Educational mottos about calligraphy

1. Clouds and cranes travel in the sky, and a group of honghongs play in the sea.

2. Familiarity with books is valuable, and familiarity brings joy. It is taboo to be familiar with books, and familiarity will lead to vulgarity. Failure to draw straight and straight lines and seeking magic suddenly is like leaving the rules to seek cleverness, which is not something I dare to know.

3. The book should be clear and thick, and clear and thick books must be based on the heart. Otherwise, although the book is spared from being thin and muddy, it is just a reflection of others.

4. Silent voice, invisible appearance.

5. The reverse stroke is the most powerful. Chu Henan's books are all reversed, and they are also official.

6. If it is straight and similar, shaped like an operator, the top and bottom are straight, and the front and back are even, it is not calligraphy, but it can be done with dots.

7. The words are from the heart, and the writing is from the heart.

8. The dragon leaps over the Tianmen, and the tiger lies in the Phoenix Pavilion.

9. A dead finger means a living hand, and calligraphers have no choice but to wait. If the finger is dead, it will be straight, if the wrist is alive, the word will be smart.

10. Zhang Huaiguan, a calligrapher of the Tang Dynasty.

11. Those who write old books are also students of mind; those who write are also writers of aspirations.

12. The strong wind blows the strong grass, and the fierce fire refines the true gold; without suffering from the frost, the peaceful fragrance hits people. The edge is sharpened by oneself, and jade is carved; how can one achieve a profound skill without practicing hard?

13. In calligraphy and painting, the most important thing is character. Since his integrity is excellent, not only does everyone value his writing, but he also admires his person.

14. Drawing the pen and working hard, like a swan flying high, the sky is graceful.

15. Floating like clouds, as powerful as a frightening dragon.

16. The nature of writing and the emotion of ink are all based on the human temperament. This is the first task of writing with rationality and emotion.

17. For horses with more muscles and less flesh, the upper ones are higher, and for horses with more flesh and less tendons, the lower ones are the same. The same is true for books, both of which want the bones to be proportional and the appearance to be harmonious.

18. When writing regular script, you must clearly understand the official rules, and avoid regular script when writing official script. To be a slave, you must have the atmosphere of thousands of valleys and rocks rushing towards your wrist.

19. I can’t write this book.

20. The Han official pen is reversed and the pen is accumulated. The starting point is reverse, the ending point is accumulation.

21. Walking in a simple and leisurely way has a profound and infinite flavor.

22. Angry hooves trample on the Cangshan Mountain, making it look bloated and awkward.

23. In ancient times, those who were good at writing would live longer because their minds were calm. If a person can set his mind, there is nothing he cannot do.

24. When you first learn to write calligraphy, you should first look for similarity in form. If you don’t have a good frame, let alone a good writing style.

25. The heart of seeing the world, the emotion of admiring the saints, the doubts and arguments, and the reasoning of the vulgar and Confucianism.

26. The characters must be composed of bones, the flesh must be wrapped with tendons, the tendons must hide the meat, and the posts must be beautiful and moist.

27. Mortals have different qi, blood, muscles and bones. The heart is dense and dense, and the hand is clumsy. The beauty and ugliness of writing lie in the heart and hand.

28. The brushwork should be round, but if it is too round, it will be weak and boneless. The genre should be square, but if it is too square, it will be rigid and unrhymed.

29. A pure heart and few desires, words generate spirit, which is a proof of Yicheng's form and appearance.

30. Like the breeze blowing out of your sleeves and the bright moon entering your arms.

31. I see dragons and snakes walking away from time to time.

32. The way to hold a pen is to use the virtual palm and the real finger. If the fingers are gathered, the palm will be strong; if the fingers are strong, the palm will be naturally empty.

33. The origin of the word is that the water of the Three Gorges flows backward, and the pen formation alone wipes out an army of thousands of people.

34. Hands and luck, art comes from experience. His ambition is set in the book, his crown cannot be moved, his poverty and humbleness cannot be surrendered, he is proud and contented, and he will live his whole life.

35. Learning books can lead to long-term knowledge.

36. The movement is like a spring earthworm, and every word is like an autumn snake.

37. Use your pen with your heart in mind, and if your heart is right, your pen will be right, and your pen will be right.

38. Look at the pens used by the ancients and avoid distracting thoughts. This is also a way to keep your mind at ease.

39. In the books of Qin and Han Dynasties, the ingenuity is accessible, but the clumsiness is inaccessible.

40. Practice makes perfect, as is the case in everything. The book is not yet familiar and he specializes in bizarre and demonic ways. It is better to be clumsy than to be clumsy.

41. All stipples have muscles and bones, and the fonts are natural and majestic.

42. A loss of place is like a beauty's missing eye; a loss of place is like a strong man's broken arm.

43. There is a couplet in the past that says: What can I do? Is it natural? The most truthful sayings. You should also know this when writing books.

44. The physical appearance is extraordinary, different from the past. Falling pearls and jade, fluttering tassels. The heir of Cangjie. The ancestor of Xiaozhuan. With name book, stone drum remains.

45. There are good and bad looks in people, but the attitude of a gentleman and a villain cannot be concealed. There are arrogance in words, but the attitude of a gentleman and a villain cannot be deceived. Books are clumsy in workmanship, but the heart of a gentleman and a villain should not be messed up.

46. The book is like Ye, like his learning, like his talent, like his ambition, in short, just like his person.

47. Those who are strong and have strong tendons are holy, but those who are weak and have no tendons are sick.

48. The vertical and horizontal characters are like the beams of a house. They should be straight and not tilted.

49. It is appropriate to learn regular script from the Tang Dynasty to the Jin Dynasty, and it is necessary to learn official script from the Han Dynasty.

50. Copying the ancient method is like a ghost enjoying a sacrifice, but inhaling its breath but not eating its substance.

51. Correct calligraphy rectifies people’s hearts, and it also rectifies the holy way.

52. When you want to know, you start writing later, and your intention is to stop the previous writing. If you understand this, then the writing will echo, the words will be connected, the front, back, left, and right, and they will be able to create each other in one breath.

53. Calligraphy is also based on Buddhism. It starts from precepts, is mastered in concentration and wisdom, is realized in the source of the heart, is wonderful in understanding, and to the extreme, it cannot be transmitted by words or hands.

54. One point becomes one word, and one word is the final word.

55. A straight heart leads to a straight pen.

56. Words are afraid of practicing, horses are afraid of riding.

57. The shape is similar, and the calligrapher is the best. However, there is very little information in this, so don’t let it die at the end of the sentence.

58. Words are the voice of the heart; books are the paintings of the heart. The sounds and shapes are what a gentleman and a villain can see. Sound and painting are the reasons why gentlemen and villains are emotional.

59. When Qi is strong, the length and length of the words are appropriate. The same goes for books.

60. Scholars have two views: observing things and observing me. Observe things to resemble emotions, observe me to understand virtue.

61. High rhyme, deep emotion, solid quality and majesty, neither one of them can make a book.