1, the first type: calligrapher-Wang Duo.
Wang Duo is good at cursive writing, and his brushwork is atmospheric, vigorous, free and easy, dripping with fun. His ink has been handed down from generation to generation, and many calligraphy posts, letters and inscriptions have stone carvings, the most famous of which are Zhushan Garden Post and Langhuating Post.
2. The second type: calligrapher-Xing Cijing.
Xing Ci-jing's handed down works are mostly collected by museums at home and abroad, and his calligraphy works are mostly cursive, such as Running Script Lin Tie and Running Script Four-character Poems, which are rough and elegant. Qing people commented on her Lotus Guanyin and Master Sketch, saying that "using a pen is like making a jade platform, gossiping in spring". "The brushwork is extraordinary, the thinner the ink mark, the more vital it is."
3. The third type: calligrapher-Xu Boqing.
Xu Boqing was trained by the court at a young age. Yan Ti and Han Li are beginners, with slightly longer capital letters. The lower case is vigorous and graceful, with proper limit stippling, the pen is close to the face, the pen tip is broken, and there is a thin golden book flavor in the tall and straight place, which can be made as real as grass, full of momentum and strong charm. Since the 1950' s, he devoted himself to cursive writing, went in and out of Jin and Tang dynasties, adopted the method of "two kings", involved Zhang Xu and Huai Su in their own ways, and enjoyed Wang Yang at will.
Extended data
How to write "Ji" in running script:
1, the first type: calligrapher-Du Mu.
Poem Collection of Zhang is the only remaining ink in Du Mu's poems, and it is also the artistic masterpiece of Du Mu's poems. The whole calligraphy style is bold and vigorous, with the charm of Sun Shupu at the turning point, which is very simple and elegant in Wei and Jin calligraphy.
2. The second type: calligrapher-Mi Fei.
Mi Fei's pen-using features are mainly that he is good at forming elegant and extraordinary momentum and calm and happy style in positive, backward, turning and frustration. The beginning of the word is often quite heavy, and the middle is slightly light. When the side of the pen encounters a turning point, it will go straight down. There are also many changes in holding the pen. The focus of the next stroke is sometimes on the pen, sometimes on the pen, and sometimes in the middle of a stroke, a long horizontal painting has twists and turns.