Characteristic one, rich imagination. Imagine: He set off from the capital city of Luoyang and returned east to the fiefdom of Juancheng. On the way, at the edge of Luochuan, I stopped to drink my horse. While strolling in Yanglin, I saw the Luoshen Concubine Mi. Her figure was swaying and erratic like a flying goose, and her tune was soft and graceful like a dragon swimming in the water. She was more delicious and gorgeous than autumn. The chrysanthemums and luxuriant pine trees are as beautiful as the morning glow, pure as hibiscus, and unparalleled in their elegance. Later, he fell in love with her and sent her a jade pendant to express his love. However, her sacredness prevented him from making any mistakes. Luo Shen was finally moved by his true feelings, met him, and fell in love with him. But in the end, due to different paths between humans and gods, there was no hope of their union, and they said goodbye. The imagination is gorgeous, the romantic and sad feelings are indifferent, which makes people sigh and feel sad. But this imagination is not bizarre. It was inspired by Song Yu's two poems, "Ode to the Goddess" and "Ode to the High Tang Dynasty".
Characteristic two: the words are gorgeous but not impetuous, and the freshness is refreshing. Pay attention to pairing, dialogue, rhythm, and language to be neat, concise, vivid, and beautiful. The selection of materials and conception of Han Fu are unparalleled.
Characteristic three: vivid descriptions and characterizations, combined with metaphors and contrasts. The intricate changes are clever and appropriate, giving people a sense of vastness but not irritation, beauty but not surprise, making people feel comfortable. It's like looking at a wonderful painting. The characters in it are flesh and blood, without making people feel a sense of emptiness. When describing Luo Shen's body shape, facial features, posture, etc., it conveys Luo Shen's appearance of sinking fish and falling wild goose. At the same time, there is the freshness and purity of "hibiscus comes out of clear water, and the carvings are naturally removed." The description and portrayal of Luo Shen's demeanor when meeting him makes people feel that this person appears in front of his eyes, graceful and graceful. The description of the breakup between Luo Shen and Luo Shen is: "The screen is closing in the wind, the waves behind the river are quiet, Feng Lai is playing drums, and Nuwa is singing." The sincerity and purity of love. Everything is so beautiful that after parting, people will remain in their hearts and their feelings will continue. The beautiful image of Luoshen and the scene when they met each other are still vivid in their minds. They are romantic and bitter, and their hearts are restless and wandering between Luoshui and can't bear to leave. . The ideological and artistic achievements of "Luo Shen Fu" have been highly praised by predecessors. The most obvious thing is that it is often compared with Qu Yuan's "Nine Songs" and Song Yu's "Goddess" Fu. In fact, Cao Zhi's poem is a combination of both. It has the strong lyrical content of "The King of Xiang" and "Mrs. Xiang", and at the same time it has the exquisite depiction of female beauty in Song Yuyi's poem. In addition, its plot is complete, its techniques are varied, and its form is timeless, etc., which are beyond the reach of previous works. Therefore it has a very broad and far-reaching influence in history. Wang Xianzhi, a great calligrapher of the Jin Dynasty, and Gu Kaizhi, a great painter, both described the spirit and style of "Luo Shen Fu" in calligraphy and ink, adding rare masterpieces to the calligraphy and painting circles. In the Southern Song, Yuan and Ming dynasties, some playwrights put it on the stage. Wang Daokun's "Chen Si Wang Bei Sheng Luoshui" is one of the more famous ones. As for the writers of the past dynasties, there are even more countless writers who have used this theme as a theme and chanted it in poems and songs. It can be seen that the artistic charm of Cao Zhi's "Luo Shen Fu" is enduring