The following are the works of several calligraphers:
The lower case of Jiang Ligang, a "calligrapher of the first generation"
Zhu Yunming's lower case
Wang Wenzhi's lowercase letters
Mrs. Wei put forward the theory of "bones and muscles", and thought that calligraphy should be "full of strength and muscles", the bones should be hard and fine for beauty, and the fleshy ones should be "ink pigs"
The little hairpin letter she created is exquisite and beautifully shaped, which is very beautiful in the pursuit of Wei and Jin dynasties and is deeply loved by boudoir women and many literati.
Xu Wei of the Tang Dynasty called his calligraphy "like a flower arranging dancer, like a low hibiscus, like a beauty on the stage, like a fairy taking a shadow, like a red lotus pouring water, like a blue marsh floating clouds."