Pan Tianshou's works

Pan Tianshou's paintings include Exposed Air, Cast Iron in Qian Shan after Rain, Flowers on Yandang Mountain, A Picture of Chicken and Stone, etc.

Pan Tianshou, a native of Ninghai, Zhejiang, is a master of modern painting in China and an outstanding art educator. Pan Tianshou inherited the Five Dynasties and the Two Dynasties, that is, Dong, Ju, Ma, Xia and Wu He in the Yuan Dynasty, and was closely related to Fa Shixi, Bada, Shi Tao and Wu Changshuo. It has its own unique way. His paintings are a collection of poems, books, paintings and prints, with bold brushwork, peculiar layout, lofty artistic conception and magnificent momentum.

Pan Tianshou is good at referring to ink. What he sees is the artistic conception of coarseness and refinement, and Gu Zhuo's thick brush. Pine trees, wild flowers and weeds, new lotus flowers and old plums, and huge stones are full of vitality and poetry. His calligraphy, seal cutting and poetry are also unique and detached. There are Pan Tianshou's paintings and calligraphy collections, Pan Tianshou's art collections, and Tian Ge's poems.

Personality assessment

1, Pan Tianshou is good at freehand brushwork of flowers and birds, landscapes and occasionally figures. You are good at drawing eagles, starlings, fruits and vegetables, and pine plums. Boldly put pen to paper, be careful of dyeing. The ink is criss-crossed, and the composition is fresh and beautiful, magnificent and interesting. The picture is smart and fascinating. Pan Tianshou's painting themes are eagle, lotus, pine, four gentlemen, mountains and rivers, figures and so on. Every painting should have a unique situation, seek a balance among structural risks, be concise in form and have far-reaching significance. (Phoenix Network Review)

2. Pan Tianshou, whose works are undoubtedly commendable, has obviously distanced himself from many contemporary painters who paint traditional paintings. At the same time, he also has his position, height and weight in historical coordinates. This is the real person who walks all the way with Chinese painting. (Commented by critic Wang Jinyu)