On the easternmost side is the room of Fu, whose owner is Feng Zhenqun (word Meng Chuan), a famous bibliophile, and the room of Fu is Feng's library. Feng Mengzhuan 1932 served as the chairman of Yin County Literature Committee, compiled the Internal Bibliography of Tianyi Pavilion, organized the reconstruction of Tianyi Pavilion and Baiyunzhuang where Mr. Huang Lizhou gave lectures, and participated in the editing of Siming Series. This house is of great value to the study of book collection culture in eastern Zhejiang.
On the west side of Fufang, Zhao Shuru's former residence entered. Shuru is a rare all-rounder in the modern art world, and he is proficient in Chinese painting, calligraphy and seal cutting. I have painted few but fine paintings in my life, but there are only over 100 works left in the world. Sha Menghai said in "The Seal of Shacun": "Three hundred years of change, benefiting Wu Yuelao (Wu Changshuo) and Ping An Zhao Shulao (Zhao Shuru) are thrilling and unprecedented. Zhao Shuru is also an outstanding educator with more than 50 disciples. Chen Julai, Ye Lvyuan, Fang Jiekan, Zhang Lu 'an and Xu Bangda, famous painters and seal engravers in the modern art world, are all his students.
The traditional building at Baoxing Lane 1 1 in the westernmost part of the area is the "Return Air Hall", which is the former residence and study of Feng Zhenqun's uncle. In the early years of the Republic of China, Feng and Chen Guihuai founded the Chinese Society in Ningbo (now Zhongshan Park) and recruited more than ten people to teach classics, history and literature. China society once cultivated celebrities such as, Feng and Sha Menghai.
Sha Menghai, a famous calligrapher, studied and lived in Feng's "Return Air Hall" in Baoxing Lane from the autumn of 19265438 to the spring of 0. Sha Menghai (1900- 1992) was born in Shacun, Yin County. He used to be professor of Chinese Department of Zhejiang University, professor of Zhejiang Academy of Fine Arts, president of Xiling Printing Society, president of Xiling Painting and Calligraphy Institute, honorary curator of Zhejiang Museum and vice chairman of China Calligraphers Association.
Feng's "Return Air Hall" (Baoxing Lane 1 1) buildings, including No.8 Xianbaoxing Lane, 10 and 12, used to be the former residence of Mr. Ge Yizhi, a famous calligrapher in Ningbo. Ge Yizhi (1900— 1955) is Feng's nephew and disciple. With Sha Menghai and martial arts, they are also called "Three Disciples of Fengmen".
On the east side of the area is Zhao Zhai (including the former residences of Fu Fangshi and Zhao Shuru), and on the west side is Feng's former residence-Huifengtang.
Zhao Zhai faces Yongshou Street in the north, Baoxing Lane in the south and Xiaowen Street in the east. It was originally built by Zhao, the father of Zhao Shuru, a famous modern calligrapher, and the Hanlin in Xianfeng period of Qing Dynasty. After entering the courtyard along the general east-west direction, the entrance of Xiaowen Street in eastern Zhejiang was sold to Mr. Feng, a famous bibliophile and cataloger, as a collection of books, so it was named Fuxi Room.
At present, Zhao Zhai is divided into two parts:
The courtyard on the east side is a provincial cultural protection unit-Fu Fangshi, which is in the form of a three-step courtyard, consisting of two wings, a main building and an annex building, with a total area of 1.044 square meters. At present, it is managed by Tianyi Pavilion Museum, which has a special exhibition of Feng Meng Memorial Hall (Fu Shi Room).
The courtyard on the west side, now the former residence of Zhao Shuru, a district-level cultural relics protection unit in Haishu District, is a three-step courtyard, which consists of the main building, the north and south wing rooms and the annex rooms (excluding the wing rooms), with a total area of 1.259 square meters. It is a residential building currently in use.
Huifengtang, Feng's former residence, is located at the gate of Baoxing Lane 1 1. The existing buildings include Gaoping Mansion in Jin Liang, which was built in the late Qing Dynasty, the courtyard in front of the house, the narrow courtyard between the front and back houses, and the west-leaning hut next to the courtyard. The present situation is residential houses in use.
This area is a gathering place for masters, collectors and calligraphers of modern Chinese studies, and it is one of the most important activity spaces for representatives of modern eastern Zhejiang culture. At present, Dongzhai has been turned into a special memorial exhibition hall for Feng Zhenqun, and has been announced as a provincial cultural protection unit. Although Zhao Shuru's former residence is still used as a residential building, it has also been designated as a district-level cultural preservation site in Haishu District in San Pu, which has the foundation for further protection. Although the cultural protection level of Feng's former residence "Huifengtang" on the westernmost side has not been announced, it is suggested to be preserved and protected as an important representative building in a class of historical space in the just-passed protection plan of Yongshou Street historical and cultural block in Fuyu City, Ningbo.
In the next step, it is suggested that Zhao Shuru's former residence and Fufang should be considered together if the cultural development and utilization can be combined with the protection planning of Yongshou Street historical and cultural block in Fufang, Ningbo. Through the future function coordination between the residential building on the west side of the house and the house, the two cultural protection units (points) can be better protected in architecture, and can be integrated and utilized in culture because of their relevance, highlighting the brilliant chapter of modern Ningbo context.
If possible, the whole area surrounded by Xiaowen Street-Yongshou Street-Wenchang Street-Baoxing Lane can be considered as a whole, with Fuyu Room, Zhao Shuru's former residence and Theory of Three Represents architecture of Huifengtang as the value points, and other historical building resources in this area can be used in a unified way, integrated and developed, simultaneously utilized, highlighting the historical origins and humanistic themes of modern eastern Zhejiang, and combining exhibition with cultural exchange.