is an essay on calligraphy and painting. The theory finally talks about Zen, but it comes from books. I choose one of them to share with you about the use of pens.

Mihaiyue's books do not sag, shrink or close. These eight-character mantras have no equal spells. However, if there is one word, Haiyue calls himself an ancient word set, which is what he pays most attention to. Compared with his old age, he began to have new ears. Wu Ju is the only one who learns rice books. Huang Hua, Liao Liao, one and a half knots. Although tigers don't like it.

People who are most afraid of writing books are evenly distributed. And as one sentence says, there must be collection, release and spiritual connection. The book of Wang Daling has never been around. The right army is like a phoenix and a phoenix, but it looks strange anyway. Mi Yuanzhang said:? Thousands of articles a year, biased, and two kings. ? This means that the layout is not flat and even, but the length is intricate and the density is alternating.

The method of writing a book can be indulgent and can be saved. In short, if you lose these two skills, it will be like walking alone day and night, both of which are magic.

After I tasted the topic, I learned from thousands of articles that you must write a book with a pen. Start with yourself and end with yourself. Don't trust the pen. Later generations wrote books, all of which were letters. Letters and pens are the most interesting words. What I said is that you must hang your wrist and hold your chest out. It's all because of the broken letter. Dongpo's calligraphy and pens are all heavy. Mi Xiangyang refers to painting characters, which means that there is a letter and a pen.

The strokes should be straight, not easy to soften.

When grasping a pen, you must set a purpose. If it is painted too wide, the book track will not be shaped like an image. It's not too difficult to say that the book was written with a pen.

When writing a book, it is most important to keep the edge marks, so that the pen and pencil will not be cut into patterns. Dongpo's poetics calligraphy cloud:? Naivete is my teacher. ? This sentence, Dan Jiang also.

Where is the book path only? Smart? The word "clumsy" is straightforward and unadorned.

In the Yan Plain, the house leaks in the rain, and the hair clasp is broken, indicating that the front should be hidden. Later generations took the ink pig as their work, and all of them became pens. Don't talk about dreams in front of idiots. If you want to know the cracks in the house and the broken hair, you have to ask in a mature way. You can't write it in the morning, but it's the same.

Reading classics in Yaoshan:? Look at cowhide, you must wear it. ? Modern people look at ancient posts and wear the metaphor of cowhide. The beauty of the ancient calligraphy is free and easy. Therefore, if you are an author and the words are like operators, it is not a book, and it is said to be fixed.

I have been studying for 30 years. People who have studied calligraphy but can't prove it are in the position of self-initiation, self-example, self-collection and self-restraint. In case of these four passes, the father and son of the right army can do nothing. Turn left and turn right, that's the right army. The world can't understand the so-called strange traces.

When the ancients wrote a book, they didn't play head games. This guy thinks odd numbers are positive numbers. This Zhao Wuxing did not enter the Jin and Tang Dynasties. Lanting is not straight, but it is left with a pen and there is no trace to be found. If the shapes are similar, turn around. Liu Gongquan Yun:? Pen is, you must learn from Liu Xiahui. ? Yu Xueshu has been studying for 30 years, I think this means.

The cleverness of writing lies in the use of pens, especially ink. But it is not uncommon to see the original works of the ancients. It is not enough to speak this language.

When raising a pen, raise it, don't press it, and don't spread the words through the ages. It is difficult to cover with a pen, but it is difficult to be vigorous; And vigorous, not to say that anger is strong. However, if a strong person is full of strength, he can bear it. This is only done by Chu Henan and Yu Yongxing. You won't be willing to say more until you realize it.

When using ink, it must be wet, not boring. Particularly jealous? Fat, fat is a great evil.

When writing a book, you must write a pen, not a letter. Cover the letter pen, its wave painting is weak. If you can raise a pen, you will always have a master. The word "calligrapher" is also a clever trick. Nowadays, people just own pens and never use them.