Qinlisi Taishan Stone Carving
Three-country Zhong Wei Tour Declaration Form
Suo Jing cursive script in Western Jin Dynasty
Reply to Lu in the Western Jin Dynasty
Lady Wei of the Eastern Jin Dynasty was named Ji Tie.
Preface to Lanting by Wang Xizhi of the Eastern Jin Dynasty: Official Slave Post Seventeen Post Two Thank You Posts: Orange Post, Aunt Post, Quick Snow Post, Fine Post, and Le Yi's Comment on Huang Tingjing's Cao Qimu
Dongwang Jinxian Zhiyu Edition Thirteen Lines Duck Head Pill Sticker Mid-Autumn Festival Sticker Dongshan Sticker
Blog of Wang Xun in Eastern Jin Dynasty
Sui and Tang Dynasties Jiucheng Palace Liquan Gonggong Beihuangfu Birthday Hall man of iron Zhangtie Huadu Temple Pagoda Mingtie
Sui, Tang, Chu, Sui and Liang Dynasties, Monument to Master Meng, Wild Goose Pagoda, Preface to the Holy Religion, and a Buddhist niche.
Oriental painting praises Zhenqing multi-pagoda monument Magu Xiantan records Guojiamiao monument Yan monument
Liu Tang Gongquan Xuanmi Pagoda Shence Army Monument Liu Shu Diamond Sutra
Four Ancient Poems of Langguan Shizhu by Zhang Xu in Tang Dynasty
Notre Dame de Sudongling, Tang Huai posted a book, a bitter bamboo shoot and a thousand-word self-report sticker.
Thousand-character writing in Dong Qichang in Ming Dynasty
Who is a calligraphy celebrity!
Li's Biography of Xiao Si and Qin's Yu all used its characters. Wang Xizhi is good at cursive script, indicating his representative works: Preface to Lanting, Ou Yangxun and Li Kai are excellent. Many calligraphy training classes use Yan Zhenqing's running script, which is very free and easy, but in the end he is loyal and unyielding. Although Liu Gongquan is not heroic enough, his calligraphy is even and thin, and Huang Tingjian is good at cursive writing, so his collection value is extremely high. Now Wang Anshi's works are quite famous in the Shanghai Museum. Many fonts in Zhao Mengfu's calligraphy literature are very famous, and the words are rigorous. Tang Yin
Who are the famous calligraphers in China?
There were many famous calligraphers in ancient China, among which Wang Xizhi, Ou Yangxun, Yan Zhenqing, Liu Gongquan and Su Shi were the most outstanding.
Wang Xizhi, known as the "sage of books", was born in the Jin Dynasty. He began to practice calligraphy at the age of seven, and later created a new style on the basis of Qin and Han calligraphy. His works are peaceful and natural, and he is a calligrapher who links the past with the future.
Ou Yangxun, a native of Tang Dynasty, was influenced by Wang Xizhi of Jin Dynasty. He absorbed the advantages of inscriptions in the Northern Dynasties and other calligraphers in the Tang Dynasty, and formed a "bold" and "steady" calligraphy style.
Yan Zhenqing is also a native of the Tang Dynasty. His calligraphy is vigorous and innovative. Liu Gongquan was a calligrapher as famous as Yan Zhenqing in Tang Dynasty. His works are greatly influenced by Wang Xizhi and Yan Zhenqing, and their styles are exquisite and beautiful.
Su Shi was a great writer in the Song Dynasty, with profound knowledge and vigorous and bold calligraphy. He did not stick to the rules of the previous generation of calligraphers and advocated "impermanence of calligraphy" At the same time, he also advocates that calligraphy can only be improved if it is learned and knowledgeable.
Zhang Xu, a great calligrapher in the Tang Dynasty, was famous for his cursive script, and was called "the sage of grass".
Su Shi is also good at regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. Zeng studied under the famous artists of Jin, Tang and Five Dynasties, and worshipped Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi, and became a family of his own.
Mi Fei studied calligraphy the most in his life, and his greatest achievement was running script.
What are the stories of calligraphy celebrities?
1, Wang Xizhi (32 1-379) is one of the most outstanding calligraphers in the history of China. Linyi (now Shandong) in the Eastern Jin Dynasty lived in Yin Shan (now Shaoxing, Zhejiang). Legend has it that he studied calligraphy at Lanting Pool in Shaoxing, Zhejiang. Day after day, he worked hard to learn the skills of various calligraphy schools. In order to save time, the pool water around him became a convenient place for him to brush his pen. Over time, a pool of pure products was dyed black, leaving a touching story with no distractions and concentrated study. A few years later, Wang Xianzhi, Wang Xizhi's youngest son, practiced calligraphy with him. A few years later, calligraphy was impressive. Wang Xianzhi is ambitious and determined to catch up with his father's fame, so he is a little anxious to succeed. One day, taking advantage of his father's praise, he asked his father for the secret of practicing calligraphy. Wang Xizhi smiled and motioned for his hand to be taken to the courtyard. He pointed to the 18 water tank in the yard and said, "The secret of practicing calligraphy lies in the water in this 18 water tank. Starting from tomorrow, you will grind the ink in this tank to 18. Wang Xianzhi is very clever. Knowing the meaning of his father's words, he is neither greedy nor lazy. He scooped water day and night to study ink, and the more he practiced, the harder he worked. Finally, he became a good hand, until his later achievements were the same as his father's, and he was called "two kings" in the history of calligraphy. 3. Zheng Banqiao loved calligraphy since childhood, and ancient calligraphers copied various calligraphy styles. After some hard work, he finally wrote almost the same works as his predecessors. But people don't appreciate his calligraphy very much. He is in a hurry and practices harder than before. One summer evening, Zheng Banqiao and his wife were sitting outside enjoying the cool. He used to mean to write on his knees and then on his wife. The wife clenched his hand angrily and said, "You have your body and I have mine. Why not write about your own body and write about other people's bodies? " Smell speech, Zheng Banqiao suddenly woke up, he associated with his school days. Everyone has his own body, which is different from each other, so there will be all kinds of people in the world. Shouldn't writing be like this? Everyone has his own font, so that there will be breakthroughs and innovations through the ages, otherwise Chen Xiangyin, a thousand people, is meaningless. Thinking of this, he understood the problem of learning to write. Why do I always learn the style of the ancients, instead of going my own way and creating my own style? From then on, Zheng Banqiao learned from the strengths of various schools, blended official script with seal script, grass, lines and Chinese characters, and wrote by painting, eventually forming his own unique "six and a half books", which is often called "the street style of rocks", and became a famous painter and calligrapher with a special style in Qing Dynasty. 4. Huai Su was smart and studious since childhood. /kloc-when I was 0/0 years old, I suddenly felt homesick, and my parents couldn't stop me. In his autobiography, he said straight away: "Huai Su lives in Changsha, a young Buddhist. After meditation, he likes writing quite much. "His spirit of studying hard and practicing hard is amazing. Because he couldn't afford to buy paper, Huai Su found a board and a disc and painted it with white paint to write. Later, Huai Su thought the lacquer board was smooth and not easy to ink, so he planted more than 10,000 plantains on a wasteland near the temple. When the banana grew up, he picked the leaves and spread them on the table, waving at the post. Because Huai Su practiced calligraphy day and night, the old banana leaves were peeled off and the lobules were reluctant to pick, so he thought of a way to stand in front of the banana tree with pen and ink and write to the fresh leaves, even if the sun shone on him like a frying pan; The biting north wind cracked his hands and skin, but he kept practicing calligraphy regardless. He kept writing about one place after another. This is the famous calligraphy practice of Huai Su Banana.
Who are the famous calligraphers in ancient China?
Regular script: Zhong You, Ou Yangxun, Yan Zhenqing, Liu Zongyuan, Zhao Mengfu, Chu Suiliang, Yu Shinan;
Running script: Wang Xizhi, Wang Xianzhi, Su Shi, Mi Fei, Cai Xiang, Huang Tingjian;
Cursive script: Zhang Xu, Huai Su, Evonne.
Of course, ancient calligraphers are full of stars, and these are only the main heavyweight representatives.
Who are the six great calligraphers?
Wang Xizhi, Ou Yangxun, Yan Zhenqing, Liu Gongquan, Zhang Xu, Mi Fei (or Su Shi)
There were many famous calligraphers in ancient China, among which Wang Xizhi, Ou Yangxun, Yan Zhenqing, Liu Gongquan and Su Shi were the most outstanding.
Wang Xizhi, known as the "sage of books", was born in the Jin Dynasty. He began to practice calligraphy at the age of seven, and later created a new style on the basis of Qin and Han calligraphy. His works are peaceful and natural, and he is a calligrapher who links the past with the future.
Ou Yangxun, a native of Tang Dynasty, was influenced by Wang Xizhi of Jin Dynasty. He absorbed the advantages of inscriptions in the Northern Dynasties and other calligraphers in the Tang Dynasty, and formed a "bold" and "steady" calligraphy style.
Yan Zhenqing is also a native of the Tang Dynasty. His calligraphy is vigorous and innovative. Liu Gongquan was a calligrapher as famous as Yan Zhenqing in Tang Dynasty. His works are greatly influenced by Wang Xizhi and Yan Zhenqing, and their styles are exquisite and beautiful.
Su Shi was a great writer in the Song Dynasty, with profound knowledge and vigorous and bold calligraphy. He did not stick to the rules of the previous generation of calligraphers and advocated "impermanence of calligraphy" At the same time, he also advocates that calligraphy can only be improved if it is learned and knowledgeable.
Zhang Xu, a great calligrapher in the Tang Dynasty, was famous for his cursive script, and was called "the sage of grass".
Su Shi is also good at regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. Zeng studied under the famous artists of Jin, Tang and Five Dynasties, and worshipped Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi, and became a family of his own.
Mi Fei studied calligraphy the most in his life, and his greatest achievement was running script.
What are China's five calligraphy styles? Who are their respective representatives?
Four aspects of calligraphy: Wang Xizhi, the five true (open) biographies, is known as the "book sage". He was born in the Jin Dynasty. He began to practice calligraphy at the age of seven, and later created a new style on the basis of Qin and Han calligraphy. His works are peaceful and natural, and he is a calligrapher who links the past with the future. The masterpiece Lanting Preface.
Ou Yangxun, a native of Tang Dynasty, was influenced by Wang Xizhi of Jin Dynasty. He absorbed the advantages of inscriptions in the Northern Dynasties and other calligraphers in the Tang Dynasty, and formed a "bold" and "steady" calligraphy style. His masterpiece "The Inscription of Liquan in Jiucheng Palace".
Yan Zhenqing is also a native of the Tang Dynasty. His calligraphy is vigorous and innovative. His famous inscriptions include "Multi-Tower Induction Monument", "Magu Fairy Altar Story", "Yanjiamiao Monument", "Yan Monument", "Contention for Seats" and "Summary of Sacrifice to Nephew".
Liu Gongquan was a calligrapher as famous as Yan Zhenqing in Tang Dynasty. His works are greatly influenced by Wang Xizhi and Yan Zhenqing, and their styles are exquisite and beautiful. Liu Gongyi's famous inscriptions are: mysterious tower, Shence army monument and so on.
Hai Sushi was a great writer in Song Dynasty, with profound knowledge and vigorous calligraphy. He did not stick to the rules of the previous generation of calligraphers and advocated "impermanence of calligraphy" At the same time, he also advocated that only knowledgeable people can make calligraphy progress. Su Shi's famous inscriptions include: cold food poems, red wall poems, Zhongshan Songlao poems, Dongting Spring Poems and so on.
How many styles of calligraphy are there? Who is the representative? What are the representative works?
Calligraphy is formally divided into five parts: seal, official, truth, line and grass.
Of course, there are more than five kinds of subdivision, such as:
Seal script includes: Oracle Bone Inscriptions, bronze inscription, big seal script and small seal script.
Official script includes: Han bamboo slips and Han Li.
The real books are: Weibei and regular script.
Cursive scripts include: running grass, chapter grass, present grass, weeds and so on.
The representative works of seal script are Shi Guwen (Da Zhuan) and Yi Shan Bei (Xiao Zhuan). Representative figures are Li Si in Qin Dynasty, Li in Tang Dynasty, Deng and Wu Changshuo in Qing Dynasty.
The representative works of Lishu include Zhang Qianbei, Cao Quanbei and other Han steles, but the representative figures of Han Dynasty are no longer examined, such as Jin Nong and Deng in Qing Dynasty.
The representative works of real books include Zhang Menglong's Monument, Central Europe, Yan, Liu and so on.
The running script includes Preface to Lanting written by Wang Xizhi, the world's first running script, and Yan Zhenqing's Sacrifice to My Nephew.
There are two Wang cursive scripts, Zhang Xu and Huai Su cursive copybook.
Calligraphy history? Who is a celebrity? What are the famous works?
China's calligraphy is an ancient art, from Oracle Bone Inscriptions and inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, and then to cursive script, regular script and running script in the Eastern Han Dynasty and Wei and Jin Dynasties. Calligraphy has always exuded artistic charm.
China's calligraphy has a long history, reflecting the spirit of the times with different styles, and the artistic youth is eternal. Looking through the calligraphy of past dynasties, we can see that "Jin people like rhyme, Tang people like law, Song people like meaning, Yuan, Ming and Tai". Tracing back to the development track of calligraphy for 3,000 years, we can clearly see that it keeps pace with the legal development of China society and strongly reflects the spiritual outlook of each era. Calligraphy art is a unique treasure in the world and a wonderful flower of Chinese culture. Calligraphy art is the most typical embodiment of the beauty of oriental art and the Excellence of oriental culture, and it is an artistic treasure that our nation will always be proud of. It has a profound mass base and artistic characteristics that no art in the world can match. The art of calligraphy is more and more favored by everyone.
The history of China's calligraphy can be divided into several stages. Generally speaking, Yan Zhenqing in the Tang Dynasty can be regarded as a dividing point, which was called "the evolution period of calligraphy style" before and "the evolution period of style" later. In the evolution of calligraphy style, the main trend of calligraphy development is the evolution of calligraphy style, and the display of calligrapher's artistic style is often linked with calligraphy style. When the style changes, there is no need to create a new font. So calligraphers put forward the idea of "respecting meaning". The "style of writing" is fixed, while the "meaning" is alive, further strengthening the author's main role.
What kinds of calligraphy can be divided into? What are the representatives and representative works of various kinds?
Bronze inscriptions refer to characters cast on bronze wares of Yin and Zhou Dynasties, also known as Zhong Dingwen. Shi Guwen is now the representative of Da Zhuan.
Xiao Zhuan: Also known as "Qin Zhuan". During the Qin Dynasty, Li Si was ordered to unify the characters, which was called Xiao Zhuan. It was in the Qin dynasty. Lishu is divided into Zhang Qianbei's tough angular style and Cao Quanbei's mellow style. Soft. There are many famous regular script writers, such as Ou Ti (Ou Yangxun), Yan Ti (Yan Zhenqing), Liu Ti (Liu Gongquan) and Zhao Ti (Zhao Yu). Book: a font between regular script and cursive script, which can be said to be cursive script or cursive script. It is to make up for the slow writing speed of regular script and the illegible cursive script. Its representatives are Wang Xizhi, Ting Jian, Mi Fei, Cai Xiang and Zhao Meng in Yuan Dynasty. #92; Xian Yushu in Ming Dynasty, Zhu Yunming, Dong Qichang, Wang Duo, He and Cao Shu in Qing Dynasty. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are also representatives: Cao, Wang Xizhi's Wild Grass, and Zhang Xu's Huai Su. Weibei: Zheng Zhaodao was the ancestor of the inscriptions in the Northern Dynasties.