Question 1: What is the artistic conception of the painting within the painting? When I was a child, I was very sensitive to paintings. This may be a transfer due to my poor language expression ability at that time. In a strange environment, I was often unable to answer a sentence when I was excited. On the first day of school, the teacher asked me to speak. It was more uncomfortable than death to ask me to speak freely in such an environment. Naturally, I didn't answer well. In this way, I became nervous when the teacher asked me. I was so nervous that I still couldn't answer well, which was a vicious cycle. I remember one time during a heated class discussion, the teacher called me. Of course, I had my own opinions and wanted to express them, but I was so anxious that I just couldn't. I was holding a pen tightly in my hand, and finally I couldn't stand it anymore and threw the pen to the ground. The words came out happily. The whole class was stunned... Will I think about the problem in the future? I naturally formed the corresponding image language in my mind. Fortunately, after I got to college, I was able to organize life meetings with more than 40 people on stage and perform skits in front of teachers and students... But this habit did not It has not deteriorated with the growth of age and the enhancement of written expression. I especially like to look at paintings now. A painting is a story, a kind of artistic conception. The painter often hides these in the painting, asking people to understand it carefully. Why do some people stay away from a painting for a long time when they see it? He is willing to leave, because he sees himself in the painting, and has a resonance with the painting...
Like the young man in this painting standing on the building, you can imagine the city under your feet. How about feasting, singing and dancing, isn't there a hall for him to perform in the colorful city? But on the tall building closest to the bright moon, under the intoxicating blue night, under the bright moonlight, he played forgetfully As it played, I seemed to hear the sound of nature... Someone once said to me, this young man is very helpless! There is no stage, no lights, no applause
Question 2: "" in Chinese painting What exactly does "artistic conception" mean? What situation? For Chinese painting, artistic conception is very important. It plays a decisive role in the economic value and collection value of a painting. In the art of painting, the most difficult thing to deal with is the expression of artistic conception. It not only requires skilled techniques and flawless composition, but also requires the creator to have profound cultural and artistic accomplishments and moral qualities. He must concentrate his energy without distraction when creating, devote his whole body and mind, and do his best to use his wisdom and talents to reach people's needs. A state that cannot be reached, without any mentality of seeking fame and reputation.
The works of some painters are precise in their brushwork and clean in their ink, requiring neither additions nor modifications. The style is both deep and heavy, elegant and simple, and one can tell at a glance that it was made with hard work. However, their works can only be recognized in later history, but not many people recognized them in their own time, and they did not have much fame.
Everyone has their own artistic concepts and artistic opinions, and the various sects in the field of painting are also different. The boundaries between the so-called "Southern Sect" and "Northern Sect" are very strict. The scenery often seen in each region is very different. The mountains and rivers in Sichuan are steep and steep, the terrain in Shaanxi and Gansu is majestic, the rivers and lakes in the two lakes are empty and vast, and the Yanshan area in Hebei has a bleak and cold climate. Different regions have different painting styles. Although the styles of each region are different, they have similar approaches to artistic conception.
Regarding the artistic conception of traditional Chinese painting, there are different opinions from ancient to modern times. Generally speaking, there are three types: the first type is upright and generous, graceful and generous; the second type is handsome, beautiful and high-spirited; the third type is quiet, solemn and deep. Thick. These three artistic conceptions are orthodox and appreciated by people, and they are the three standards that works must meet. If the works, on the basis of these three artistic conceptions, also contain the air of nobility and magnificence, the misty mist, the air of loyalty and integrity, the air of novelty and strangeness, and the air of simplicity and elegance, then these works are very precious. If the works also contain an ethereal, mysterious, and otherworldly atmosphere, then these works have reached the highest level. On the contrary, if the works are contaminated with frivolity, arrogance, superficiality and fancyness, delicateness and sweetness, then these works will be very vulgar. In addition, there are also works that are full of childishness, decadence, domineering, crudeness, and barbarism, which are all undesirable. There is no need to discuss those works that are full of craftsmanship.
In real life, there are often some literati journalists who tout the works of dignitaries, publicize how good their students' paintings are, and do everything possible to get art dealers to buy these works. These people also He immediately became arrogant, as if he was really great, but he could only be proud for a while, and after a while, he would become silent and no one would care about him.
If you want to improve the artistic conception of your works, you must first learn to be a human being. Not only must you have skilled skills and unique ideas, but you must also constantly improve your moral quality and literary accomplishment, and use correct theories to guide creation.
Question 3: There is something in the painting, what does it mean? 1. Bullshit == nonsense
2. Just like a person who knows whether he is warm or cold after drinking water
Question 4: What are the composition and artistic conception of Chinese painting? The composition of traditional Chinese painting is the composition. , is to arrange the rules of image art and the painter's intention of painting, which can also be called layout. In the Southern Qi Dynasty, Xie He's "Six Methods" on painting said it was the management position, and in the Eastern Jin Dynasty, Gu Kaizhi called the composition "the layout of the layout."
Chinese painting pays particular attention to the method of establishing ideas and images (shapes), and composition is an important part of establishing images. Therefore, the composition layout is affected by its unique observation methods and expression methods as well as the nation's appreciation habits, forming special rules and methods. The method of composition is closely related to the use of pen, ink, color and perspective. At the same time, it shows strong freehand brushwork and flexibility when expressing the conception of the picture. This kind of freehand brushwork and flexibility are reflected in the perspective, selection, priority, momentum, opening and closing, echo, blank, density, interspersion, virtuality and reality, the processing of corners, and the processing of titles and seals. The use of these flexible artistic techniques is conducive to breaking through the psychological and visual limitations caused by natural time and space, so that the theme of the picture can be more perfectly expressed.
In traditional painting composition and layout, the processing of perspective mainly adopts unfixed viewpoints to show the field of view of the painting. This perspective method is called moving perspective, also known as scattered perspective. In fact, it is more accurate to call it motion perspective. Chinese painting's appreciation habit of looking at all aspects and moving scenery with people requires that the composition be dealt with. In this way, the viewer can see comprehensively, deeply and precisely, and have a visual experience that is promising, travelable and habitable. Therefore, Chinese painters adopt the viewpoint of not being slaves to nature and using things for themselves, and boldly and skillfully use the panoramic view method, the three-distance method, and the large-scale and small-scale overlooking movement perspective method to organize the scenery and characters in the painting, so as to achieve the goal of making the viewer The artistic effect of wandering and wandering.
In the layout of Chinese calligraphy, in order to establish an image of an object, you must first cut and choose to distinguish the subject and the guest. Then the picture is arranged according to the reverse movement of objects, making it undulating and connected, creating a breathtaking atmosphere.
In the arrangement of traditional Chinese paintings, if the composition of the picture is to be flexible, comfortable and varied, it must skillfully handle the relationship between blank space, density, and reality. The so-called blank space is a place without painting, a place of emptiness, and a place of sparseness. It is relative to density and reality, and is closely related to density, virtuality and reality. Virtual reality has a great influence on composition and pen and ink. The so-called virtuality and reality coexist, and every place without painting becomes a wonderful scene, that is, there is density and density, which can break the even arrangement in the composition. Cleverly arranging density, gathering and dispersion can give the picture an ethereal and changing artistic conception. As the proverb goes: It's airtight, but it's sparse enough to allow a horse to wander.
In addition, traditional Chinese painting attaches great importance to inscriptions and seals. In terms of the composition of a painting, proper arrangement of inscriptions, postscripts, and seals can play a role in stabilizing and harmonizing the composition. Therefore, Chinese painting, inscriptions, seals, calligraphy, and poetry complement and enhance each other, and can achieve mutually reinforcing artistic effects.
The so-called artistic conception refers to the state of thoughts and feelings reflected in the painting. Meaning is the painter's wonderful emotional understanding of objects, and the so-called realm is the realm.
Artistic conception is the result of the reflection of things in objective life in the mind of the painter. It is the subjective feeling caused by the painter's in-depth observation, experience and understanding (i.e. feeling) of the objective object before painting, and then feeds back the vivid and strong feelings to the depicted object, achieving the state of forgetting both the object and myself. Moreover, Chinese painting advocates using objects to convey feelings, scenery to imply meaning, and gods to take shapes. The brushwork is not thorough but the intention is thorough, and the brushwork is not thorough but the heart is respectful.
While summarizing the objective objects, it is necessary to integrate the painter's subjective feelings, and reflect the painter's subjective feelings by depicting the objects to create images, so that the subjective emotions and the spiritual character of the objective objects can be blended and transformed, that is, divine encounter (Shi Tao's words) And traces... >>
Question 5: What does the painting mean? What are the numbers? Wake up, friends!
Question six: What does "there is something in the painting" mean? This painting should express an idea or what message should this painting convey to a specific person?
Question seven: What is the artistic conception of Chinese landscape painting? Sigh, there are so many copies uploaded upstairs, does the poster have the patience to read them all? Let me give you a concise answer. What Chinese landscape painters pursue is often a realm that is more profound and more alluring than realistically depicting trees, mountains, and rivers in nature, which is called artistic conception.
Question 8: What does it mean if someone says you look like you stepped out of a painting? It should be a compliment. Because poetry and picturesqueness both represent beauty.