Mainly written in cursive script, "Mid-Autumn Tie" is interspersed with regular script in cursive script. "Mid-Autumn Tie" originally had five lines and thirty-two characters, but two lines were later cut off, leaving only three lines and twenty-two characters. The explanation says: The Mid-Autumn Festival will no longer be able to see each other, and it will be a province. How can we win against He Qing and other large armies? There is no inscription, but there are seals and postscripts of Dong Qichang, Xiang Yuanbian, Qianlong and others of the Ming Dynasty.
"Mid-Autumn Tie" has a combination of large and small fonts, with mixed cursive and calligraphy. The calligraphy is ancient and thick, the ink color is fresh and moist, the characters are closely spaced, and the operation is fluent and continuous. The whole word stays on the center line, the lines are breathable, the head is level and the feet are level, the spirit is coherent, vigorous and unrestrained, and the spirit can swallow thousands of miles.
Momentum
The whole work of "Mid-Autumn Tie" is majestic and flying. Compared with the implicit, elegant and beautiful cursive style in Wang Xizhi's calligraphy works handed down from ancient times, , showing a certain air of dignity; compared with Wang Xianzhi's "Yatou Wan Tie" and the carved "Twelve Month Tie", it is also slightly different. Especially when writing the last word "military", the vertical painting stretches downwards, making it appear vigorous and unrestrained, but it does not continue to the end.
It is exactly "the big roc blows in the wind, the long whale sprays the waves, the rocks fall from the cliff, and the shocking lightning leaves the light." However, this kind of indulgent passion also contains an atmosphere of elegance and purity, reproducing the natural, free and elegant style of Jin people's calligraphy.