“The change of fonts determines the style of running script works” is wrong. Changes of fonts cannot determine the style of running script works.
The formation of running script style has little to do with changes in glyphs. A common example is that the character "Liu" has undergone major changes in form from seal script to regular script. However, in the creation of running script, the character "Liu" usually maintains its unique fluency and changeability. Different calligraphers have different styles in the creation of running script. The composition and writing of the character "Liu" in the painting also show their respective uniqueness.
In order to highlight the point that changes in glyphs in running script will not determine the style of running script works, we can give a specific example. For example, "Three Kingdoms Volume 24" written by the modern calligrapher Mr. Shao Bingren shows a strong cursive style. Some characters in this work have been improved or deformed, and it is even difficult to recognize the original glyphs.
But in the entire calligraphy work, the fluidity of the lines and the contrast between the virtual and the real ink present a unique and wonderful artistic effect. This example shows that legalists pay attention to aspects such as strokes and composition in the creation of running script, rather than being limited to the standardization required by traditional glyphs.
Therefore, although the change of glyphs is an inevitable process in the development of calligraphy, in the creation of running script, the change of glyphs has no absolute impact on the style of running script works. In fact, the artistic expression of running script pays more attention to factors such as strokes, ink use, composition, rhythm, and texture. Therefore, running script writers do not need to strictly limit themselves with standard glyphs. They should use pen and ink, inspiration and imagination to express their emotions when writing. Personal unique artistic style.
Recommended running script works
1. "Lanting Preface"
"Lanting Preface" is a work written by Wang Xizhi, a calligrapher of the Eastern Jin Dynasty. It describes Wang Xizhi and his friends, elegant scholars The grand tour to Lanting expresses the author's feeling that good times do not last long and life and death are impermanent. Legend has it that Wang Xizhi wrote this preface quickly with silkworm cocoon paper and rat whisker pen while he was intoxicated with wine. There are 28 lines and 324 words in the whole text. Some of them are repeated, but they are all varied and exquisite.
2. "Manuscript for Nephew"
"Manuscript for Nephew", the full name of "Manuscript for Nephew and Praise to the Good Doctor Ji Mingwen", is the work of Yan Zhenqing, a calligrapher of the Tang Dynasty. During the Anshi Rebellion, Yan Zhenqing's brother Yan Gaoqing and nephew Yan Jiming were killed by An Lushan. Yan Zhenqing found their bones, buried them, and wrote this memorial. This manuscript was written in a state of extreme grief and indignation, regardless of the clumsiness of the pen and ink. The writing was bold and unrestrained, often writing until the pen was dry. Therefore, the words fluctuated with the calligrapher's mood, which was purely a natural expression of the calligrapher's spirit and daily workmanship.