His regular script pen has Yan Zhenqing's frankness, while Yang Ningshi's carefree Shu Lang layout is like Zhao Mengfu's. The cursive script is rooted in Yan Zhenqing's "Contention for Seats" and "Sacrifice for Nephew", with Huai Su's roundness and Mi Fei's ups and downs. Calligraphy in Dong Qichang can be said to be a masterpiece of ancient law. His "six forms" and "eight methods" are all accurate and at the same time good at appreciation. Although the calligraphy and painting with the title is a word, it is also regarded as a treasure by collectors. Bao also said in "Two Ships in Art": "Dong Huating, a calligrapher's masterpiece, is full of vitality. In addition to avoiding seats in the plain, it is needless to say that Zhang Hang. " Representative works include: Pipa Xing by Bai Juyi, Song Poetry Volume in cursive script, Picture and Postscript on Yanhe River, Self-narrative Post near Huai Su, Poem Collection in cursive script, etc.
Bai Juyi pipa hang
Dong Qichang's book. He doesn't have many cursive scripts, nor is he very good. The predecessors of this volume once said that "the pen is vertical and horizontal, the air is gradually drifting away, between Zhang and Su." He himself said "Bai Taifu (Bai Juyi)" Pipa Trip ",and I wish I could not meet Zhang, while the rest of me were drunk and seemed crazy. White is almost the same? "Now, it seems that this book is simple and plain, but in fact, its elegant posture and lack of pen power are his own qualities.
Cursive song ci volume
By Dong Qichang. The cursive script is full of pure and simple feelings. The brushwork is clear, smooth and far-reaching, as if it were handwritten. In fact, the brushwork is rigorous and meticulous, and the pregnancy is reflected in the pen and ink, so that the brushwork is within the law and there is no trace of carving.
Pictures and Inscriptions in Jiang Yanhe's stacks.
By Dong Qichang. The use of light ink in cursive script, the combination of light and shade, coupled with smooth strokes and ethereal strokes, elegant and quiet calligraphy really brings people into an artistic conception beyond the world. Wen Zhiming, formerly known as the Great Wall, has a distinct personality. At the age of forty-two, I began to use line words, and line words were less important. Because of its predecessor Hengshan, it was named Hengshan Jushi, and the world called "Wenhengshan". Former official Hanlin, born in Changzhou (now Suzhou, Jiangsu). Born in Chenghua of Emperor Xuanzong of Ming Dynasty for six years, he died in Jiajing of Emperor Shizong of Ming Dynasty for thirty-eight years at the age of ninety. He is good at poetry, calligraphy and painting. I have been a poet of Bai Juyi and Su Shi for seven years. He was educated in Wu Kuan, studied in Liying Town and studied painting in Shenzhen. In terms of poetry and prose, he, Zhu Yunming, Tang Yin and Xu Zhenqing are also called "four gifted scholars in Wuzhong". In painting, he studied under the beautiful and elegant Shen Zhou, and was called "Four Wu Men" with Shen Zhou, Taizu and Chou Ying. In terms of calligraphy, he was influenced by his father and friends to write Su Ti in his early years, and later by his father-in-law, Li Yingzhen, and learned more brushwork in the Song and Yuan Dynasties. Learning from the Jin and Tang Dynasties, Xiaokai became stronger.
In the small script praised in Volume 7 of Hangzhou's Five Miscellaneous Books: "There is no real regular script, that is, Zhong and Wang Chuan's" Finger Table "and" On "are all pens. In the Tang Dynasty, Jiucheng Palace, many pagodas and other historical sites, painting and calligraphy were cautious, but the disease of overweight and thinness was inevitable. By the time of this dynasty, Mr. Zhong began to have a very interesting structure, with well-proportioned density and suitable location. Such as avalokitesvara, full of color. It is also a generation in the bookstore. " His big characters are written by Huang Tingjian, elegant and good at bone rhyme. Zhu Yunming and Wang Chong pay equal attention. Representative works include: cursive seven verses, early poems of Fengtian Temple, seven verses of big cursive, seven-character cursive poems and so on.
Seven wonders of cursive script
Cursive and paper, 109.6 cm high and 30.6 cm wide. This poem is:
Yuquan thousands of feet Xie Wan Li
The sky mirror is bright and does not conceal flaws.
Go sit by the spring.
Don't teach eyebrows in the dust
This is Wen Zhiming's big grass work, which is now in Suzhou Museum.
The early poems of Fengtian Temple
The running script is vigorous and powerful, and the structure is relaxed. The whole work echoes from top to bottom, reflecting from left to right, connected by blood and overflowing with gas.
Seven-character poem axis of big-line script
The running script structure is bold and unrestrained, with the charm of Huang Tingjian. A Qing Liang Xian said that "the big characters written in his later years are yellow, pale and beautiful, and good at bone rhyme", and this book can prove it. Zhu Yunming was born in Shan Zhi, Changzhou (now Wuxian, Jiangsu). He has been very clever since he was a child. At the age of five, he could write Chinese characters one foot square. At the age of nine, he was able to write poetry. Later, he read widely and wrote strange poems. In his early years, he used regular script carefully, studied under Zhao Mengfu and Chu Suiliang, and recounted the "two kings" from Europe and Europe. His book Examples is rigorous and simple. In his later years, Huang Tingjing was written without paying attention to the shape of stippling, but it was dense in structure and full of charm. Wang Xiaodeng, a calligrapher at the end of Jiajing, said: "There are more than a dozen people who came to Huang Tingjing in ancient and modern times, but they are all in the shape of adhesive tapes ... Shan Zhi Gong can only escape for a while."
His cursive calligraphy, Huang Tingjian, and Mi Fei have profound skills, especially in his later years. My favorite works are Poems of Taihu Lake, Elegance and Red Cliff Fu, which are fluent, free and unrestrained. "Ming Shan Zang" said: "It was the first in the country to allow Shu Ming to enter and leave the Jin and Wei Dynasties." Representative works include: Tang Yin's fallen petal poems, poems on the front and back red walls.
Tang Yin's fallen petal poems
Author Zhu Yunming. Cursive paper, 2 1.2 cm long, 248.3 cm wide, one inch square per word. This book is elegant and charming. Cao Zhang's brush strokes are many. The pen is vigorous, and the strokes contain bones and muscles. It is the representative work of Zhu Yunming's cursive script, which is now in Shanghai Museum.
Qianhouchibi Fu
The cursive script now in Shanghai Museum contains two articles by Su Shi in Song Dynasty. According to textual research, this volume is a masterpiece of wishing the old, a masterpiece of eternal farewell, and an ever-changing "painting" by China's pen, which can be called a "double masterpiece". This volume is rich in changing writing style, calm and happy writing style, faithful writing style and casual writing style. As Wang Shizhen said in Memories of Yan Yuan, Zhu Yunming's cursive script is "changeable, unpredictable, romantic and naive". The structure is also different in size, slender and fit, ahead of duct tape, and the density is interesting. Throughout the whole volume, the spirit is like flowing water, naturally flying, walking, sitting and lying down, and the posture is simple. Tang Yin, the word "Bohu" and the word "fear" are counted as laity, owner of the Peach Blossom Temple, etc. Wuxian (now Suzhou, Jiangsu) people. At 29: 00, after having obtained the provincial examination, it was called "Nanjing Xie Yuan". When he took the exam in Beijing, he was jailed for being involved in a fraud case in the examination room. At Wu Kuan's suggestion, he was released from prison and his wife remarried, which was a mental blow to him. Later, he traveled to famous mountains and rivers, specializing in painting, calligraphy and poetry creation, and made a living from it. The works often reveal the melancholy feeling after being hit and the negative thoughts of being born. He is best at painting and is a representative of Wu Pai. He, together with Shen Zhou, Wen Zhiming and Chou Ying, is called the four great masters of Ming Dynasty, and is also called the "Four Great Masters of Wumen". He is the author of the Collection of Six Confucian Laymen.
Tang Yin's calligraphy is based on painting names, and he mainly studies Zhao Mengfu. This painting is more influenced by Li Beihai. Graceful and charming, the brushwork is mature and free and easy, but the brushwork is slightly weak, the hook is soft and the structure is slightly loose. Therefore, Wang Shizhen commented: "Bohu entered Wuxing Hall, but his ears were weak." ("Zhou Manuscript") Seven-Rhythm Poem Axis Script
Paper, 146.5 cm high and 36.2 cm wide, with four lines of * * * on it, which means:
There are 5 thousand articles on bibcock alone,
Rat tail slept on half the sofa today.
Every drop of flower is hate,
A full glass of bright moon will forget poverty.
Incense lamps can't stand Vimo's disease,
Sakura and bamboo shoots eliminate valley, rain and spring.
Seeing myself laughing in the mirror,
After a puppet, the next person.
Manxing is a uniform, Jinchang Tang people. Wang Chong, whose real name was Ren, was later Ji, named Ya Yizi and Ya Yishan. Wuxian (now Suzhou, Jiangsu) people. Wang Chong is knowledgeable, good at seal cutting and good at landscapes. His poems enjoyed a high reputation at that time, especially his masterpieces, and he was a famous calligrapher in the middle of Ming Dynasty.
He began to learn regular script from Yu Shinan and Zhiyong, and became a calligrapher named Fa Wang Xianzhi. In his later years, he formed his own style. He is a famous calligrapher after Wen Zhiming. The style of the poems written is also clear and gratifying, and the landscape paintings are as famous as Tang Yin, which was called "Three Musts" at that time. Preface to Wang Teng Pavilion
Lowercase. Sparse and ethereal, all different from the people of the time. Very thin, very quiet, very round, very empty, with the legacy of Jin people.
Poems about sending friends to visit Maoshan Mountain
The cursive script is sparse, colorful and interesting, and it is a masterpiece of high style. Houchibi mansion
Run grass. This work can gather the horizontal strokes together, pull them vertically and horizontally, fold them greatly and turn them over, giving people the impression that circles are rarely used instead of pens. In composition, he relies on the density of stippling to reflect the rhythm of words. Because of the use of folding, horizontal painting can stand out, and its row spacing is widened, forming a special line style with tight lines and sparse characters. The contrast between black and white is very sharp, which is different from the elegant style of Wang Chong and Dong Qichang, and it is very aggressive. Poetry of Tang and Song Dynasties
This grass. It is his early work at the age of 34, full of brushwork, sharp-edged and brilliant in spirit. However, some people think that "it is a pity that the waves are too dangerous and the tendons are overflowing." However, from the point of view that every calligrapher should pursue his own personality, these derogatory terms just show that Song Ke's cursive script has a strong sense of the times, and the mistakes are also proof that Song Ke can learn from the past.
improvise
Cursive script is his masterpiece when he was 40 years old, but it is far from the portrait of the emperor, giving people a lively, fresh and passionate feeling. The thickness of strokes changes strongly, which is more vivid and wonderful than the "urgent chapter" written by Zhao Mengfu.