Jinsha temple monk
Monks of Jinsha Temple in Yixing Lake during Chenghua and Hongzhi of Ming Dynasty.
In the book "Yang Xian Zhi", Zhou of Ming Dynasty believed that the monk of Jinsha Temple was the first person to make a teapot.
Miyaharu
Gong Chun, also known as Gong Chun, is a native of Yixing, Jiangsu. He was one of the pioneers of Yixing purple sand pottery in Zhengde period of Ming Dynasty. His deeds are recorded in Yang County Tea Pot System, Xu Cishu Tea Book and Wuqin Yangqian County Name Lu Tao.
Wu Yishan, a scholar in early spring, studied under Wu Yuxing Jinsha Temple.
It is said that an old monk from Jinsha Temple in Chun Xue studied fine clay and made a casserole.
There are hidden fingers inside and outside the pot, and the product is full of Zhou Zheng and chestnut like ancient gold and iron, which is called "spring pot" internationally.
The National Museum has a tree gall pot used in spring, which looks like a tree tumor, and the handle side of the pot body is engraved with the words "used in spring".
According to textual research, this pot was originally hidden by the great collectors Hanlin and Wuda in the late Qing Dynasty, and the original missing lid was made by Pei Shimin.
However, because there have always been many imitations of spring pots, the authenticity of the pots is still controversial.
HanDong
No, Hou Xi, a native of Yixing, Jiangsu Province, was a famous purple sand ceramist in Yixing in the early Wanli period of the Ming Dynasty.
According to Janice's Famous Pottery Admired in Qing Dynasty, HanDong, Zhao Liang, Chang Yuan and Shi Peng are the four famous pot makers after offering spring.
HanDong became a monk in the temple, and after offering sacrifices to spring, he changed the style of Gu Zhuo, and made a diamond flower pot, which was extremely ingenious.
According to Yang Xianming and Lu Tao, among these four schools, HanDong's literary talent is better, while the other three schools are "more Gu Zhuo".
Zhao Liang
Also known as Zhao Liang, a native of Yixing, Jiangsu Province, was one of the four famous purple sand pot makers in Yixing during the Wanli period of the Ming Dynasty.
Yang Xian Ming Hu Lu: The teapots made in Zhao Liang are mostly beam-lifting, and their works are famous in Gu Zhuo.
It is said that the style of lifting the beam in the casserole in the Ming Dynasty was initiated by him.
Yuanchang
Yuan (Xuan) and Yuan were also from Yixing, Jiangsu Province, and they were one of the four famous purple sand pot makers in Yixing during the Wanli period of the Ming Dynasty.
Shibeng
Shi Peng, a native of Yixing, Jiangsu Province, was one of the four famous zisha pots in the Wanli period of the Ming Dynasty and the father of Shi Dabin.
Li Maolin
Ming Yangxin, a native of Yixing, Jiangsu Province, was a famous master of purple sand pottery making in Yixing during the Wanli period of the Ming Dynasty.
Because he is the fourth child, he is good at making small round sand pots, so he is called "liguan with small round pots".
Qing Jiaqing's "Yixing County Records" said that the pot he made was "beautiful in Park Chi and famous in the world".
His works are not signed, only Zhu Shulu.
According to Zhou's research, before Li Maolin, the teapot was directly fired in the cylinder kiln without sagger seal, which "inevitably stained with glaze tears". Since Li Yangxin, the teapot has been "made into tiles and sealed into holes", which is a major reform in the firing method of teapot.
Shi Dabin
Shaoshan, a native of Yixing, Jiangsu, the son of Shi Peng, was a famous master of purple sand pottery making in Yixing from Wanli of Ming Dynasty to early Qing Dynasty. He, Li Zhongfang and Xu Youquan are also called "the master in the pot, known as the three masters".
At first, Dabin made a big pot for spring, and later, inspired by the theory of literati drinking tea, it was changed into a small pot.
He made good use of all kinds of clay, and studied and improved the processing preparation, molding technology, modeling design and inscription of clay materials. His works "Coarse sand with ancient patterns" and "Not beautiful but simple, wonderful" have brought purple sand technology to a new height.
Xu Cishu, a contemporary, wrote in Tea Sparse: "Once upon a time, Gong Chun made a pot. It was recently made by Dabin, and people at that time cherished it very much. These covers are all made of coarse sand. Sand is taken without rustic ears, made at will, and quite exquisite.
Shi Dabin is very particular about the inscription on the pot. It is a beautiful regular script carved with a bamboo knife. Zhou said in "Yang Xianming's Pot System" that "although calligraphy is fine, people can't imitate it in Huang Ting's posts, and connoisseurs think it is different", which is called "everyone".
There are many "big guests" teapot handed down from ancient times, and they have been unearthed frequently in recent years, such as the cinnabar hexagonal pot unearthed from the tomb of Cao in Ming Dynasty in Dinggou Town, Jiangdu County, and the three-legged round pot unearthed from the tomb of Hua Shiyi, a bachelor of Hanlin in Ming Dynasty in Wuxi.
Li Zhongfang
A native of Yixing, Jiangsu Province, Yixing was a famous master of purple sand pottery making in Wanli period of Ming Dynasty, the son of Li Mao Lin, a disciple of Shi Dabin, and one of the "Three Masters in One Pot".
Yang Xian Ming Tao Zhi records his works from primitive simplicity to exquisiteness. In the early Qing Dynasty, people thought that his "small round pot was exquisitely shaped, which was to the right of the distinguished guests" (Ruan Kuisheng's Tea Idle Guest Talk), and Wu Meiding, the author of Yang Xianming's Pot Fu, commented that Li Zhong's square pot had the meaning of "Zhong Fang's bone wins, and the sword is carved".
"Yangxian Tea Pot System" says: There are great pots handed down from generation to generation in the world, and there are also Zhong Fang's works, so Da Bin pays for them when he sees them.
So at that time, there was a saying that "Li Daping was a famous man".
Xu Youquan
Ming Shiheng, a native of Yixing, Jiangsu, is said to be from Wuyuan, Jiangxi. He was a famous master of purple sand pottery making in Yixing during the Wanli period of the Ming Dynasty, and a disciple of Shi Dabin. He is one of the "three outstanding men in the pot".
He is not a child of Yixing Taoists, but he was appreciated by Shi Dabin and accepted as a disciple because of his talent in plastic arts.
Xu Youquan is good at making various shapes, such as Korean, flat, Xiaoyunlei, striped beam, banana leaf, Lian Fang, Ling Hua, goose egg, etc. , with various colors of mud, such as begonia red, vermilion purple, Ding Yaobai, cold gold, light ink, agarwood, ink pen, pomegranate peel, sunflower yellow, flash color, pear peel, etc.
Wu Meiding, a man of the Qing Dynasty, wrote in Yang Xianming Khufu: "If a husband is in harmony with the past and the present, he will change his mind and enter the Tao skillfully, and his friend is Xu Zi!" It can be said that Xu Youquan is a master who has become poor and accomplished, which is very promising.
His son inherited his father's business and made pottery. At that time, he was also called "Da Xu" and "Xiao Xu".
Ou Zheng Chun
Ming Ziming, a native of Wuyuan, Jiangxi Province, was a famous porcelain maker in Yixing in Wanli period of Ming Dynasty, a disciple of Shi Dabin and the founder of Yijun.
He used white mud or purple mud as embryo, imitating the shape of Song Jun kiln porcelain and its opaque glaze. The types of porcelain are pots, bowls, shelves, bottles, cans, statues, stoves and so on. Glazes are mostly azure, sky blue, kidney bean red, etc. And there are rare varieties such as grape purple and gray blue, which are called "European kiln" internationally and "Yijun" in products.
Yang Xianming's evaluation of European works is "colorful and exquisite in style". From next week, Yang Xianming will classify his pottery art as "elegant flow".
Shao Wenjin
Ming Dynasty Wanli Yixing purple sand pottery master, Shi Dabin disciple.
In the Qing Dynasty, Janice recorded in yang xian's masterpiece Lu Tao that he copied the Chinese sand pot made by Shi Dabin, and his skill was unique.
Shao wenyin
Yixing Zisha Pottery Master, also known as Shi Dabin's disciple in Wanli period of Ming Dynasty, only recorded his name in Qian's "Yang Xian Ming Tao Lu".
Jiang bo
Ying Shi, formerly known as Fu Bo, was a Yixing Zisha ceramist and a disciple of Shi Dabin in Wanli period of Ming Dynasty.
Janice's "Yang Xian Ming Tao Lu" commented that he was "high-flowing but ignorant of his profession" and his pottery was "firm and good".
Zhang Yanchang recorded his works in "Yang Xiantao Shuo", which is said to be a "heavenly pavilion pot" with a certain style for a big collector.
Chen Yongqing
Famous pottery makers of Yixing purple sand in Wanli period of Ming Dynasty.
Yang Xianming Lu Tao records that his works are "exquisitely shaped, such as lotus seeds, soup girls, bowls, pots and round beads, which are irregular and round and extremely decorated".
The inscription on the instrument is like the pen of Zhong Taifu, and then carved with a bamboo knife, which is very bookish.
Chen Xinqing
During the Wanli period of the Ming Dynasty, Yixing's famous master of purple clay pottery imitated the purple clay wares made by Shi Dabin and Li Zhongfang, and their works were exquisite, neat and elegant.
Chen Guangfu
During the Wanli period of the Ming Dynasty, Yixing was a famous master of purple sand pottery making and a disciple of Shi Dabin.
I was blind in my early years, but I can still make a small concrete imitation of ancient utensils.
"Yangxian Tea Pot System" rated it as "elegant flow".
Chen Zhongmei
Wuyuan, Jiangxi, was a famous master of purple sand pottery making in Yixing during the Wanli period of the Ming Dynasty.
Chen Zhongmei used to make porcelain in Jingdezhen, but it was not easy to do it because there were many practitioners, so she went to Yixing to make purple sand ware.
His works are unique. Some teapots made by him are shaped like flowers and fruits, decorated with grass insects, and some are decorated with dragons playing on the waves, bared their teeth and claws, which are lifelike.
In addition to the tea set, Chen Zhongmei's incense box, flower cup, sister-in-law stove and exorcism paperweight are all carefully carved, which greatly expands the production scope of purple sand pottery.
The purple sand Guanyin statue he carved is solemn, compassionate and full of life.
It's a pity that this artist, "Even a wise man has a long thought, he will gain something", died young and was "exhausted".
Zhou's "Yangxian Tea Pot System" listed the pot he made as a sacred product.
Shen Junyong
Ming Shiliang, a native of Yixing, Jiangsu Province, was a famous master of purple sand pottery making in Yixing during the Wanli period of the Ming Dynasty.
Shen Junyong was famous for being good at making pottery since he was a child. At that time, it was called "Shenduo comb" (multi-comb, meaning not yet grown up).
He is good at preparing purple mud, and his works are decorated in relief, which is exquisite. Although not square and round, the joints are accurate and tight, and the hair is meticulous.
Shen Junyong in Yixing County Records is a master of pot-making who is as famous as Xu Youquan, Chen Yongqing and Xu after Gong Chun and Shi Dabin.
Zhou's "Yangxian Tea Pot System" lists his works with Chen Zhongmei as magical products.
Shaogai
Yixing purple sand pottery craftsmen in Wanli period of Ming Dynasty were listed as "other schools" in Yangxian Tea Pot System from the Ming and Zhou Dynasties.
Other schools also include Zhou Houxi and Shao Ersun in the same period, and Yixing Zisha Pottery Makers, Zhou Jishan, Chen, Chen Tingsheng, Cheng, Shen and others during the Apocalypse and Chongzhen years.
The book also says that their lives can be found in Wang Daxin's "Supplementary Notes on Yu Ye".
Chan Sarah
The word * * * was a purple pottery craftsman in Yixing during the Ming and Chongzhen Dynasties.
He is good at engraving on the sand pot, and people often ask him to engrave when making pots, so he is called "the calligrapher in the Tao".
Yang Xianming Lake Xi listed it as another school.
Xu lingyin
He is a native of Yixing, Jiangsu Province, and a famous master of purple sand pottery making in Yixing during the Ming and Chongzhen Dynasties.
Notes in Yixing County Records: "For example, Xu Youquan, Chen Yongqing, Shen Junyong and Xu Lingyin are all famous pot makers.
"That his pot-making skills can be compared with Xu Youquan and others.
Yang Xianming and Lu Tao thought that he might be Xu Youquan's son "Xiao Xu".
The project is not damaged.
Mingzhen, a native of Jiaxing, Zhejiang Province, was a famous master of purple sand pottery making in Yixing during the Ming and Chongzhen Dynasties.
He is a descendant of a famous family in Jiaxing, and has been paid tribute to imperial academy in past dynasties.
Janice's "Yang Xianming and Lu Tao" thinks that making a sand pot is an accidental work of literati.
The pots he made are simple and elegant, and the calligraphy style is Jin and Tang style, which is higher than that of Shi Dabin and Li Zhongfang.
Shen
Yixing, Jiangsu, also known as Tongxiang, Zhejiang, was a famous pottery maker of Yixing purple sand in the late Ming Dynasty.
Zhou's "Yangxian Tea Pot System" said that the pot was quaint and simple, and a diamond-shaped fancy pot was made for others. The inscription was: "Shi Genquan, covered leaves, fresh teeth, hot dust.
"Yang Xianming called Lu Tao" a hand for next season ".
Chen Ziqi
A native of Yixing, Jiangsu Province, Yixing purple sand pottery craftsman in the late Ming and early Qing Dynasties.
"Yang Xianming and Lu Tao" is the best imitation of Xu Youquan, and its products were cherished by people at that time.
Others say that he is the father of Chen Mingyuan, a famous purple sand artist in the early Qing Dynasty.
Back to Chen Meng.
Yixing, a native of Yixing, Jiangsu Province, was a famous master of purple sand pottery making in the late Ming and early Qing Dynasties.
In the writings of the Qing Dynasty, there were different opinions on his pot art, such as Zhang Yanchang's "Yang Xiantao Shuo", which stated that although his pot brushwork was good, his workmanship was far less than Shi Dabin's.
Janice, the author of Yang Xianming's Lu Tao, recorded his collection of pots made in Chen Meng. Simple style, 65,438+00 words engraved on the bottom of Tang poetry and official script. The brushwork is similar to that of Chu Suiliang, a calligrapher in the Tang Dynasty. He thinks that Hui is "a master and a good player".
Hui is famous for making small pots. His products are exquisite and appreciated by people at that time.
Shi Hongbao said in the Miscellaneous Notes of Fujian in the early Qing Dynasty: "Zhang Quan belongs to various genera, and it is popular for Kung Fu tea, and the tea set is exquisite, and the pot is like a walnut, so it is called Chen Meng pot." It can be seen that this small teapot he made is a necessary tea set for Kung Fu tea.
Xiang Shengsi
There is no historical record, but his work Zisha Taobei is now collected in Nanjing Museum.
The cup body is scarlet and purple, with half a peach as the cup, branches as the handle, branches and leaves wrapped around vines, and peach leaves are in full swing.
There are two seven-character poems engraved on the outside of the mouth of the Taobei, in which the word "Shengsi" is engraved, and there is a small seal script written by Shengsi in Yang language.
This work is exquisite and unique, and it is an extremely rare treasure in purple sand ware.
The cup holder was made by Pei Shimin, a famous hand of the Republic of China, in 1924, and inscribed by collector Chu Nanqiang. He wrote: "It is said that there is a monk in Shengsi, surnamed Xiang, who can make a peach cup, which is bigger than the regular one, and the flowers and leaves are dry, so the viewer can't put it down ..." This may be the only record about Xiangsheng Temple.
Chen Mingyuan
Mingyuan, also known as Hefeng, Xianhe, Huyin and Shixiashan.
Yixing, Jiangsu province, was a famous master of purple sand pottery making in Yixing in the early Qing Dynasty.
According to Yixing County Records, Chen Mingyuan is the first-hand achievement of pot art in the past hundred years.
He is good at sculpture and skillfully mixing mud colors. He is a master who is good at turning patterns, carving and carving, and his skills are superb.
There are all kinds of works, including teapots and tea sets, as well as elegant gameplay in the study.
Zhang Yanchang, a Qing Dynasty man, wrote in Yang Xiantao: "There are dozens of handmade tea sets in Mingyuan, which are elegant and enjoyable.
"One-day chicken pot, begonia cup, patent treasure pot, flower statue, chrysanthemum box, incense tray, assorted cup, inkstone screen, Megan pen container, lotus water bowl and various melon and fruit sketches. All of them are elegant and elegant, with elegant calligraphy, and have the style of Jin and Tang Dynasties, and the reputation is that they are "comparable to three generations of antiques".
His works are famous at home and abroad, and celebrities and officials are scrambling to buy them.
Huiyigong
Yixing purple sand pottery master in Yongzheng and Qianlong periods of Qing Dynasty.
His pot-making skills are similar to those of the famous Hui nationality in the late Ming Dynasty, and he is internationally known as the "Erhui".
Chen Meng's products are simple and skillful, while Gong Yi is good at handcraft.
The brushwork of calligraphy is readily available, and both bamboo and steel knives are used. The pottery carving works are very good, which is beyond the reach of the younger generation of Gan family.
Hua Fengxiang
A native of Yixing, Jiangsu Province, he was a master of Yixing Zisha pottery making in Kang Yong period of Qing Dynasty.
Good at antique ware, the product is exquisite and elegant without losing simplicity, and it is also a dragon purple sand furnace.
Xu longwen
Under the influence of Chen Zhongmei and Shen Junyong, Yixing purple sand potters made many flowers like raw pots, and the bottom of the pots was often engraved with seals, which read "Long Wen" and "Jing Xi".
Ge Mingxiang and Ge Yuanxiang
Famous porcelain makers in Dingshu Town, Yixing during the reign of Qing Qianlong and Jiaqing.
The two brothers inherited the tradition of imitating the Song Dynasty in European kilns during the Wanli period of the Ming Dynasty, and continued to fire "Yijun" porcelain. The glaze was gray and light blue, even better than European kilns, with more bottles, cans, pots and cans.
Chen Hongshou
Zi Gong is called Mansheng.
A native of Hangzhou, Zhejiang Province, he was a painter and seal engraver from Qing Qianlong to Xianfeng, and was one of the "Eight Schools of Xiling".
Good at poetry, painting and calligraphy, good at designing teapots.
During his tenure as the magistrate of Liyang in the 21st year of Jiaqing (18 16), Chen Hongshou designed eighteen famous Manson pots in the history of purple sand, which were made by famous local artists such as Yang Pengnian and Shao Erquan, and the poems of Manson and his friends were engraved in the curtain. The work is called "Manson Pot" internationally.
The shapes of Mansheng pot are stone, horizontal cloud, mine field, Albizia Albizia, Queyue, Banwadang, Fangshan, melon-shaped, stacked bucket and so on. The inscriptions are cut into pots and teas, or taken from Shang and Zhou bronzes, or historical allusions and aphorisms.
There are many seals on the bottom of the pot, such as Amanto, Pengnian and Er Quan.
Chen Hongshou's contribution to the art of teapot is that calligraphy, painting and seal cutting first appeared as decoration on teapot, which triggered the innovation of plastic arts of teapot. Since then, the art of making teapot has shown a new atmosphere of "different squares and different circles", and "Mansheng teapot" has also been cherished by collectors and tea artists in later generations.
Shaoerquan
Yixing Zisha Pottery Master in Jiaqing Daoguang Period of Qing Dynasty.
He is good at making jars and carving inscriptions and tips on them.
In the 21st year of Jiaqing, he cooperated with Chen Hongshou to make a "full pot".
The inscription on the pottery jar made for Shao Jingnan during the Daoguang period.
Yang Pengnian
Yixing, Jiangsu, Tongxiang, Zhejiang, was a famous master of purple sand pottery making in Yixing during Jiaqing and Daoguang periods in Qing Dynasty.
He is good at mixing mud and molding at will, and his pots are simple or heavy, or delicate and delicate, all of which have natural interest.
He is the main collaborator of Chen Hongshou's Full Life Pot, and Chen also gave him the name of "Armando Room".
Most of Yang Pengnian's works handed down from generation to generation bear the imprint of "Tianshou", "Yang Pengnian System" and "Pengnian".
Yang baonian
Also known as Bao Nian, the word Gong Shou, was a famous Yixing Zisha ceramist and the younger brother of Yang Pengnian during Jiaqing period of Qing Dynasty.
Be good at making teapots, especially kneading.
He used to make pots in Chen Hongshou, and the mud materials he chose were all rare azure mud, with a slightly blue rosewood color, which was completely inclusive and moist as jade.
Yang fengnian
During Jiaqing and Daoguang years in Qing Dynasty, Yixing Zisha female artist was Yang Pengnian's sister.
It is well matched with mud color, ingenious in design and exquisite in relief.
Its handed down bamboo pot, pot body and pot handle are all bamboo-shaped, and decorated with embossed bamboo branches and leaves.
Yang Fengnian also made a pot for Chen Hongshou.
Qu Ying Shao
Zi Zi Zhi, Zi Bichun, whose real name is Yue Hu, was renamed Qu Fu and Lao Zhi in his later years, and the room name was "Yuxiutang".
Qing Daoguang pays tribute to his students. He is a famous scholar in Shanghai.
Poetry, letters, calligraphy and painting, seal cutting, are best at painting bamboo, orchid and willow.
He is also good at pottery carving, especially the inscriptions on bamboo plums and purple sand pots, which are called "three unique pots".
He once cooperated with Yang Pengnian, a famous pot maker. The handle of the pot was marked "Peng Nian", and some works were written by Deng Kui.
There are "Moon Pot Painting" and "Moon Pot Grass" handed down from generation to generation.
Zhu Jian
Shi Mei, a native of Shaoxing, Zhejiang Province, was a famous purple sand ceramist in Yixing during Jiaqing and Daoguang periods in Qing Dynasty.
Good at making tin pots and teapot. The pots made have their own styles, all exquisite and beautiful, elegant and pleasant.
The process of creating tin-coated purple sand is often to carve plum blossoms on the surface of sand cans or sand-tire tin cans, write poems by yourself and be inscribed by celebrities.
He once wrote The History of Pots.
Shao daheng
Yixing, Jiangsu province, was a famous master of purple sand pottery making in Yixing during the Qing Daoguang and Xianfeng periods.
Shao Daheng became famous when he was young. He is good at antique, and his modeling is famous for its simplicity and exquisite craftsmanship.
In Ming Hu Shuo, Gao Xi described Shao Hu's "shoulders reaching the abdomen, connecting the flesh and blood pavilion", "mouth is born" and "cover straight and tight, although he doesn't worry about losing his hat".
Shao Daheng died in troubled times in his prime, and there are few teapots left in the world. By the Qing dynasty, it was already "a bucket of gold, which was finally obtained."
Its launchers are in the styles of "Fish Dragon", "Ball", "Anemone" and "Bundle of Bamboo", all of which are regarded as treasures.
Huang Yulin
Yixing, a native of Suzhou, Jiangsu Province, was a famous master of purple sand pottery making during Tongzhi and Guangxu periods in the Qing Dynasty.
He was hired by Wu Dajia, a collector of epigraphy, to integrate the shapes and artistic features of bronze wares and ancient pottery collected by Wu into purple sand pottery.
He pays attention to the choice of clay materials when making pots, and his works are round, delicate and neat, which is precious to connoisseurs.
The Yu Hualong pot now hidden in Yixing Cultural Relics Exhibition Room is his work. The pot body is purple, with the seal of "Yulin" on the cover, and the faucet is telescopic and spits out the cover, which is strange and wonderful.
Yu Guoliang
During the late Qing Dynasty and the Republic of China, Wu Dazi, a Yixing purple pottery artist, invited a famous artist to make pots. His works are exquisite and skillful, and his pot is elegant and cautious.
His work "Red Clay Square Pot" won the certificate of 1932 Chicago Expo and is now collected in Yixing Zisha Craft Factory.
Yu Guoliang's works are often printed by Guo Liang and Xishan Shi Yu.
Cheng shouzhen
Self-proclaimed "Bingxin Taoist", a famous purple sand pottery master in Yixing in modern times.
The ball pot we made is like three balls stacked together. It is upright and stable, and the lid is tightly covered. 19 15 won the gold medal in the "World Expo" held in the United States, and has since been praised as "the sky-high price will accompany you".
The antique pot he made is particularly thick, with a large and flat cover, just the right contrast of line thickness, and a uniform pavilion with flesh and blood, which is extraordinary.