Wang Xizhi's grandson Zhiyong calligraphy

original text

Yong Gong lived in Yongxin Temple in Xing Wu and studied books for many years. Then there are ten jars of Logger Vick, each counting stones. People come to look for books and ask for titles. The residence is limited to piercing holes, but it is wrapped with iron leaves. People later called it "iron gate limit", which was taken from the pen and numbered "returning the pen to the tomb"

-from "Book Breaking"

Edit the main points of this paragraph.

Zhiyong written in this article is a calligrapher between Chen and Sui Dynasty. The seventh grandson of King Xizhi of Jin Dynasty, a monk of Yongxin Temple (now Shaoxing, Zhejiang). Inheriting the ancestral method, he is diligent in calligraphy. It is said that the calligraphy "True Grass Thousand Characters" is 800 Yu Ben. In this paper, a large number of bald pens left by Zhiyong and a large number of people who come to ask for Chinese characters show his diligence in learning Chinese characters and his good handwriting.

Edit this paragraph comment.

Cave: cave, cave

Urn: A container with a large mouth and abdomen.

Si Tong: Old unit of weight.

Family restrictions: thresholds

bury

Number: Called

Seek: to seek

Book: written by Zhi Yong

Grave: tomb

Bald nib: refers to a long-used brush, and the hair on the nib has fallen off, leaving only one nib.

Xing Wu: Ancient place name, now Huzhou, Zhejiang.

Accumulated years: many years.

Book: Calligraphy.

All: all, all.

Number: What number?

Seek: to seek

Title: Write

Yes: Yes.

Cave: small hole

Nye: Just.

Leaves: skin, slice

Call: call

Yong Gong: that is, wisdom and courage; Palace: a title of respect for people.

Edit the translation of this paragraph.

Zhiyong lived in Yongxin Temple in Xing Wu and studied calligraphy for many years. Later, there were ten cans with broken brush heads, each of which contained several loads (so heavy). Many people came to beg for ink to write a plaque, and the threshold of the place where they lived was stepped out of the hole, so they wrapped the threshold with iron and called it "iron threshold". After burying the pen, it is called "returning the pen to the grave".

Edit this passage about Zhiyong

Zhiyong, monk Ji Fa, the word Zhiyong, the grandson of Wang Youjun VII, was later the fifth emblem of the right army, and was named Yong Zen Master and Yin Shan. He was a famous calligrapher between Chen and Sui Dynasties. Wisdom is always good at writing, and books have their own methods. Zhiyong also brought Wang Xizhi's Preface to Lanting, a family heirloom, to yunmen temple for preservation. There is a book kiosk in yunmen temple, where Master Zhiyong lived for 20 years. Zhiyong's calligraphy is very famous in China. There are 800 Yu Ben in the pavilion, one for each temple in eastern Zhejiang. When people ask for books, the limit (threshold) of households is to wear, so they are wrapped in iron, which is called the iron gate limit (threshold). It is said that wisdom is a wonderful way to spread the family law, and the energy is extraordinary. During the Sui and Tang Dynasties, calligraphers seldom went to school. A hundred years old is the end. Zhiguo, Cai Bian and Yu Shidnandu are very wise, and they all have calligraphy.

Edit the author source of this paragraph.

This article is written by Zhang Huaiguan, a calligrapher and calligrapher in the Tang Dynasty. Hailing (now Taizhou, Jiangsu) people. The activity was held in Kaiyuan (7 13-7 14), where Guan Hanlin offered sacrifices and Cao Jun, a government soldier, joined the army. Chen Si's Book Score in the Southern Song Dynasty called it good, correct, practical and cursive. I am very proud of my calligraphy, claiming that "integrity and deeds are comparable to (Heather) and Chu (Sui Liang), and the grass wants to go it alone for a hundred years." Without leaving any handwriting. Yi Shu, Shu Duan, Guan Shu, and Treatise on Medicine Stone are important works of calligraphy theory.