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What is the tradition of calligraphy?
We are always talking about inheriting and carrying forward the fine tradition of calligraphy, but what exactly is a fine tradition? Many people still don't understand! What do you mean, inherit and carry forward? Let me talk about what is the excellent tradition of calligraphy. When you understand it, start to inherit and carry forward it!
First, the concept of spirit
For example, the spirit of hard work, self-motivation and perseverance. Wang Xizhi's pool is full of ink. Are they all ancient? , Shi Zhiyong decadent pen into the grave, Ou Yangxun in Maguan monument, Minnan Gongji ancient home, etc. For example, Suntech's self-cultivation and the concept of paying equal attention to calligraphy and words. The history of calligraphy has given great tolerance to different schools and styles, forming a fine tradition of pluralism and tolerance. While inheriting the tradition, calligraphers of past dynasties constantly put forward new propositions and concepts, and constantly explored new aesthetic realms. Innovation is not divorced from inheritance, and inheritance is more for innovation. The high combination of inheritance and innovation is the essence of calligraphy tradition.
Second, the technical system.
Any art that can be handed down for a long time will leave a door for future generations to enter the room, which is its perfect technique system. After thousands of years of operation and construction, calligraphy art has formed a complete and open technical system. These techniques can be passed down to this day because they are the summary of the exploration practice and successful experience of calligraphers in past dynasties, reflecting the law of calligraphy art, and are still effective and useful today. Whether using pen, knot, composition, paper, ink, thread and form, the rich experience accumulated by predecessors is undoubtedly extremely valuable wealth for those who study calligraphy today. Nowadays, people don't have to explore a set of writing methods themselves from the beginning. By attaching posts, learning from predecessors' expositions and inheriting their successful experiences, we can not only save a lot of time and energy, but also stand higher and see farther.
Third, personal style.
Works of art are often personalized. The factors of the times provide the background and conditions for the prosperity and development of art, but the ultimate achievement still depends on personal efforts. Throughout the history of calligraphy, every period of prosperity and development of calligraphy art is a peak period, and each peak has its distinctive characteristics, complete technique system, unique aesthetic value and eternal artistic charm. Facts have proved that only those calligraphy paradigms that are deeply rooted in tradition and have distinctive personal characteristics can be widely loved by the broad masses, spread for a long time and become classics in the history of calligraphy.
Fourth, the heart of awe.
This awe is based on a deep understanding of traditional culture. China always has? Cherish word paper? What we respect here is not only a piece of paper, but also the spirit of China traditional culture. As a contemporary calligrapher, if one-sided emphasis? Personality expression of subjective consciousness? It is undoubtedly a blasphemy to believe in hand painting and not be afraid of tradition. For calligraphers, it is certainly a wise choice to take an ancient classic style as a model, but we should also pay attention to careful analysis, reasonable selection and integration of various forces.
Verb (short for verb)? Keep? And then what? Chuang?
The classics and representative figures of ancient calligraphy, in addition to their classicality and demonstration, sometimes have a habit and craft in their personal style, which should be avoided when future generations study classics. The problem here is not tradition, but whether our understanding of tradition is comprehensive and profound and whether the method of inheriting tradition is correct. Zhu Hegang in Qing Dynasty said in Linchi New Street. Learning books does not follow the rules, nor does it fail to walk out of the rules. When the book path has been established, painting sand and inkpad can do whatever they want. ? This shows that the traditional spirit already exists? Keep? And then what? Chuang? Two aspects. If one-sided emphasis on innovation, not copying the ancients, it is inevitable that the foundation is not solid, the foundation is not solid, the pen is not in place, and people will laugh at it? Wild fox Zen? ; And blindly emphasizing inheritance and not daring to cross the line will undoubtedly become a traditional slave, and it is also enterprising.
Sixth, cultivate talents.
An innovative talent worthy of great responsibility must first remember that he should have solid traditional skills, keen artistic sense, extensive knowledge reserve and rigorous learning attitude. In addition, we must have a sense of responsibility and dedication, endure loneliness, sit on the bench, regardless of temporary gains and losses, stand the test of failure and time, persevere, step by step, and climb the peak in a down-to-earth manner. With these, we can innovate cautiously on the basis of tradition. Relevant leaders, calligraphers and organizers of book associations at all levels should be good at discovering innovative talents and achievements in art in time and encouraging those who dare to innovate in art? Prejudice, go your own way? Explorers, for them? Look up and down? We should fully affirm their spirit and strive to give them a relaxed environment for growth, which is not easy? Beat to death with a stick And then what? Murder? .