In the specific writing process, the speed and rhythm are faster and the ups and downs are greater, which makes the works have colorful and ever-changing artistic effects.
It is not difficult to find out from the famous works of past dynasties, such as Sun's Book Score, Zhang Xu's Four Ancient Poems, Huai Su's Autobiographical Notes on Bitter Bamboo Shoots, Huanggu's Poems of Li Bai's Remembrance, and other posts, that in terms of brushwork performance, most of them are mainly middle-round strokes, but there are also side strokes. The center, round pen, is the legacy of seal script, and the side is the method of official script, so if you want to write cursive script well, you can't do it without learning some official script.
Learn everything step by step. Therefore, before learning cursive script, it is best to write running script first, which will always be more convenient and enrich your own expression. Of course, this is not absolute.
The brushwork of cursive script is the same as that of seal script, official script, regular script and running script, but it requires more skilled and solid basic skills. Only in this way can we achieve a high degree of freedom, flexibility and rigor in cursive writing.
From Zhang Xu's "Four Ancient Poems", it is not difficult to see that the detached and free brushwork has achieved a muddled, concise and implicit natural pen and ink effect, and the lines in Huai Su's autobiographical notes are rapidly twisted like steel wires. Like a broken hairpin? The exquisite state of his works is produced by superb techniques of lifting, turning and turning.
Only by strong accumulation can we indulge boldly, decisively and freely; Only by practicing basic skills in a solid way can we achieve precision and stability without losing the law in a highly free and flexible indulgence.
However, cursive script, especially big cursive script, is different from seal script, official script, regular script and running script, that is, in cursive works, its stippling, structure and composition are integrated and inseparable from each other. That is, what is a pen, what is a knot and what is a composition are inseparable.
Cursive stippling is closely related to each other, and their independent characters almost no longer exist. The ever-changing and colorful symphony consists of dots and lines, and the smoke and dew are vivid, beautiful, hazy and concrete. Its rhythm and rhyme are unmatched by other books.