Liliangyang 168 [Master] Hard-pen calligraphy is a method and activity that uses pens, ballpoint pens, dip pens, pencils, bamboo chips and plastic pens as tools to express Chinese writing skills and then express the author's feelings. The resulting works are hard-pen calligraphy works. Hard pen calligraphy has duality, that is, artistry and practicality. Therefore, learning hard-pen calligraphy should not only pursue high-level artistic level, but also pay attention to its practical value. To reflect the practical value, we must be correct, standardized and symmetrical in writing. If in a work, there are many typos, self-made words and dancing freely, even if we have superb pen skills, it is just a "ghost painting symbol." Hard-pen calligraphy can only be recreated on the basis of its practicality, and it is possible to create a perfect work. In dealing with its artistry, we should first reflect the characteristics of simple, fluent, elegant and natural hard pen writing, and then get far-reaching meaning. That is to say, through skilled pen-using skills, the author's knowledge of learning books and rich inner world are fully displayed with limited pen-grasping performance. Specifically, a good sketch calligraphy work should have the following three aspects; First, it is vivid, rich and unique; second, it is a beautiful structure, and third, it is a pen with distinct strokes, which makes it natural and rhythmic. These three relationships are interrelated and indispensable. It is essential to have both form and spirit, and it is appropriate to study traditional law posts. This is because China's calligraphy art has a history of thousands of years, and it has reached a perfect position in Chinese character writing. Therefore, any kind of calligraphy post can be a model for hard pen calligraphy. However, due to the limitation of hard pen's own performance and practical needs, it is necessary to study the ancient calligraphy selectively. Such as Wang Xizhi, Chu Suiliang, Mi Fei and Zhao Mengxu, are the best models. Through posting, you can not only make the knot beautiful and conform to the statutes, but also learn to use the pen and gain its spirit. On the other hand, the strokes in the brush Copybook for calligraphy are clear, and the lifting and pressing changes are obvious, so it is easy for beginners to understand the method of using the brush. However, the strokes in hard-pen book posts are slender, the lifting changes slightly, and the printing is distorted, which often makes it difficult for beginners to observe and go astray. Therefore, the traditional calligraphy paste should be the main object of studying hard-pen calligraphy, and the hard-pen copybook can be used as an auxiliary reading material for reference and reference. How to choose a copybook suitable for your study? Generally speaking, personal interests are the most important. If someone else chooses a copybook for you and you don't like it, it's hard to look alike when you write it. Conversely, if you like it very much, you will get twice the result with half the effort. Here, there are two important things, one is to choose among the works of famous regular script writers in past dynasties, and the other is to choose a good version. If there is a photocopy of the original, it is not necessary to use the carved stone rubbings; If there are only rubbings, we should also choose the ink of the same author or the same era as a reference. As a carved work, the shape, force and speed of strokes are very different from the original. For example, when writing about Wei Bei, it is best to choose a book written in the Northern Wei Dynasty as a reference, so as to avoid using a hard pen to imitate the traces of chiseling and erosion in the process of writing. The process of posting can be roughly divided into three stages. The first stage: compare with the original post, and write without leakage. The requirement of this stage is to master the basic brushwork and the structural characteristics of the shelf skillfully, and to memorize the words in the template more accurately. The second stage: while writing the original post persistently, practice writing the poems you are interested in with the method of brushwork structure you have learned. The requirement of this stage is to recite the original post in full or in part, and to have both form and spirit, and to show the characteristics of the tablet post in the exercise. The third stage: while constantly practicing creation, I learn new inscriptions according to my own interests, extensively dabble in regular script and running script materials of past dynasties, and study the relationship between regular script and running script. The demand at this stage is to create more mature hard-pen calligraphy works and initially form a personal style. Persisting in this stage of practice and achieving this goal is the key to success. In the whole process of posting, two things are always indispensable. First, we should observe, analyze and ponder the inscriptions we have learned frequently and repeatedly; Second, reading and appreciating the excellent works of literature and art, getting in touch with the society extensively, going deep into life, improving aesthetic ability and strengthening moral cultivation are what people often say. Answer: 26-5-6 19:57 *** comments ...
I hope to adopt them.