Cai Yong, a famous writer and calligrapher in the Eastern Han Dynasty, has the deepest attainments and the highest reputation, especially Li Shu. Wang Cizhong, a calligrapher in the Eastern Han Dynasty, is famous for his profound, fresh and powerful books by Cai Yong, and his classic Book History Society and Historical Records Collection.
In Xu Hao, the official script of the Tang Dynasty is Song Yangguan Shengde Induction Fu.
Zheng Zhi was a calligrapher in Qing Dynasty. Zheng Zhi is good at official script and cursive script.
The shape is flat, spreading left and right.
Dovetail for starting and closing the pen.
Turn a circle into a square and an arc into a straight line?
Turn the picture into a point and connect it into a breakpoint?
Strengthen the lifting according to the thickness change?
Cognition is the premise of inheritance. Therefore, it is our constant concern to explore the aesthetic essence of official script in Han Dynasty and the cultural and spiritual connotation behind it. At the same time, it should also be the premise and theoretical fulcrum for us to complete the epoch-making breakthrough and development of official script.
Needless to say, the so-called innovation is more practical to deeply understand the tradition of official script. As long as we know and understand some traditions of official script and complete the connection between tradition and modernity, then we can create official script works that pay equal attention to both classicality and modernity. The so-called classicality here is the continuous development form of official script, and the so-called modernity is the modern aesthetic consciousness and cultural spirit of official script. Classical-modern has holographic content, but it is not entirely neoclassicism advocated by Mr. Zhou Junjie. So when I talk about classicism and modernity, I have the consciousness of combing classicism and interpreting the times in a new time and space framework. It may be anti-traditional, because we look at tradition from the standpoint of the times. It may also be inherited from tradition, because tradition is affecting us.
Variant official script, also called official script. It is a popular style of official script in contemporary calligraphy, and it is a writing style that pays attention to change and individuality in terms of traditional official script. The strokes are not standardized, emphasizing improvisation. However, Fan Xiaoge, the master of official script, believes that the purpose of official script is to be beautiful, not ugly. If everyone pursues writing variant characters, then variant characters will also be stylized. He believes that some variants of official script only pursue great feeling and great effect, and they can't stand scrutiny on single words and strokes. Often used to cover up the lack of basic skills with great fanfare.