Time: Ming Dynasty
Wang Zongyue's works: On Tai Ji Chuan
Wang Zongyue's brief introduction:
Wang Zongyue, a Wanli native of Ming Dynasty, was a master of internal boxing. Proficient in boxing, swordsmanship and marksmanship, I have studied for decades and have gained a lot of experience. The Theory of Tai Ji Chuan in Tai Ji Chuan's Spectrum is regarded as Tai Ji Chuan's classic theory.
There is another book, Yinfu Gun Spectrum, etc. See History Draft of Qing Dynasty, Biography of Wang Laixian and Epitaph of Wang Zhengnan. Created by Wu Yuxiang and written by Li Yishe, nephew of Yu Xiang, in 1867, "The Preface to Tai Ji Chuan" reads: "Tai Ji Chuan started in Zhang Sanfeng, Song Dynasty, and it was subtle and ingenious, but Wang Zongyue discussed it in detail. Later, it was spread to Chenjiagou, Henan Province, where the surname Chen, who is wise and wise, was not counted on behalf of many people. Yang in Nanguan, our county, loves to learn. Dedicated, more than ten years, extremely exquisite preparation. After Xuanli, all the people in the city are good, and my mother's uncle, Wu Yuxiang, saw it and liked it. She often compared it with others, but she refused to give it to others lightly. You can only get a rough idea. Known as Zhaobao Town, Huaiqing Prefecture, Henan Province, there is a person whose name is Qing Ping, who is skilled in his skills. Over the years, my mother-in-law went to Henan Province on business and visited Yan. It takes more than a month to study, but it is exquisite, and it is amazing. ..... "This article is the earliest record of the origin of modern Tai Ji Chuan.
Wang Zongyue's poems
1. When people just ask me to leave, I follow them and call them sticky. If you are in a hurry, you should be in a hurry, and if you are slow, you should be slow. Although the changes are endless, the reason is unique. -Wang Zongyue's "On Tai Ji Chuan"
2. If you move, you will be divided, and if you are quiet, you will be combined. If there is no fault, stretch with the music. -Wang Zongyue's "On Tai Ji Chuan"
3. Standing as flat/accurate. Like a wheel. If it sinks, it will follow. Double is lagging behind. Every few years of pure merit. Those who cannot be transported. The rates are all self-made. The double disease has not been realized. Want to avoid this disease. Know yin and yang. Sticking is walking. Walking is sticky. Yin never leaves Yang. Yang never leaves Yin. The combination of yin and yang means understanding. After understanding the strength. The more you practice, the more refined you become. Try to figure it out silently. Gradually get what you want. -Wang Zongyue's "On Tai Ji Chuan"
4. From the familiarity, I gradually realized my knowledge, and from the knowledge to the gods. However, it takes a long time to make a breakthrough. -Wang Zongyue's "On Tai Ji Chuan"
5. There are many side doors in Si Ji. Although the potential is different. Nothing more than bullying the weak. Slow down and listen quickly. Strong and weak. Slow hands make fast hands. All are innate natural abilities. It's not about academic ability, but also about doing something. Look at the sentence of four or two. Show no strength to win. Watching the octogenarian can conquer the public. What can be done quickly? -Wang Zongyue's On Tai Ji Chuan
6. One feather can't be added, flies can't fall, people don't know me, I only know people. Heroes are invincible, and everyone comes from this. -Wang Zongyue's "On Tai Ji Chuan"
7. Impartial, flickering. If the left side is heavy, the left side is weak, and if the right side is heavy, the right side is right. -Wang Zongyue's "On Tai Ji Chuan" Famous Poems of Liu Rushi in Ming Dynasty
Time: Ming Dynasty
Brief introduction of Liu Rushi:
Liu Rushi, a poetess, is one of the eight beauties in Qinhuai, and she talked about Jiaxing, Zhejiang, and Wujiang, Suzhou, Jiangsu. The real name was Yang Ai, and later it was renamed Liu Yin, so it was also called Hedong Jun. Her husband was Qian Qianyi, assistant minister of Ming and Qing Dynasties. Because she read Xin Qiji's "He Xinlang" in the Song Dynasty, "I see how charming the green hills are, and I expect the green hills to see me like this", so she named herself like this. Liu Rushi was a famous geisha talented woman who lived in the Ming and Qing Dynasties. She was intelligent and eager to learn when she was young. However, due to her poor family, she was plundered and sold to Wujiang as a maid at an early age. When she was young, she fell into Zhangtai and changed her name to Liu Yin, and she traveled between Jiangsu, Zhejiang and Jinling in troubled times. She left many anecdotes worthy of praise and quite literary poems, such as Grass on the Lake, Wuyin Grass and letters. Its tomb is in Yushan Garden, Changshu, Jiangsu.
A Collection of Famous Poems and Sentences of Liu Rushi in Ming Dynasty
1. Dream is a sad road. Lotus tears, cherry language. Full of curtains and flowers, all of them are misunderstood by people. If you want him to come, come. Arrange infinite ecstasy. Red letterhead, green silk quilt. Leave him helpless, and let him go. There are still many times when people are close and worry about going back. -Liu Rushi's "Jiang Cheng Zi Yi Meng"
2. Caoyi lives in the east of Broken Bridge, and the sentence is as clear as the wind on the lake. Recently, Xiling boasted of Liuyin, and peach blossoms were among the beauties. -Liu Rushi
3. The smoky moon has always been the end of sorrow-Liu Rushi
4. The crane feathers in the sky are straight and the blue water whales are gentle and clear. -Liu Rushi
5. He met her in the first snow, and he named the "I smell room" for her. When the situation was turbulent, she said, "My body was able to get to know you, and this life is enough. I have to die with you tonight, and I have no regrets." He can't give up this life, and she is full of sadness. When he died, she made a will to protect his family business, sucking blood, and hanged herself to show filial piety, leaving only a solitary grave, but he was buried with his original wife. -Liu Rushi
6. There is a cold wave and a ruthless afterglow. It is the rustling Nanpu. More blowing, the frost is alone, remember, the old flying floc. When it was late, the smoke and waves set in the sun, and when I saw the travelers, I was so thin that I danced. There is always a kind of desolation, very haggard, and there are still many beautiful sentences in Yantai. Spring brings autumn rain. Miss the past, it hurts so much. It's fascinating, and it's painted around the embankment, and it's left out in the cold, and the water clouds are still there. Recalling the past, a little east wind, a few heavy curtains, my eyebrows were sad. Waiting for a plum soul, dusk and moonlight, whispering with Iraq. -Jin Mingchi Chanting Cold Willow Liu Rushi-Liu Rushi's "Jin Mingchi Chanting Cold Willow"
7. The light wind and the beautiful embroidered curtain hang down, and the graceful curtain blooms with it. Spring grass cages red peony first, and carved columns are divided into white pears. The oriole's dream has never been realized, and Du Yusheng can't get rid of it. All the willows and flowers are hateful, but the homesickness is helpless —— Liu Rushi's "You Make My White Shout Never Leave", a classic poem of Wang Yongbin in Qing Dynasty
Time: Qing Dynasty
Wang Yongbin's work: "Night Talk Around the Furnace"
Wang Yongbin's introduction:
People lived in Xianfeng, Qing Dynasty, and the specific contents of the articles are unknown. His Night Talk Around the Furnace is divided into 221 articles, with "settling down and starting a career" as the general topic.
Wang Yongbin was born at the 23rd time of the first month of the year of Renzi in Qianlong, and died at the 25th time of the first month of the year of Tongzhi, at the age of 78. After Wang Gangzhong, a filial son of the Southern Song Dynasty, he moved to Shimenkan (now Shimenkan, Zhicheng Town, Yidu City, Hubei Province) in the west of Zhijiang County, Jingzhou Province, after two migrations. When he was young, his brother died, and he was once faced with dropping out of school. After he became angry, he had to go to school in the county. He didn't like the imperial examination, and he was awarded the title of Gong Sheng's subject very late. He participated in the compilation of the Tongzhi version of Zhijiang County Records and served as a "sub-compilation". The post-candidate Oracle was deeply influenced by Confucianism. In teaching, shilling students cultivate themselves and teach them to study, not taking the imperial examination as the sole purpose. And can take the lead, cultivate yourself and then teach. At the same time, for the villagers, seeing the good will be rewarded; If you have seen it, you must persuade it repeatedly and make it completely corrected.
Wang Yongbin is widely involved. In addition to his writings and teaching, all scholars in history and history are familiar with calligraphy and medicine, and he is especially good at reciting poems. His fellow county literary friend Wang Baixin wrote "Biography of Wang Gong, Lang Yishan" for him, which records: "In addition to public writings, he is especially good at reciting poems, and he has established a poetry club with Liu Xi in Gao 'an and Luo Mengsheng in Yiling (Yiling), with the number of three friends in the chanting altar.
Wang Yongbin doesn't like splendor, but he is pure and ambitious by nature. Guangxu's Jingzhou Fu Zhi Volume 57 Yi Wen Zhi records: "Wang Yongbin, whose name is Yishan, was born at the age of 18, was a filial friend, and was a reclusive professor. The city ordered Zhu Xi to listen to his name and visit with humility. Yongbin chiseled the blank and fled. " Every time I get drunk with my friends, I can't stop crying when I talk about the things of ancient loyalty, filial piety and righteousness.
Wang Yongbin's classic poems in the Qing dynasty
1. I am not hungry or cold, and my parents have never wronged me. How can I treat my parents?-Wang Yongbin's Night Talk Around the Furnace
2. The words of the gods are faint, the words of the saints are simple, the words of the sages are clear, the words of the people are many, and the words of the villains are false. -Wang Yongbin's "Night Talk Around the Furnace"
3. The heart of preparation can be used to cultivate one's morality, but not to pick things up; A contented mind can be used for the situation, but not for reading —— Wang Yongbin's Night Talk Around the Furnace
4. The character is not high, and it is always a word that can't be broken; If you don't make progress in your studies, you can't get rid of a lazy word. -Wang Yongbin's Night Talk Around the Furnace
5. When is life enough? Leisure is leisure before you are old. -Wang Yongbin's "Night Talk Around the Furnace"
6. The cunning of the world is endless, and the honest people are indestructible; At the end of the customs, prosperity is the same, and at the beginning, the indifference is interesting. -Wang Yongbin's "Night Talk Around the Furnace"
7. It is better to study all day if you make friends indiscriminately. Interpretation: It is better to make friends casually than to study behind closed doors at home. Reading a good book is like talking to a thinker, and you are also making friends, and you are still a great friend. -Wang Yongbin's "Night Talk Around the Furnace"
8. A great disaster begins with a moment's unbearable, and we must not be reluctant. Interpretation: Great mistakes are often caused by a temporary impulse, so you have to learn to be cautious. -Wang Yongbin's "Night Talk Around the Furnace"
9. Dongpo endured itching. "Night Talk Around the Furnace" recorded a sentence by Su Dongpo: Life is easy to be poor, but it is difficult to be rich; It is easy to be diligent, but it is difficult to be idle; It is easy to endure pain, but difficult to endure itching. When Lin Yutang was writing Su Dongpo's story, he told such an anecdote: Su Dongpo is a generous person. Before he goes to bed, he will look for the state of sleep first, and only when he puts on a comfortable posture will he scratch with peace of mind. When he has even scratched the itch, he will say, "I don't care about any more pain." Then he fell asleep and snored like thunder. -Wang Yongbin's "Night Talk Around the Furnace"
1. Being honest and honest is the law, and it is good to pass on the family's thrift. Interpretation: In dealing with people in society, people who are loyal and honest should be imitated; As long as it can be passed on to future generations, it is good to be hardworking and frugal. "Trusting by others is a matter of loyalty to others", "loyalty" can be helpful to others, and "thickness" can be beneficial to others, so it is only necessary to take loyalty as the standard in dealing with life. The real heirloom is only "thrift". Understand the virtue of thrift, and future generations will never be embarrassed. -Wang Yongbin's "Night Talk Around the Furnace"
11. But blaming yourself, not blaming others, is also the way to complain. Interpretation: If you look for reasons from yourself, there will be no complaints. This is what Mencius said: if you have to do something, you must ask yourself. -Wang Yongbin's "Night Talk Around the Furnace"
12. Being poor is not a disgrace, and being poor and flattering others is a disgrace. Wealth is not glory, and those who are rich and helpful to the world are proud. -Wang Yongbin's "Night Talk Around the Furnace"
13. Be knowledgeable and determined, and be quiet. -Wang Yongbin's "Night Talk Around the Furnace"
14. all the virtues's filial piety is the first, and all evils are the source. If you are always filial, you can't bear to do what you can't do in the world, so filial piety is the first of a hundred lines; It's not difficult to do evil thoughts together, so it's the first of all evils. -Wang Yongbin's "Night Talk Around the Furnace"
15. Scholars must take poetry as their life, and people must establish their foundation from filial piety. Interpretation: Scholars must take poetry and books as the foundation of settling down, and people should lay a foundation from filial piety. The essence of settling down in life is to promote the good and discard the evil. "Poetry" is neither evil nor "book", so it can become the foundation of a scholar's life. Being a man starts with the most basic filial piety, and naturally it can be gradually extended to the realm of benevolence of "old people and old people, young people and young people". -Wang Yongbin's "Night Talk Around the Furnace"
16. Those who don't deserve fame and fortune actually get it, and the blessing will eventually be a disaster. Those who are the most unbearable in poverty can bear it, and they will return to happiness after suffering. -Wang Yongbin's "Night Talk Around the Furnace"
17. When you are full of warmth, you will be faint and lazy, while when you are hungry and cold, your mind will be tight and your bones will be firm. -Wang Yongbin
18. Poor people need to study more, and wealth does not forget crops. -Wang Yongbin
19. Poverty is beyond endurance, but frugality is the only thing. What's wrong with being clumsy is just being diligent. -Wang Yongbin's "Night Talk Around the Furnace"
2. Cleverness is not exposed, and farming and reading can run concurrently. -Wang Yongbin
21. When the situation is uncertain, you must stand on your own feet, and time is fleeting.-Wang Yongbin's "Night Talk around the Furnace"
22. Enjoy reading, and don't invite it for a good name. —— Wang Yongbin
23. You have a smart mind when you are worried, and you can see the bright world in the dark —— Wang Yongbin's Night Talk Around the Furnace
24. Baiyunshan Yuejun wrote an article, and yellow flowers, pines and cypresses are my teachers —— Wang Yongbin's Night Talk Around the Furnace
25. Older students learn how to help others and know the merits of a gentleman's self-cultivation ——— Wang Yongbin's Around the Furnace. From the Yuan Dynasty to the Yuan Dynasty, it was the rectification of Qingyuan Road (now Zhejiang). There is a collection outside the flowers, and one is Bishan Yuefu.
excerpts from Wang Yisun's poems and verses in Song Dynasty
1. In the cold, the family is empty and white, and Qian Shan is in the lonely light. Jade shadows are empty, and the sky is dark and fragrant. I've had a lot of fun in my life. I remember that year and I was alone in bed. I don't know, it's a change of age, and it hurts everywhere. The south tower is broken, and the flowers are sparse and the moon is pale, which is only desolate. Cold rain and oblique wind, not to mention covering the west window alone. An old friend at the end of the world is always old, longing for love and facing each other all night. Break the dream far away, take advantage of the sound of autumn and cross the river. -Wang Yisun's "The Sound is Slow"
2. The sick wing is shocked by autumn, withered and looks at the world, and the sun is gone a few degrees, and the aftertaste is more bitter. -Wang Yisun's "Bishan Yuefu"
3. I hate the palace soul, and the trees are green every year. At first glance, the throat was cold, but also the leaves were dark, and the sorrow was deeply complained. It rained at the west window. It's strange that Yao Pei is empty, and the jade Zheng is tuned. The mirror is dark and the makeup is incomplete, so it is still so for whom. Copper fairy lead tears like washing, sighing and carrying the plate away, it is difficult to store zero dew. The sick wing is startled in autumn, and it is withered to see the world. How many degrees does it disappear in the setting sun? The aftertaste is more bitter. Is it lonely to be lofty and miserable? I want to smoke the wind, and the willows are thousands of strands. —— Wang Yisun's Qi Tianle Cicada
4. Nowadays, there are fragrant grasses everywhere, even if they are high, they can't see the end of the world. -Wang Yisun's "High Balcony"
5. Canxue Tingyin, light cold curtain shadow, raining jade and Guan Chun. Little gold paste, I don't know whose home Spring is. Acacia dreams at the window all night, but people and water cover it the next day. But it's sad, full of trees and fragrance, and the ground is oblique. Jiangnan is naturally away from sorrow, and the situation is wandering around the ancient road. How can I get a silver note, courtesy and time? Nowadays, fragrant grass is everywhere, even if it is high, it can't see the horizon. Even more, he is a few degrees east wind and a few degrees flying flowers. —— Wang Yisun's "High Balcony and Zhou Caochuang Send Friends in Yueyue"
6. Gradually, the new mark hangs on the willow, and the light color wears flowers, breaking the initial coffin according to the agreement. There will be reunion, deep worship, and who will meet in Xiangjing. Thrush is not stable, and it is expected that Su E and Judah will be separated from hate. The most lovely, a small silver hook, the curtain hanging in the autumn cold. Never ask about the eternal profit and loss. Sigh slowly grinds yu fu, but it is difficult to mend the golden mirror. Too liquid pool is still there, desolate place, who re-endowed Qing Jing. Therefore, the mountains and nights will last forever. Try to treat him well, and keep a good eye on the family. Looking at the mountains and rivers outside the clouds, I am still old and osmanthus. -Wang Yisun's "Eyebrow Wu Crescent Moon"
7. Xiao Shuang first appeared in the green forest, and he looked at the old country desolate and early. The rustling gradually accumulates, and they are still falling, and the door is desolate and sad. Wei river is windy, Dongting waves rise, and there are several autumn rafts. If you want to be halfway there, a thousand peaks will come out, and no one will arrive in the middle of the mountain. The previous topic is red. Go back to the palace ditch and the undercurrent is empty. I haven't stopped crying, and Feihong wants to pass, so I embrace it at this time. Shadows turn over windows, broken voices knock on bricks, how many people are worried. Looking at my Lu, I should only be tonight, who will sweep the court. —— Wang Yisun's "Fallen Leaves"
8. Lonely smoke, layers of waves shed the moon, and the palace collects lead water at night. If the news is far away from the wind, the dream is deep and dew, turning into a broken soul. Red porcelain is waiting for fire, but it is also known at first sight. A wisp of green shadow haunts the curtain, vaguely reflecting the sea and sky. A few times, I was half drunk. Spring lantern, night cold flowers broken. Better, so the stream is snowing, and the small window is closed deeply. Xun Ling is old now, and always forgets and preserves the old flavor. Smoked, empty quilt. -Wang Yisun's "Tianxiang Ode to Long Xianxiang"